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Ming chongzhen Stories of blue and white big brush pot | china porcelain
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Ming chongzhen Stories of blue and white big brush pot

Ming chongzhen Stories of blue and white big brush pot

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Ming dynasty blue and white porcelain ceramicsCreation

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size 21 cm in diameter
work classification s Ming chongzhen
value RMB 400000-600000
price
  • RMB 747500
  • HKD 933208
  • USD 112125
  • EUR 82225
the qing qianlong drive rosewood treasure embedded screen, palace of art and important porcelain, jade, crafts 2015-06-06
Beijing poly real international auction co., LTD. auction Beijing poly real 2015 spring sale
description This brush pot is straight trunk, sand bottom flat feet, rotary cut neatly, tire, thick outside the expressions using along the moment dark bound volume grass grain, full – bodied green, bright white glaze, glaze jade – like stone through moist smooth. The Abdominal map stories of the coats, two coats in a pavilion, courtyard, feel also feel stand high shi, three people & at salute each other; On the other side of the two books in the pavilion talk about poetry, outside a lad is nifty and lovely, hand sailing for pleasure. Whole grain lively foil a literati at that time the essence of life details, so as to the 17th century moved to the joy of jingdezhen kiln, perpetually frozen in the porcelain painting. Shades of blue and white hair color green, bright and beautiful shades with ease, look outline exquisite, vivid characters, line with rocks around trees, clear hierarchy, is a rare fine elegant stationeries appliance in the period of the Ming chongzhen.
in period between Ming dynasty and early qing jingdezhen ceramics production show a brand new era of style, the many decorative porcelain contain rich flavor of literati, the special subject matter, the content of the rich, only open generation from the odd. Traditional Chinese society into the period of late Ming dynasty, with the growth of the civilian class, many habits and customs, aesthetic temperament and interest, social fashion upheaval and deviate from the tradition, the pursuit of novelty, diversity become freely when people especially the basic thought of official of literati groups. At the time as the main consumer groups of high-grade porcelain literati, senators, their aesthetic idea profoundly affected the made of porcelain and decorative pattern, so as to make China become a reflection of social change directly to the carrier, clearly left their tastes in the porcelain painting. Pen holder, as one of four inkstone breakthrough the limitations of traditional material, in this time period for porcelain and began firing, and decorative material to meet the demand of social fashion. Among them with character class theme is the most characteristic, manifests the high level of porcelain manufacture and the distinctive literary interest. The late QingJi garden barbary in Tao ya · volumes have review: “Ming blue-and-white porcelain figures to brush pot flower vase with why Hui paradox”, “Ming blue-and-white porcelain brush pot, often intaglio reclamation in shadow. Brush work bring no inscriptions, bottle vase with versa.” These prints from huizhou woodcarving drama novel become the most popular pulps, and thus became a jingdezhen kiln painting the main powder this imitation.
note: Tibetan etiquette Zhang Yintang in late qing dynasty and his family

the source:https://auction.artron.net/paimai-art5071926406/

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