Song dynasty tea black glaze,

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light exposure, deep abdomen, ring foot. Between the inner and outer cover shiny black glaze, glaze cloth with a little brown spots, colour and lustre moist, glittering and translucent and bright, with the change of Angle mobile flash out of the blue, red, yellow, brown wait for color halo, add a sense of mystery. Mouth edge due to high temperatures, the black glaze flow fast, irregular form a paste, through the sauce mouth visible mass of fetal bone white. At the bottom of the tea light glazing as bottom, tire is primary.

xu Ming times shu “tea shu” : “the tea, the ancient kiln fixed rabbit hair flower, also dou tea that comes with ears.” Most of the black glaze porcelain in the north and south song dynasties aesthetic connotation is manifested by the tea culture. Song dynasty “bucket tea” wind rise, dou tea the outcome of the flag is whether tea bowl wall adhesion, bowl form tea, first is the loser. Which related to the quality of the tea and tea technology, tea light headed by opting for a more heavy, especially focuses on the black glaze tea light. Cai Xiang account in the “tea”, “dark brown white, appropriate black light, its easy to check.” In order to meet the need of bucket tea, song dynasty will be white tea bowl in the dark, in contrast, is easy to review. Tea and black glaze, reflects the profound artistic conception in the colour and lustre of quiet, into the spirit of nature reservation culture, but also the art song dynasty literati pursuit and spiritual enjoyment. Its northern kiln “black”, the south “to build kilns” and “jizhou kiln” black glaze porcelain, are preferred as a bucket of tea vessels. This tea or can be categorized into the black set, its fine dew tire can be established the level of porcelain, the glaze color, such as paint, gleaming, color stability and the connotation of silence, aftertaste making a person is boundless, also reflects the poets advocating innocent nature of aesthetic.