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Three-color TaoMa tang dynasty (618 ~ 907) | china porcelain
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Three-color TaoMa tang dynasty (618 ~ 907)

Three-color TaoMa tang dynasty (618 ~ 907)

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size 74.5 cm wide; A height of 76 cm
work classification the yuan dynasty before ceramic s in the tang dynasty (618 ~ 907)
value The Was 5000000-8000000
price
  • did not dojo.provide a
antique curios (a) 2016-10-30
yokohama international auction auction the fifth anniversary of the fall of 2016 sale
Description: published in “Oriental ancient ceramics P24, hill, Fuji, made up of fine arts publishing house, 1961
description Description: with the original big wooden cases

note: have a minor injury

source: ikeda hayato (yuan), Japan’s prime minister family old Tibet
this tang sancai horse, for ikeda hayato (yuan), Japan’s prime minister family old Tibet. Its 4 foot stand, on the head and neck, visual ahead, whole body yellow glaze, horse nose, mane and tail, stumbles ShiBai glaze, backing for green, white and white, brown glazed leather belt to act the role ofing, leather belt is a green and white three color brown flower pendant. Figure, posture of powerful, magnificence. Is “god dragon seed, through the snow hooves” the art of reproduction. Tang sancai glazed pottery is a kind of low temperature lead, are mainly distributed in the tang dynasty chang ‘an and luoyang, in changan said the west kiln, kiln in luoyang, said east. Adding different metal oxides in the glaze, the roasting, they form yellow ochre yellow, shallow green, deep green, sky blue, brown, red, eggplant purple and other colors, but more with the colors of yellow, ochre, green said three-color. This three-color horses, and for the tang’s signature. Glaze, mutual infiltration, mottled shade change dripping wet, natural coordination, decorative pattern is fluent, mutual reflect in colour, show the fine art charm. Is a kind of ancient Chinese unique style of traditional arts and crafts. Process is very complex. First will be selected to mine soil and ground, elutriation, precipitation, air-dried, into the kiln with the mould. Fire is the second burning method. From the raw material, its body is made of white clay, after 1000-1100 ℃ of biscuit firing in the stove, the roasting of tire after cooling, and then to make a good variety of glaze in the kiln glaze, the sintering temperature is 850-950 ℃. On modelling the three-color horse follows the “fangyuan circle” of traditional law, standing on its four feet, small head, collar length, are plump and sturdy., precise structure, uniform of the same flesh and blood, colour is pure. The body of the horse looks very fat, but the leg small, focus on performance of tendon and bone, it is this bone changes in contrast with the meat, make it round and not bloated, vigorous and do not break criteria. Perfect modelling, noble temperament, embodies the magnificent style of the tang empire, is a typical art beauty in tang dynasty. Reflects the understanding and perception of beauty, tang dynasty successfully explained the essence of classical realism art. Artists in tang dynasty not only for his superb skills and full of enthusiasm, created one thousand years and immortal artistic masterpieces, but will also datangshengshi thriving solidification in the eternal moment.

the source:https://auction.artron.net/paimai-art0060331246/

原创文章,作者:lostcat,如若转载,请注明出处:http://culture.ceramicsj.com/2019/02/23/three-color-taoma-tang-dynasty-618-907/

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