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yuan Blue and white lotus pond yuanyang wen ling mouth tray | china porcelain
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yuan Blue and white lotus pond yuanyang wen ling mouth tray

yuan Blue and white lotus pond yuanyang wen ling mouth tray

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size 29.2 cm in diameter
work classification the yuan dynasty before ceramic s
value HKD 1500000-2000000
price
  • RMB 2102760
  • HKD 2360000
  • USD 302080
  • EUR 236000
meiyintang collection, yuan, Ming and the qing imperial porcelain picks 2017-04-04
poly real auction co., LTD. Hong Kong auction poly real Hong Kong 2017 spring sale
Published
Regina krahl, meiyintang China ceramics, London, 1994-2010, vol. 2, no. 639
description Source
Eskenazi Ltd, London

this product is a ling, folding along, shallow arc wall, ring foot, red sand bottom pan flint. Dish heart painted two mandarin duck swimming Yu Lian pool, a FuShui forward, a look back, look aroused, lotus, lotus leaf, duckweed, grass dotted around, glittering, joy of life is abundant. Draw put chrysanthemums the wall decoration, with seven flower blooming chrysanthemums makeup dot inside the circle, fold along the above drawing to volume grass grain, outer wall paint AngLian lines in a week. Decorative design heavy and complicated, Ming yan color of blue and white hair and bring out the best in each other, xiah in see broadly scattered qi, a great of yuan blue and white.
dish heart painted lotus pool of yuanyang figure belong to “lianchi kei chan” theme is one of the, a common pattern is the yuan blue and white porcelain. Yuan dynasty “can spare old man”, “mandarin duck 㶉 ð « › ¶ pool full of charming, he chopped gold a few day. Sooner or later the king day life of section, to the royal daming Visible “full pool jiao” is a kind of court dress design, to depict the flowers in the pond, birds, landscape is given priority to, so the blue and white “lianchi kei chan” is the development. Existing in the yuan dynasty blue-and-white porcelain, small unit and amplifier more scarce, so alive that is rare to see.
the lianchi yuanyang pattern. Beside a large lotus plants, meanwhile, swaying on the lotus, lotus, such as, mushroom, duckweed, or tingting bloom, or curled up to stay open. Lotus under a pair of mandarin duck swimming paddle, its feathers colorful, with rippling waves set off, the composition is very full, color on the lotus, girlfriend, idyllic scenery elegant. This lianchi yuanyang pattern, namely by court since song and yuan appreciation, and have a “full pool jiao” and combine. More used in yuan dynasty imperial apparel pattern and porcelain decoration pattern, then yong xuan in the early years of Ming dynasty, the theme is also more on porcelain decoration. “Full pool jiao”, the name is very elegant, is the yuan dynasty famous painter, KuiZhang pavilion pound KeJiuSi thatched cottage set. “indiana Jones and the temple of fifteen the first word” “in the first 12 said:” the concept of generic LanRao too fluid, jade garden shao mandarin duck play. Say with little baby bear in mind that take, royal shirt embroidered full pool jiao.” KeJiuSi also make comments after “the word” explained: “the day calendar, royal shirts as the pond kei chan, refers to the full pool of jiao”.
this product is different from the common market of yuan dynasty, its body is very neat. A few similar cases, can see Iran’s national museum, yuan blue and white lotus pond yuanyang grain fold along the broader market, similar to the product, can make the reference, the deep and remote blue look ─ ─ the yuan dynasty blue and white porcelain, set “, the Shanghai museum, 2012, pp. 132, 133, figure 36. Other related pieces, can be found in the unearthed jingdezhen ceramics exhibition, chemical nitrite mountain museum, Hong Kong, in 1992, no. 161. New Delhi, India’s court buildings Kotla Firuzshah was destroyed in 1398, the relics unearthed porcelain pieces, decorative design similar to this product, recorded in Ellen Smart, “Oriental ceramic association, vol 41197 5 to 7 years, chart 75 a. Another similar white porcelain, painting work somewhat straightforward, plate edge to lotus chrysanthemum is adornment, sold at Christie’s in London, June 5, 1995, no. 147.

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