description |
Record: at Christie ‘s in Hong Kong, on May 1, 2000, no. 0692; at Christie’s in Hong Kong, November 28, 2005, no. 1390. Hong Kong su fu (according to the label)
note: bottle mouth, long neck, slightly hanging drum abdomen, ring foot out, at the end of the book “qing qianlong year six” three lines of the seal character. Perfect blue and white paint grain, the bottleneck of draw three layers of grain each week, for the upper back in grain, tangled branches decorative pattern, is among the lower cloud grain for prolapse, back on the draw near the foot deformation in grain that coincide with the week. Foot wall act the role of a week and a half lotus edging. Abdominal ACTS the role of blue and white banana bamboo stone, around the railing, banana and LanZhu in stone, vibrant, chic fun of rich garden kei chan. bamboo stone plantain grain okho spring which is also called “blue and white poetic bottle”, this kind of decorative lines beginning see Yu Mingchu yongle kilns (see the Palace Museum hid Ming blue and white porcelain “, page 44, 45, figure 18), yongzheng period in qing dynasty imperial kiln have been copied, have ChongBi point touch the painting style that is full of rocks, but beg archaize is not agency, qianlong followed, hence into guanyao traditional varieties, is the classic of qing dynasty palace furnishings porcelain. Outer wall body decorative painting has different Yu Kangxi toward “hemp Cun” or “appeared Cun” technique, has touched a deliberate imitation Ming qing ChongBi material to the characteristics of the mid Ming dynasty to the qing dynasty domestic cobalt material using high manganese low iron, cobalt blue material used in the kiln to Mohammedan blue material and gravel mixture, so the bottle by apply the blue and white hair color is deep, the tonal and quiet and tastefully laid out and Ming yan, bamboo stone plantain grain elegant artistic conception, an ink and lasting appeal. Bamboo and stone banana in the ancient Chinese traditional moral culture represents a hugely increased, so the dignitaries used this device as a decoration in the home. the okho spring bottle of line drawing, shape is grave and elegant, TaiZhi solid white, moist and bright glaze juice, blue and white hair colour lively, decorative paint is exquisite, rich administrative levels feels, fake rock gently with brush paint, calligraphic style skillfully, shu lang composition is proper, give a person the sense with ink painting sketch painting of beautiful. Beijing’s Palace Museum ChuXiu miya higashi seen in time between the original state display (see “classic of the imperial palace, the Palace Museum TuDian life” and the Forbidden City publishing house, 2011, pp. 142, figure 214.) Antique shops, and the other the Palace Museum in Taipei and Shanghai are in possession of the same kind of qianlong dynasty works, for comparison.
refer to: 1. “the qing dynasty porcelain objects” Shanghai science and technology press, 2005, pp. 135, 166. 2. The qing Kang Yonggan coating “, the Palace Museum, Taipei 1986, pp. 102, 72; nullnullnullnullnullnull
原创文章,作者:lostcat,如若转载,请注明出处:http://culture.ceramicsj.com/2019/02/22/qing-qianlong-blue-and-white-bamboo-stone-plantain-grain-okho-spring/
|