description |
Light once in qing dynasty, imperial porcelain prime number is power, but its to qianlong times not far, artificial fill material, porcelain basically inherit the traditional power shape style, adornment is given priority to with draw, pursuing the artistic style characteristic of kiln dry jia period, therefore, when our wonderful now of device, the character of high don’t let YongGan, giving more a person the sense with simple quietly elegant and infinite charm. this product modelling is full, dignified and do not break elegant body painted with blue and white tie up lotus flower pattern, GouMiao delicate, accurate and smooth lines, also show kiln of meticulous carefully crafted. The whole device enamel moist, is a rare qing porcelain better. Yongqing in changchun,
– the late qing dynasty porcelain works Jane in the late qing dynasty is the turning point of the Chinese nation, the feudal society gradually into decline. Since the light at the start of the qing court no longer send du tao to jingdezhen imperial plant officer, bought from local to the governor to overseers. Jingdezhen government unable to invest enough manpower and financial resources, lead to the royal plant a waning, porcelain making level by the fading. The reign of xianfeng, principals, the movement of the taiping heavenly kingdom, the royal plant destroyed by BingXian, lead to burning kiln stop, a heavy blow to the traditional porcelain, “jingdezhen since BingXian artisan skills, less manufacturing lost”, according to the listing records, xianfeng dynasty imperial plant a total of five years to burn the royal porcelain more than 2100, the number of less so. Until the eleventh year of stagnation five years stopped burning of royal plant is rebuilt and restore production, raise silver one hundred and thirty-two thousand, li hongzhang 1866 delegate jiujiang customs agency in jingdezhen imperial plant site to build the seventy-two workshop, restore the royal plant fire. Guangxu period, the official kilns fully restored in prime blue and white, color glaze, far from daoguang and xianfeng, stagnation dynasties can match, even catching up on the production technology of high. Royal which porcelain firing during this period the number increases gradually, on the varieties of basic covers the late qing dynasty before all of the traditional shape, and on this basis is also innovation. Kiln porcelain production at the same time, people also get a lot of recovery and development, high level of some fire kilns and even act as part of the kiln production tasks. At this time there are also people kiln copying royal porcelain in the embryo glaze and ornamentation and royal porcelain is not at the time, in general, the late qing dynasty porcelain reached the peak during this period. in late qing dynasty jingdezhen ceramic production process, die in the war, and survival in the fighting. Royal plant prosperity and decay of experience, is also a reflection of the qing dynasty by the turning tide. To 1911, the kiln fire burning more than five hundred years of the royal porcelain factory end with the salvoes of the xinhai revolution. Since then of jingdezhen ceramics also completed the historical turning point, entered a new historical stage. Beijing big processing of academic department
just 20 years have light xuan, Jude is kaiyuan golden years. haiyu sell entertainment DanMu, Beijing’s largest extraction ying xian. – Chen yinque |