Qing qianlong Blue and white dragon grain market

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note: disc to large, imposing manner shake. Dish act the role of sea waves, the internal and external wall between four row dragon through the lotus flower. The outer wall paint dragon wear pattern. Dish heart draw positive Zhang Yizhi dragon, that is, “dragon”, end make good form, painted dragon is very fierce, in the dense grain layout, more alive. “Dragon” for the dragon of the dragon in life expectancy. Qu yuan’s jiu ge Ceng Shu should dragon help dayu water conservancy. Another “above” cloud: “dragon in five hundred for the Angle of the dragon, for one thousand should be a dragon.” This offer unique moral, impenetrable and composition, as well as qianlong kiln porcelain a jack. Bright blue hair color, transition, illustration, with distinctive characteristics of the early Ming blue and white porcelain of jingdezhen imperial which copy. Bottom left “qing qianlong year” blue and white seal character.
the qianlong imperial kiln fire around the earliest record of lotus flower dragon porcelain, appeared in the qianlong three years. “Qing dynasty palace office building does work place file” records: qianlong three years “25 June, seven leaders SaMu ha, push the total Bai Shixiu, eunuch takadama xuan kiln qinglong the market into a. Favor: the magnetic device to 焼 created b 焼 made just the same.” Know such grail of qing dynasty, jingdezhen imperial plant, according to the qianlong emperor will fire imitation Ming xuande blue varieties. This kind of qianlong market, large size, draw great momentums, rare handed down from ancient times, public and private collections only for example, to compare. Nanjing museum has hidden, pictured catalogue “qing porcelain extraction Jane: Kang Yonggan officer pits in the qing dynasty porcelain”, the flagstaff house museum of the Chinese university of Hong Kong, Hong Kong, in 1995, no. 81, jacket and printed in the catalog. Another example, the light in Tokyo gallery, in the light art museum collections catalog, China ceramics “, the light art museum, Tokyo, in 1987, no. 956. Library and reference Japan jing jia hall gallery collection, see the Tibetan qing dynasty ceramics: jing jia hall jingdezhen officer pit beauty “, Tokyo, 2006, pp. 62, figure 53. At Christie’s in Hong Kong on October 28, 2002, has made a case, no. 709. The qing dynasty artisans, regarding the spatial layout skilled accurately, a dab hand at, success will be so cheap style to do it. In this offer with new elements, compatible, harmonious, unconcerned with sparse empty or congestion clusters, innocent LvYi, show the essence pattern.