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The late Ming dynasty Blue and white Fan Hui must jia in the narrative poems vase with flowers | china porcelain
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The late Ming dynasty Blue and white Fan Hui must jia in the narrative poems vase with flowers

The late Ming dynasty Blue and white Fan Hui must jia in the narrative poems vase with flowers

lots of informationThe

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the qing dynasty blue and white porcelain ceramicsCreation

Between Ming dynasty and early the qing

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size 43.4 cm high
work classification s
value no bottom price
price
  • RMB 9200
  • HKD 10965
  • USD 1380
  • EUR 1012
element painters – the newest Ming dynasty porcelain set Jane 2016-03-26
China international auction co., LTD. auction the garter seasons 25-47 sale
description Flower vase with neck recorded in the tang dynasty poet cross woo poem “poems” are now didi robe a gift, because of the call should be flow Fan Shu cold. I don’t know the world (and), Jude as a cloth to see.” Matter of the poems about the warring states period noblige Fan Hui: Fan Hui matter doctor wei jia, when the warring states period as its mission to qi, qi wang has given Fan Hui heavy gift. Jia doubt Fan Hui tong qi, kill it. After Fan Hui fled to the state of qin, renamed Zhang Lu, was zhao king worship for phase. Wei thinks Fan Hui is dead. Since the qin dynasty to cut wei, wei must jia in the qin dynasty. Fan Hui smell, wearing our clothes must see jia. Should see jia jing yue: “Fan Shugu safe!” Fan Hui make: “. “Must jia smile make:” Fan Shu have said in the qin evil?” Make: “don ‘t Have no opinion of yesterday’ s too w phase, so the dead to escape, dare say!” Must jia make: “this uncle he2 shi4?” Fan Hui make: “I is commonplace Clinton.” Jia fancy o, brigade it with a diet, make: “Fan Shu a cold so zai-shallow pits!” Is take a didi robe than silk (a kind of thick, made of coarse textile robe) in order to favor Fan Hui. After must jia Fan Hui has as qin phase, to apologize, Fan Hui yue: “but was not dead, with didi robe love love, have a friend, so the interpretation of the public.” Stories of

character stories in jiajing and wanli period has appeared on kiln works in some people, but because of the limitation of people kiln production levels at this time the green material, painters are poor, this theme features can not be displayed. In period between Ming dynasty and early qing, is subject to the guggenheim Chinese painting “, “poem remaining Chinese painting, Chinese painting of the tang poetry”, the influence of such a large number of engraving print characters story greatly rich decorative material sources. More fine and the porcelain body wash, hair color of the fire burnt method of green material is better, it provides a good stories of grain “paper” and “paint”. Stories and characters of works not only get the welcome of the domestic market, and a large number of marketing the continent. The market demand, in turn, helps to raise the production level of such works more. So the story characters decorative works can be said to be the highest level in the late Ming dynasty porcelain production level and painting, the most representative categories.

the source:https://auction.artron.net/paimai-art0054764028/

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