Qing qianlong pastel landscape character figure double therefore ear

• RMB 16127100
• HKD 18100000
• USD 2316800
• EUR 1810000

related information pot body ACTS the role of landscape, such as scroll around them, rarely seen in the qing dynasty porcelain products. Grain even over long, painted in the round to the wall, especially heavy artisans exquisite brushwork, pay attention to the composition skills. See one recent example, draw mountain figure, match similar archaize dragon grain ear side, or with the product, in pairs meltzer commemorative collection, Tokyo, in Japanese cocoon longquan mountain hall seventy, volume 1, Tokyo, 1976, 1071, chart show in the qing dynasty ceramics, earth-sized gallery, –, in 1984, no. 17.

pot act the role of magnificent mountain scenery, scenery stands, vegetation profusion, cliff towering, yt, should be created by jingdezhen du tao guan b. Every b QianYin figure, or by its close to draw on, or by the porcelain makers move according to their paintings seiko tracing, custom in the beginning of emperor qianlong. The figure on the four Wang Zhengtong of prevalent at the beginning of the qing dynasty painting style. B early also as one of the four wang yuanqi teen.

similar early years of The qianlong landscape diagram, see a lantern example, b attached TiKuan, Charles Russell old Tibet, twice sotheby’s in London, June 25, 1946, no. 79198 for eight years on November 15, no. 52, during The Paul and Helen Bernat and collection, and then sold at Christie’s in Hong Kong on April 29, 2001, no. 516, sheriff’s strong, “Tang Ying, (1682-1756). The Imperial Factory Superintendent at Jingdezhen>, The Oriental ceramic society transactions, vol 63198, 8-89, 73, figure 8, contrast a hidden b of Beijing The Imperial palace landscape painting, figure 9, The other in Julian Thompson, The ZhuangShao suijiang collection of Chinese porcelain”, Hong Kong, 2009, 101 chart. A slightly smaller lanterns bottle, painted with landscape and a sense of qing qianlong Ding Mao year, no b QianYin, Robert c. Bruce and Dr Corkin Knight old hide, show east ceramic society “The Arts of The Ch” ing Dynasty, The Arts Council Gallery, London, 1964, no. 215. Another larger cases, nothing in The British museum in London, in Soame Jenyns, The Later Chinese Porcelain. The Ch “ing Dynasty (1644-1912), London, 1951, chart XCIII, figure 1.

body pleasant mountain plain, vivid, popular with members of the royal family, the literati elite love enjoying, to release the burden. In addition to porcelain, figure of landscape were also found in all kinds of shape, such as pen container, porcelain, jade, wood and rhinoceros horn precious material and system, since qianlong once now increasing, then mix the skill of the icing on the cake, more like a scroll edging, Dai Runzhai hidden a pair of good example, sotheby’s sale in Hong Kong on October 7, 2010, no. 2130.

similar alum red colour longnu ear big Buddha, the more common act the role of the deer, one in Shanghai museum, in “China ceramics complete works”, Shanghai, 1999, volume 15, 17, chart and figure in the book cover. See example, old qing, remained in Beijing’s Forbidden City, in the Palace Museum hidden treasures collected. Colored enamel, enamel “, Hong Kong, 1999, 85 chart. Another example, in the auction, lot no. 3625.