In the Ming dynasty in the 16th century in shanxi region Three-color ceramic amitayus cave
lots of informationThe
| – | size | 66 cm high | |
|---|---|---|---|
| work classification | ceramic see colour porcelain of Ming dynasty | s | in the 16 th century Ming dynasty |
| value | RMB 500000-800000 | ||
| price |
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| huaju read aloud – should really hide Chinese buddhist relics treasure | 2015-06-07 | ||
| Beijing poly real international auction co., LTD. | auction | Beijing poly real 2015 spring sale | |
| Issue: Chinese buddhist temple treasures – scattered huaju read (should really hide, 2014), pp. 192-192. | |||
| description | Significance in the tang dynasty, liao dynasty three-color, three-color each have characteristics of Ming dynasty. Tang sancai of butler funerary burial objects, liao three-color one of the most famous works are from hebei yihsien, producing a large 16 arhat (now scattered in large museums and private collections). Ming three-color wide use, such as architecture, for burial objects, such as buddhist images are also common. What I love Ming three-color fire and guanyin statues of Buddha, but only small size of early collection, ashamed to show, thanks to the friend introduction, the Ming three-color amitayus welcomed back to Taiwan. Can end the wish to collect large significance of Buddha, deeply joy. Ming three-color is on prime tyres with green, yellow, eggplant purple fired three color to make began in the Ming dynasty zhengde years, is still visible to late kangxi period, but the kangxi period more than plain tricolour for fire bowl, dish, the precious vessels is given priority to, such as bottles, dish he rarely. this Ming three-color ceramic amitayus predominantly Huang Cai, green color and tomato purple is complementary of a big Ming dynasty Buddha statues, tire real thin, below two back about 4 cm diameter of holes, should be to prevent fire crack explosion vent. Amitayus bun as green color, the colored glaze way, conveniently to face the nose a glaze. This kind of flow glaze is not subject to the limitations of the painting, with the flow of natural feeling, more clever. Face with yellow glaze, but some have off color. Production time should be no later than the 16th century, probably before jiajing period. Stocky modelling is thick, rounded cheeks, ears and shoulders, eyes slightly parted, carving exquisite, vivid three-dimensional lips. Wide shoulder thick chest, hand and foot is thick, the natural meditation double disk sitting posture, majestic method. The Buddha amitayus statues of the full performance of three colored glaze flow sense, with the beauty of the freehand brushwork in realism. |
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the source:https://auction.artron.net/paimai-art5072097580/
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lostcat
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