Qing qianlong the painted fruit best for plate (a),
lots of informationThe
| – | size | base high 16.5 cm; Peach high 7 cm; Pomegranate 8 cm high | |
|---|---|---|---|
| work classification | ceramic famille rose porcelain in the the qing dynasty | s | the qing qianlong |
| value | RMB 8000000-12000000 | ||
| price |
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| the royal offered home – cooked | 2017-06-08 | ||
| Beijing orthodox auction co., LTD. | auction | 2017 spring auction | |
| description | Pastel fruit for the plate of a pair of the national Palace Museum QiWuBu deputy researcher One of the Zheng Hong for a temple. Implements consists of three parts, the upper is skimming mouth type tray, the middle section is high, the ji type plate, the bottom pedestal as imitation wood colour paint. Top platter arc in the abdomen, the bottom of the heart flat, turquoise glazed, mouth along the act the role of pastel ruyi yuntou lines within a week, the outer wall for alum red colour flower grain fold branches. Intermediate tray for straight mouth arc shape, this mouth along the painted blue material been branch lines, abdomen is green enamel fold branch flowers, lower tray exteriors alum red lotus petal shaped medallion grain, upper and lower paint colour for a week. A halberd type supporting column grain for green enamel fold branch flowers adornment, outside wall, symmetry under each model four longnu, at the bottom of the pedestal as imitation wood paint paint floral print styles, the table for purple colour fold branch flowers, there are four ruyi yuntou shaped foot bottom. implements decoration heavy and complicated, more than ten layers, decorative techniques to pastel in color, color and paint process is given priority to, integrating model, bionic porcelain craft, craft complex, decorative numerous and orderly, and colour contrast, reflects the qianlong imperial porcelain during the period of heavy and complicated, the production of fine style. 外底内金彩篆书「大清乾隆年制六字三行篆书款，周围以朵花型装饰，为景德镇御窑厂烧制的清宫御用瓷器。清代宫廷中常年陈设供盘、供碗等供器用于佛、道供奉，其内盛放新鲜果品。清宫中陈设果品供盘多为铜胎珐琅器制品。此器供果、供盘均为瓷质烧造，供果为仿生瓷果品，一盘内盛放仿生瓷石榴四枚，一盘内盛放仿生瓷寿桃四个。《清代内务府则例》中称供果为荐鲜，是以新鲜的时令水果作为供品的专用名词，既见于清代祭祖供品中，也见于佛、道供品。用陶瓷制作的类似于荐鲜的果供形式往往用于常年陈设，替代生鲜供品，免于更换，这是清中期以来出现的新的供奉形式。 此器以瓷器制作的形式，仿造宫廷实际供奉器物，真实生动。器物制作精美，色彩丰富、鲜艳、明亮、装饰繁复，具有强烈的宫廷特色。无论从瓷器的造型、釉彩、装饰、款识、制作工艺等方面都说明其为宫廷御用供器，充分体现出宫廷御用瓷器的特色。《清宫瓷器档案全集》记载，乾隆三十五年六月十八日九江关监督伊龄阿进贡：大无量寿佛九尊、无量寿佛八十一尊（中略）、洋彩八宝三分（份）、珐琅果供3分（份），（中略）交胡世杰看地方安供。 这种粉彩瓷质果供不论在个人和博物馆的藏品以及艺术品市场上数量较少。此对果供成对出现，制作精细，品相完整，为宫廷御用之器，尤为难得。 此对供盘是景德镇御窑烧厂烧制最富创造力的器物之一，通常做为礼佛用瓷陈设于佛堂。乾隆一朝礼佛用瓷颇为丰富，这与乾隆皇帝的宗教信仰有密不可分的关系。乾隆皇帝笃信藏传佛教，此一时期宫中佛堂甚多，仅紫禁城内就有佛堂四十余处，并热心参与礼佛瓷器制作，多次下旨烧造礼佛用瓷，如乾隆二十四年闰六月十八日，传旨照铜掐丝珐琅五供、掐丝珐琅八供、银塔、铜贲巴壶、银宝瓶、金镶松石甘露瓶、铜镀金轮等佛堂供器画样，同时对五供养、七供、七珍、八宝亦画样呈览，准时交舒善做木样带往江西烧造瓷器。（图一）另乾隆二十四年，珐琅作三月十六日，传旨：「着照含经堂西楼中间供的照样做掐丝珐琅果托八件…」奉旨：「得时送往含经堂供。钦此。」由此可知，此一时期的礼佛用瓷，其造型及纹样多有借鉴铜掐丝珐琅、金、银等工艺技术，结合多种艺术形式于一体，形成自己独特的装饰风格，超越前朝，精美之极。如本品之装饰及造型即承袭此一风格而来，这种供盘托宝珍之造型大多为七珍或八宝，而材质以掐丝珐琅居多，可以说本品无论从材质、造型到装饰工艺皆可谓罕见。 ［来源］香港佳士得，1997年4月27日，Lot50。 |
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the source:https://auction.artron.net/paimai-art5105001507/
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