Ming kiln scratching flower mouth tray
lots of informationThe
– | size | the size 21 cm | |
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work classification | ceramics single glaze porcelain of Ming dynasty | s | clear |
value | RMB 40000-50000 | ||
price |
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elegant porcelain of autumn, China – the Ming and the qing dynasties and the ancient ceramics project | 2015-12-04 | ||
Beijing pass is international auction co., LTD. | auction | 2015 autumn auction | |
description | Comments: dish is shallow type kwai mouth, dish heart wide flat, carves a lotus volume grass grain appearance, flower plump, stem leaf winding stretch, main body position with a lotus. Plate within the six weeks embossing symmetric concave convex outside the small mouth, with a type of kwai, at the end of a small circle. In addition to the circle a foot, full-bodied white glaze, glaze layer is thinner and liquid, the bottom has a flow glaze, namely “tears”, and to implement and intaglio grain line is accumulated inside body sag, glaze Bai Zhongshan yellow like ivory luster, soft rather full figure making profits. The product composition, tire body delicate white, adding to the anger, match on wen run and translucent white glaze is elegant and beautiful. to song period famous kilns, kiln in tang dynasty began to learn xing kiln process white porcelain production, after the rapid development of late tang dynasty, five dynasties and the northern song dynasty began to form their own unique style, its craft tyres white matter nut and yellowing in the glaze color is white, and early Bai Zhongshan green hue had obvious difference. Investigate its reason, clear dynasty, due to the production scale and kiln surrounding vegetation destroyed, kiln turn wood into coal, coal is strong, the flame is short, not only the innovation of air cannot be completely ruled out, and the kiln outside air is easy to enter, the oxidation furnace, result in porcelain glaze color light yellow, it also becomes characteristics of the burning kiln white porcelain dish. This offer the use of technology for Song Jinding kiln representative technique, first used kedao carved decorative outer contour line, and then draw a thin line by the contour line, and the other side of oblique cutting, carving, and use, form a double side, the side cut characteristics of oblique cutting, with distinct characteristics. this pragmatic dignified, glaze quiet inside collect, scratching fine smooth, close put freely, grass flowers on the bottom of the dish freely stretch, above console table, all show the literati feelings. refer to: 1, “I spend porcelain: courts decide kiln” in white porcelain exhibition, the national Palace Museum, Taipei 2014, pp. 89-88, the figure II – 42 2, and the Palace Museum hidden treasures series: two song porcelain (on), li handle, Shanghai century publishing, Shanghai science and technology press, 1996, pp. 81, 72 note: there are |
the source:https://auction.artron.net/paimai-art5079511130/
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