Tang (618-907), ligou black glazed bowl in white

• auction

see: museum of Beijing the imperial palace, the description in the China ceramics corpora, volume 5, sui and tang dynasties “, Shanghai people’s fine arts publishing house, 2000, pp. 175, the figure 187

sui, tang and five dynasties period, especially in the north, many kilns at the same time in the production of white porcelain, celadon, and fire black porcelain. Such as shaanxi kiln fort yellow, muddy source kiln in shanxi, henan ligou kiln, dense county kiln, kiln LuShan period of shops, xing kiln, kiln site of hebei province and shandong zibo kiln, etc., some of which he is given priority to with producing black porcelain. At the time of the vast majority of black porcelain without ornamentation, decorative jacquard keeps to use glaze color contrast to display, such as auction style, outside in the white and black.
this bowl shape of the tang dynasty are common, in addition to the ceramic products, treasure are visible. Tire body slightly thick, open mouth along the arc wall, shallow abdomen, flat, wide ring foot. In the craft, the micro flash yellow, finely cracked, glaze with flow phenomenon. Applied the black glaze is less than the bottom, half light wood, embryo glaze line is clear, no flow phenomenon of glaze, glaze layer thin. Mouth tallied, bottom of foot acerbity, visible fine white powder carcass quality, has a certain degree of vitrified, visible for mud after repeated elutriation, exquisite techniques.
the bowl shape dignified, exquisite, line clean out sharply. The use of black and white contrast, a kiln in the austere see change, and gentle and beautiful. Apply principles of arts and crafts, of course, also do not idle, white glaze appeared in the wall, the meaning of the function is food in the bowl, the set off of white glaze makes food color is easy to distinguish, clean.