The northern song dynasty kiln/gold seal peacock peony tray

• RMB 1806200
• HKD 2200000
• USD 281600
• EUR 220000

and consent,

exhibition in Tokyo and consent, the 10 th anniversary of the exhibition, Tokyo, in 2006, focus,
60 Christie ‘s, the gu yun tiancheng: yu mountain man in the song dynasty porcelain collection exhibition “, Hong Kong, November 22 to 27, 2012. New York, March 15 to 20, 2013. London, from May 10 to 14, 2013, Turing number 10
began in northern song dynasty kiln printing process and serve in gold, with its rich and flowery abundant present the most luxuriant style in solid colour porcelain decoration. The matter in the kiln plate in the bottom seven disc fancy medallion stamps a peacock wings, fly a bouquet of flowers in the peony in mouth, from the peacock wings on one side of the more act the role of a butterfly and a bee, do not provide craftsmanship. The peacock is the rare bird from the south, is used as a decorative pattern and the meaning of peony grains appear together with auspicious riches and honour. Jinyuan period popular figure, a peacock peacock wandered between the stone peony, see the Palace Museum in Taipei Tibetan song k ‘o-ssu peacock figure, description in the national Palace Museum – k ‘o-ssu, Tokyo, in 1970, focus, no. 22. I k ‘o-ssu known as famous, some scholars pointed out that kiln printing design inspired by the same time the fabric more, comparing the peacock pattern of the kiln and the Palace Museum “k ‘o-ssu peacock figure”, or bear the relationship can see his mother. Such peacocks grain kiln implements are rare, similar cases only Taipei’s Palace Museum collection of three, including two pieces of apparatus wall act the role ofing therefore dragon pattern, bottom without Mosaic medallion example; A wall act the role ofing bound branch peony and back lines located at the bottom of the fold along the grail, load Yu Caimei Finn. “I spend porcelain – courts decide kiln porcelain exhibition”, Taipei, 2014, pp. 188-189, 192.
this dish bottom seven disc fancy medallion is an imitation of treasure. Can consult a eight song bird sycee disc, the southern song dynasty published in J.J. Lally & Co., the Silver and Gold in Ancient China, in 2012, focus, no. 23. Song period in some high level of plant in the production of imitation treasure shape, is a high grade product, the vessels used for dignitaries and even the court. “Daikin sets the ritual”, “day two years set the princess a gift. As soon as possible in accordance with the HuiFei example, outside, into making clothes coat is used such as:… one thousand. Set the magnetic” Kiln in jin is still visible as the imperial palace. Kiln in this period not only is relied on by jin palace, and through trade Que field into the southern song dynasty palace. In recent years in hangzhou city of archaeological excavations in ready and st RenLie empress Yang curtilage, hangzhou office, ancestral temple ruins found a large number of kiln printed pieces. See Cai Meifen, “I spend porcelain – courts decide kiln porcelain exhibition”, Taipei, 2014, 275. As Cai Meifen notes, kiln porcelain became the “enemy across the border between the two countries Shared aesthetic symbol.” The matter in the kiln printing peacock tray is the representative of the royal taste during this period.