Northern song dynasty (960-1127), yao state kiln green glaze score flower peony green-splashed bowls

• RMB 598166
• HKD 684400
• USD 87603
• EUR 68440

refer to:
the world ceramic corpora ・ 12 ・ song “, Japan’s elementary school, 1977, pp. 204, 196, 11 to 12 century yao state kiln celadon peony grains bowl

yao state kiln burning in the tang dynasty, the northern song period is the most peak, especially in the superb score process according to the flower.

bowl that week, his thin mouth inside collect, slightly inclined arc wall, shallow abdomen, heart concave bowl, short ring foot, one foot acerbity, core convex. Bowl mouth along a cm below intaglio string lines for a week, below to characterize the flower craft decoration fold branch peony grains. Flower plump riches and honour, branches and leaves back and forth graceful, layout, numerous and not random. Patterns of the craftsman first engraved with the tools vertical contour line, again by the contour line with cutting tool Angle, straight is engraved and inclined moment caught in the middle of the scar after take off, forming a small inclined facet, make the grain appearance slightly convex stereo feeling. With grate shape tool into fine Mosaic and petal venation, grain more figurative and vivid. Glazing after firing, grain became clear, distinct, and shade. Outer wall carves fine lines, by the shins, to his mouth along the radiated, said today (Monday) for chrysanthemum petals.

this bowl bound feet with glaze, foot end glaze, washer is installed into the kiln to burn. Foot, foot end see deep ginger plaques, is to tire iron, in mines under oxidizing atmosphere caused by burning nature, glaze thin and clear. Flash yellow glaze green, to state kiln mature hair color characteristics, glaze, glaze layer even, see open. The whole modelling neat, decorative auspicious riches and honor, score line stiffness is fluent, the blade sharp and shovel take freely, depth, exquisite workmanship, but yao state kiln peak curve technology by representative works.