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Qing yongzheng beaming on blue and white bottles | china porcelain
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Qing yongzheng beaming on blue and white bottles

Qing yongzheng beaming on blue and white bottles

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the qing dynasty blue and white porcelain ceramicsCreation

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size 37 cm high
work classification s the qing yongzheng
value HKD 40000000-60000000
price
  • RMB 40116600
  • HKD 45900000
  • USD 5875200
  • EUR 4590000
important Chinese porcelain and craft boutique 2016-11-30
Christie ‘s Hong Kong co., LTD. auction 2016 autumn auction
six – character seal character models
description Small bottle expressions using, straight neck and neck two edging ruyi shaped ears, oblate belly, oval ring foot. The Perfect blue grain, painting bamboo leaf veins, neck shoulder part and the draw five out of the corresponding leaf veins, ears each act the role of ganoderma lucidum, the bottle side to draw a pair of pay-per-tweet Robins meishucunian mutual duet, bamboo tree bottom, short what clusters; On the other side draw a pair of birds perched on apricot blossom tree, a bird look back look to its companions. Bottom blue book “qing yongzheng year” seal character. Shades of blue and white hair color qingli profound and complicated, and painters vivid and exquisite. Source

since the 1950 s into private collections, London, and since then has been circulating in family

flair:
Sue rose from the ceramic flower decoration, China – the international academic director of Asian art department
this clue on bottles, perfectly illustrates one of the most popular painting subjects: Chinese Ming and qing ceramics flower and-bird painting. Since the ancient times, Chinese silk scroll and paper painting subjects can be divided into three categories: landscapes, flowers and birds, and figures. Independent flowers early themes associated with buddhist art, but later (especially in the tenth century) flowers about increasingly common. At that time, the combination of the natural realism birds and flowers, also can to see. Sichuan chengdu Huang Quan (around AD 903-965) is made by its “sketching” flower-and-bird paintings. This style is particularly common in the middle of the profession or court painter. Huang Quan formerly palace art academies, the sketch book delineation is to use traditional Chinese realistic painting lines first, then fill with the colour rendering. In contrast, seo hui (A.D. 937-975) was born fruitful cloth, but life its flower-and-bird painting style also utterly different. Who works with larger interpretation of space, the calligraphy calligraphy charm, be called “seo hui freehand brushwork in traditional Chinese painting”, by the literati painting. Huang Quan, seo hui are followers, the idyllic scenery of character flourishing since the song dynasty onwards.
but the Li Shuyi analysis, early in the six dynasties (220-589), “painting” flower “has been adopted,” bird “, “one of the subject. ” Related discussion please see Li Shi paper , the full text in Sue rose (Rosemary Scott) and we’ve utt co-editor of “the Style in the East Asian Tradition – Colloquies on Art and Archaeology in Asia, No. 14”, London, 1987, 103. Li Shi points out, although the works handed down from ancient times is like a few less, but the historical data at least mentioned the two jin dynasty (A.D. 265-420) of flowers and birds painter; nullnullnullnullnullnull

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