Ming in the 15th century Blue and white kylin grain mei bottles

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in the Ming dynasty, XFX, tianshun dynasties orthodoxy, no officer of writing implements, referred to as the “blank” period in the history of ceramics. But look from the literature, the orthodox three years (1438) banned people up the fire and the blue and white porcelain up specimen; XFX five years (1451) have reduced spare state, made China a third of the records; Tianshun first year (1457) sent burning officer to jingdezhen overseers in China, the same no matter the officer, the people of kiln has the fire. The dynasties of handed down porcelain wares in addition to the vessels is known as the “hand YunTang” character figure, another kind is given priority to with kirin, peacocks and benevolent lines of mei bottles, cans. Mr GengBaoChang has pointed out: “these artifacts, and meanwhile painting masters Lin Liang Dai Jin painting style is consistent, contact to the related literature, the author thinks that, this batch of porcelain ware, is the royal custom since late jintong, created by artisans paint with generation, imperial kiln wares for reward ZhuFan king”, see “Ming and qing dynasties porcelain appraisal”, published in 1993, pp. 74. Such as kirin is a rare show of fifteenth century blue and white plum bottle, mentioned above a piece of liaoning province museum of kirin, miscellaneous treasure moire mei bottle, see chap, before 74. Can be better than a 15 th-century blue peacock kylin grain big pot, published in 1976 in Tokyo the world ceramic corpora: Ming, 14 volumes, pp. 48-49.