Ming yongle/jintong blue waves grain canister
lots of informationThe
| – | size | 7 cm | |
|---|---|---|---|
| work classification | s | Ming yongle/description | |
| value | HKD 1200000-1800000 | ||
| price |
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| the to put together good – a kington important Chinese craft boutique collection | 2016-04-06 | ||
| Hong Kong sotheby’s ‘s auction co., LTD. | auction | 2016 spring sale | |
| Publishing: Adrian Joseph, “Ming Porcelains: Their Origins and Development”, London, 1971, no. 24 | |||
| description | This tank, exquisite, the shape and pattern are revealed at the beginning of the unique innovation of imperial kiln porcelain Jane. Body painted the waves rolling and momentum we, ups and downs between water jump jump, white and bright, design a modern aesthetic feeling. According to the pattern, or the tank can be thought of as a water cheng, together with its small size, becomes the emperor leisure LiangQi make pen stir the ink. Water ripple is often a dragon or other substrate and auxiliary lines, the sea and the tank is with heavy water separate act the role ofing, is very rare. In addition tank bottom light blue pearl half, is also rare. reference to a similar case, slightly larger size, fall xuande years, belong to W.W.W inkworth hidden, sotheby’s sale in London on December 12, 1972, no. 43. although some single grain porcelain painting seawater, royal plant from orthodox period, known as the “blank” period, but the implement of the blue and white shading, big yongle characteristics, is different from the “blank” style. Several yongle class example, comparable to the water lines as the background, drawing, dragons, fish and other sea, unearthed in the Ming dynasty imperial yongle plant site formation, exhibition and recorded in the jingdezhen yuan and Ming imperial porcelain unearthed, yanhuang art museum, Beijing, 1999, no. 45, and 83. Recorded with a best 盌, a 盌 and a plate, single waves sea water grain, unearthed in the ruins with orthodox period stratum, Numbers 276277 and 276277. Yongle seawater slightly loose, with heavy variety hook profile, spray and larger space, the more the orthodox water lines have different, its compact painted, and cancel the white space. this tank to belong to a gold collection, a former Norton old Tibet; On account of Norton, see the number 15. Source: F.P. Musso collection, Shanghai, 1939, Exhibition: “Blue and White,” Oriental ceramic association, London, 1946, no. 32 |
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the source:https://auction.artron.net/paimai-art0055090018/
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