The tang dynasty Three-color applique hanging bell horses (a)

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the three-color horse, a horse full white glaze, erect ears, two eyes, ears before the mane is divided into “eight” glyph to roll up on both sides, and back neck short mane straight shaft, head Dai Lao head, hip after the beam end coil, a limb erect on the rectangular plate, back short mane ShiBai glaze, the saddle on the horse and both browns color glaze, leather belt leather belt hanging apricot leaf yellow and green glaze, color and decoration of the horse is very magnificent.
another one with perfect ShiBai three glaze, green, brown, wearing a chest and autumn climbing belt, hanging ornaments, apricot leaf shape on a horse with a saddle and saddle Fu outsourcing, the lining of carve patterns or designs on woodwork pads and mud, upright on the plate and show stand in quiet manner, strong biaofei ma, hips developed, strong legs, everywhere can give an intrinsic, real beauty. Overall modelling atmosphere dignified, colour and lustre is mottled dripping wet, leaching seeps naturally coloured drawing or pattern, expression vivid, lifelike facial expressions, as the ancient Chinese sculpture art of outstanding works, there are extremely rare.
the tang can say is a representative of the tang dynasty ceramic culture, three-color TaoMa is most of sculpture art in the tang dynasty can reflect the spirit of the tang dynasty era, the most representative in the tang. Three-color horse is carrying the heavy history and rich cultural connotation, in a bold, open, compatible and prosperous era of storage, with its colorful, magnificent and colorful morphology told the time spirit of sculpture after his horse. See: for

1. の art ceramics in China in August 1982, weak social issue, No. 36
2. “the museum of Chinese の volume 7 Henan museum, museum of henan province editor, corporation kodansha, 1983 Cultural relics publishing houses, No. 147