Qing jiaqing, white-floored pastel bound branches sweet grain kwok-bun bottle
lots of informationThe
| – | size | 26 cm high | |
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| work classification | ceramic famille rose porcelain in the the qing dynasty | s | |
| value | HKD 1800000-2200000 | ||
| price |
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| Chinese porcelain and works of art important | 2017-05-29 | ||
| Tokyo central Hong Kong auction co., LTD. | auction | 2017 spring sale | |
| description | Source: European private collectors, their ancestors in the early twentieth century in Shanghai lawyers when purchased. the shape refer to: the Ming and qing dynasties porcelain identification, GengBaoChang, two wood press, the Forbidden City publishing house, 1993, pp. 294, chart 498-9. refer to: 1. The Palace Museum in Beijing, qianlong model of green pastel sweet lotus flower grain Tibetan herb bottle. 2. Put on the old Tibetan, qing qianlong pastel blue longnu wear grass flowers hidden bottle, see who collect the yuanmingyuan, jincheng press, July 2013, pp. 84, 209 chart. kwok-bun bottle for holding water, is the important for of the Tibetan Buddhism, flourished in qianlong and jiaqing period, is the royal temple to belong to one of the important multiplier and Tibetan temples to burn, is the emperor of the qing dynasty attached great importance to. In the sight of this bottle of Ben, modelling neat, shaped like a pagoda, long neck, round body left footed. Perfect craft, pastel grain. Cover abdominal body painting with lotus flower sweet grain, neck with red, yellow, purple, blue four color painting, and shins, four-color AngLian disc grain fluctuation echo, strong religious color, reveal the royal majestic bearing. Pastel in white ground, under the set off of the gold, took their cue from the qianlong pastel grace richly flavor. Apparatus and the bottom of all turquoise glaze, with alum red color at the bottom of the book “qing jiaqing years” six seal character. Of the product shape is shown Yu Geng treasure chang of the Ming and qing dynasties porcelain identification chart 498 “jiaqing plan”, one of the visible for the typical shape of jiaqing. jiaqing influenced deeply by the father of the qianlong emperor believed in Tibetan Buddhism, acceded to the throne after the pious worship Buddha, the course also keeps palaces around the temple, temple and imitate the progenitor, sejong, Gao Zongzhi, head of Tibetan royal nobles and west cruise buddhist shrine wutai mountain. In summer resort for many times, religious leaders meet with Tibetan region of the parties and the Tibetan has always been to maintain close relations. The pomp of the communication from the existing museum of Beijing the imperial palace “jiaqing method unto a figure” peep. So the jiaqing conventionality old imperial kiln, continue to produce a large number of Tibetan Buddhism style of porcelain multiplier, supply and etc. Its production in qianlong implements, neither glazed, modelling, decorative design in a utensil with power, not a “dry fine both”. This product full colored glaze, exquisite decorative painting work is careful, theory of modelling, glaze color all can act recklessly, is regnant exemplified the imperial kiln chinaware. access to public and private institutions, hidden on Ben ba most bottles with qianlong model is given priority to, jiaqing money is too little. Especially with white glaze for ground, there is few. Currently only see paragraph put on the old Tibetan example qianlong “blue and white longnu wearing pastel flowers hidden grass bottles” for white glaze, is exclusivity. |
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the source:https://auction.artron.net/paimai-art5103690722/
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