In the northern song dynasty kiln carved powder compact

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source: Spain collectors old Tibet.

the box mother butt, overall modelling and plump, coping slightly concave, ring foot. Stuck between the wall with a slant to do five lotus to act the role ofing, disc to kame scratching, cover flange for the double repeat, box as a triple AngLian, coping is applique and score with much, present a similar half of anaglyph stereo feeling, cover button as a wick in heart shape. Cover, box is filled with glaze, and adopt the method to separate fire burning, cover the bottom mouth and foot with 11 and 5 respectively with the mark. Measuring glaze color deep, glair colour and lustre is green, the box body inner bottom friction marks of slightly used. The overall design is exquisite, modelling, glaze color is very elegant.
the kiln production s across the eastern han dynasty to the northern song dynasty, and used mainly distributed in zhejiang shangyu, yuyao, cixi, ningbo area, the area of ancient yue state, so the name. Liu yu tang dynasty “the saint,” Vietnam kiln extremely high appraisal from the bowl. Yue kiln celadon, with secret color porcelain is the most famous, its development process or roughly can be divided into three stages, the five dynasties late tang dynasty, the northern song dynasty. Decoration techniques, rich and changeful, the five dynasties late tang dynasty period, including sculpture, plastic, heap, carved, engraved, rowing, reinforcement, hollow out, etc.; Northern song dynasty is given priority to with carved, paddling. The’m method, tang dynasty as a as to burn, a foot without glaze, developed tire appeared even flint red; Five dynasties and the northern song dynasty piece of sagger, glaze with bound feet, full burn mark any number, uniform spacing rules. To a’m process later for up, up and up, and many other up expressions using. With new one to its decoration and the’m techniques, this box should belong to the northern song dynasty period.