Qing qianlong Blue and white tie Sanskrit footed bowl lotus flower
lots of informationThe
| – | size | 14.6 cm in diameter | |
|---|---|---|---|
| work classification | s | the qing qianlong | |
| value | RMB 380000-580000 | ||
| price |
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| court important porcelain, jade, arts and crafts | 2017-06-07 | ||
| Beijing poly real international auction co., LTD. | auction | Beijing poly real 12 th anniversary spring sale | |
| description | On the mouth, oblique abdominal, footed micro arch rib lap. Tie up on the outside wall paint lotus flower pattern, on the blue and white Sanskrit mantra, 8 font gauge to neatly, near the bottom of the drawing deformation lotus-shaped lines for a week. Best on wall act the role ofing, decorative pattern, painted a raised edge folding branches among flowers, under the act the role of vertical curtain ruyi wreaths all lines. White solid carcass, glaze jade-like stone embellish, blue and white pale, bright beautiful, cui yan is about to drip. Foot wall blue cross book “qing qianlong year” six seal character. Blue and white color more, glazed smooth density. The whole modelling beautiful, tire body white, blue and white color element, pattern is natural smooth lines, is the high-quality goods of qianlong period blue and white. in the qing dynasty court believed in Tibetan Buddhism, so the imperial kilns of Buddhism for device for display, such as the type footed cup, its burning in qianlong imperial kiln, based on a temple for a SuYouDeng Tibet region. After the followed, hence into kiln pattern. The lights are the ever-burning lamps of perennial honours before niches, with oil as fuel. Emperor qian long life very pious belief in tantra, the palace many artifacts were thick with the style of Tibetan Buddhism, this machine is one of them. don’t compare similar example, Tibet museum, the Palace Museum, nanjing museum and other important public and private institutions at home and abroad both have similar varieties of qianlong dynasty, collection with several items decorative design in a utensil, inscription is consistent, for reference. refer to: “the Tibet museum the Ming and qing dynasties porcelain products,” the Tibet museum, 2004, pp. 114-115 “palace treasures – the Chinese qing dynasty imperial porcelain”, nanjing museum, 2005, pp. 377 “the Palace Museum collection of ancient ceramic materials an volume two, the Forbidden City publishing house, 2005, pp. 213, 189 |
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the source:https://auction.artron.net/paimai-art5105335852/
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The qing emperor kangxi character figure to cup (a)
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