Museum

  Made after the liberation, 110cm high, 58cm high, now it’s collected by Jingdezhen China Ceramics Museum. This work comprehensively adopted circular carving, applied carving, piercing, inlaid carving, heaping, relief, miniature engraving and many other carving methods, which was made by hands.In the process of shaping and firing, the problem of resolving the shrinkage proportion of the body and fracture in the high-temperature firing were dealt with, and it was successfully fired through one attempt.

Made after the liberation, 52cm high, 39cm wide, 26cm thick, now it’s collected by China Ceramic Museum. This work was made by hand with soft clay kneading into the chrysanthemum shape, then paste on the mouth of bottle, it is with a strong hand-knead trace which has better kept and developed the beauty of materials’ personal aesthetic characteristics, that has showed a vivid, real and fantastic beauty, it also reached a combination of natural beauty and artificial skilled beauty that showed a kind of exquisite, elegant and real aesthetic style.

Made after the liberation, 77cm high, 30cm wide, 24cm thick, now it’s collected by China Ceramic Museum. This carved porcelain, the Flying Goddess is scattering the flowers, based on the materials of traditional Dunhuang Mural Painting, which has visually shaped the Flying Goddess’s elegance and introverted look, it is with strong decoration. In the color handing aspect, the ribbon, dress and cloud were all enameled with light green glaze, then, add color on her body and face, and decorated with gem and golden necklace that makes it seem suitable. Her…

Made in the Republic of China, Wang Dafan’s work (who was one of the eight friends of Zhushan), second class culture relics. It was an old collection of Jingdezhen Ceramic Museum,and now it’s collected by Jingdezhen China Ceramics Museum. Features:Trumpet mouth, long neck, the neck was decorated with double dragon ears, bulging belly, trumpet foot. It adopted the traditional famille rose technique to paint the picture of people making inquiries in Taoyuan. It was painted with the magnificent decoration and neat composition, as well as the fluent painting style.

Made in Qianlong reign of Qing dynasty,50.5cm high, and its diameter of the belly is 37cm. Now it is collected by Jingdezhen China Ceramics Museum.  Features:straight mouth, long neck, bulging belly,ring foot,like a ball.The whole body is applied with white glaze, on which famille rose nine peaches are painted. Color is bright,composition and arrangement are proper,and its art level is high

 Made in Qianlong reign of Qing Dynasty, 58cm high, and the diameter of belly is 38.4cm, first class culture relics, it was allocated from Nanjing Museum, and now it’s collected by Jingdezhen China Ceramics Museum.  Features: Straight mouth, bulging belly, contracted waist, horizontal foot, the body looks like double gourd. The whole body was decorated with blue and white, the theme decoration is double gourd and bat pattern. On the bottom is a six-character and two-line mark “Da Qing Qian Long Nian Zhi”(Made in Qianlong reign of Qing Dynasty) in seal…

 Made in Yongzheng reign  of Qing Dynasty, 24.5cm high, and its diameter of belly is 14.5cm, first class culture relics, and now it’s collected by Jingdezhen China Ceramics Museum. Features: trumpet mouth, contracted neck, erect bulging belly, ring foot. The interior was enameled with white glaze, and the exterior was enameled with sacrificial red glaze, the color is so bright red and smooth that it can compare favorably with sacrificial red of Xuande reign of Ming Dynasty. Its lines are fluent and the body is dignified and stable, and it is…

 Made in Kangxi reign of Qing Dynasty, 7cm high, and its diameter of mouth is 40.8cm, first class culture relics, now it’s collected by Jingdezhen China Ceramics Museum. Features: Folded rim, bulging belly, and ring foot. Tri-color four-claw dragon pattern was on the yellow glaze, and the whole plate seems neat with beautiful decoration that has fully showed the royal style,so it has high artistic value.

Made in Jiajing reign of Ming dynasty, 16.7cm high, its diameter of the mouth is 8.7cm, second class culture relics. It was an old collection of Jingdezhen Ceramic Museum, now it is collected by Jingdezhen China Ceramics Museum.    Features: trumpet lip, long neck, oblate round belly, flared foot.. The body is sacrificial blue glaze, using cobalt dioxide as coloring agent. The glaze is glossy and transparent, and there is a dragon on the shoulder, which is unglazed and lively.  

Made in Southern Song Dynasty, 35.5cm high, its abdominal diameter is 14cm,it is unearthed from Wang Che’s grave in Xianghu, Jingdezhen. Now it’s collected by China Ceramic Museum.     Features: Unglazed body, it has two parts which are cover and bottle, besides, the top of cover appears bamboo hat shape, the middle are four fulcrums supported by lotus petal; the bottle has straight mouth, flat shoulder, bulging belly, the shoulder of the bottle almost sculptured with creatures from four directions, that is, green dragon, white tiger, vermillion bird, black tortoise….

 Made in Northern Song Dynasty, 27cm high, its abdominal diameter is 11cm, and now it’s collected by China Ceramic Museum.     Features: The ware is divided into two parts, that is, the cover and the bottle, among them, the cover appears gourd pattern, and decorates with four lotuses, the bottle has straight mouth and bulging belly, and its shoulder is heaped with lotus Ruyi lines. The whole ware is grave with bluish white glaze in both of top and bottom, the glaze slants white, and it reflects the funerary culture…

Made in Northern Song Dynasty, 3.5cm high, the diameter of its mouth is 16.5cm, and now it’s collected by China Ceramic Museum.     Features: Flower-mouth with ten petal-edges, the belly is petal pattern, the inner place of foot is unglazed, and the ware shape is regular and beautiful. The inner and outer sides are all glazed with bluish white glaze, but because it belongs to the underground excavation, so the surface of it has heavy soil atmosphere, the glaze color slants yellow. It is so hard to form such ware…

Made in Yuan Dynasty, it is allocated from The Palace Museum and now collected by China Ceramic Museum.     Features: The mouth turns outward slightly, its nape gradually adducts and the waist bents with little round foot, the inner place of foot is unglazed with a nail, the foot is thick, and the inner side and the middle of bowl printed with entangled lotus branch, as well as the outer space has a raised line design. The whole body enameled with egg white glaze, and bluish color floats in white which…

 Made in Ming Dynasty, now it’s collected by China Ceramic Museum.     Features: It divides into bowl and bowl base, convergence mouth, curve belly, the belly decorates with blue-and-white flying dragon pattern. The bowl base painted with grass and flower pattern, the glaze color is green, the composition is neat, the body is heavy and thick, and the bottom is unglazed. It is used as washing utensil of Buddhists, as well as it is a product of Buddhism culture.

Made in Yuan Dynasty, 48.8cm high, its abdominal diameter is 22.6cm, it is donated by minister of military department, and now it’s collected by China Ceramic Museum. It is one of the articles to be for the dead, it’s also called “necromancy bottle” or “soul bottle”. Features: Straight mouth, plump shoulder, the round foot turns outward, and the body is plump, the cover seems like a spire, the spire decorates with bird-pattern sculpture. Besides, the shoulder and the belly has two-layer sculpture, the upper are gods from four directions with the…

Made in Yuan Dynasty, 22.4cm high, 9.3cm wide, now it’s collected by China Ceramic Museum. Features: She bents her knees, sits in the lotus, with long hair, plump cheek, she carries the Buddhism instruments and jewels with her from top to bottom, and wears necklaces of jade and pearls over entire body which has stood out the soft texture of her clothes. Such Kwan-yin sits in meditation seems solemn with a well-balanced proportion and delicate modeling.

Made in the Yongle years of Ming Dynasty，32.5cm high, its abdominal diameter is 18.4cm, it is allocated from The Palace Museum, and now it’s collected by China Ceramic Museum. Features: Small mouth, dropped shoulder, bulging belly. It has three-layer decoration, the shoulder paints with lotus petal, and its belly paints with branches and fruits. The bottom paints with banana leaves, the whole body seems dignified, the glaze is bluish and white which seems bright, but with dispersion. The vase is the boutique in Official Kiln products of in the Yongle years of Ming…

Made in Zhengde years of Ming Dynasty, 20.3cm high, 10.2cm wide, it is unearthed from Jingdezhen Ceramic Gallery, and now it’s collected by China Ceramic Museum. Features: Using traditional circular engraving technique to molding with plain tri-color decoration, which makes it seem tall and mellow, and the figure is plump. The face of Kwan-yin is very kind, her hands stack on her knees, and sits on the lotus blossom, the lucky boy stands on the left, and the dragon girl stands in both sides with putting the palms together. The figure…

Made in Yongzheng Years of Qing Dynasty, and now it’s collected by China Ceramic Museum. Features: This is the plaque hanging above the door of Wind & Fire Immortal Temple, it is made of porcelain, and composed by four parts, its body is huge and heavy. The frame of the surface was painted with blue and white entangled lotus pattern, and inside the frame, there are four large words which was written by Tang Ying in winter of ninth Yongzheng Years, and he was a famous pottery supervisor of Qing Dynasty…

Made in the Republic of China, Wang Qi’s work (who was one of the eight friends of Zhushan), 43.6cm long, 29cm wide. it is the old collection of Jingdezhen Ceramic Gallery, and now it’s collected by China Ceramic Museum. Features: It appears vertical oblong shape with frame. It adopted traditional famille rose technique to paint the picture of fisherman and lad , the color is rich and lively, the picture is scattered with neat painting style and profound implied meaning.

Made in the Republic of China, 31.7cm high, its abdominal diameter is 26.2cm, it is handed over by Jingdezhen Municipal Party Committee, and now it’s collected by China Ceramic Museum.     Features: Wide mouth, its neck adducts, dropped shoulder, bulging belly, its foot turns outward, the bottom is glazed but there is no stamp in its round foot.  Adopting irony-clay to carve the flowers and gold to decorate, its belly was decorated with panel famille rose landscape. The rim of mouth was decorated with Ruyi pattern, and there is banana leaf pattern…

Made in the Republic of China, Zhang Zhitang’s work (who was one of the eight friends of Zhushan), 38cm long, 24.7cm wide, it is the old collection of Jingdezhen Ceramic Gallery, and now it’s collected by China Ceramic Museum.     Features: It appears vertical oblong shape. And it adopts traditional famille rose technique to paint, that makes its color rich and bright. In the picture, the mountain is steep, the pine is strong and the flowers are beautiful. During the late spring, five old men stands in front of the…

Made in the Republic of China, 26cm high, its abdominal diameter is 22.5cm, it is handed over by Jingdezhen Xiang Yang Porcelain Factory, and now it’s collected by China Ceramic Museum.  Features: Its lip mouth turns outward, constricted neck, dropped shoulder, bulging belly, round foot. The body was painted blue and white landscape and figures, and the blue and white picture has told the allusion that the sparrow and the clam have a quarrel then the fisherman get the profits. There printed blue and white words “Have a good reputation for…

Made in Xuande years of Ming Dynasty, 6.7cm high, the diameter of mouth is 37.4cm, now it’s collected by China Ceramic Museum. Features: Folded rim, curved belly, round foot. The inner dish has three-layer pattern, among them, the rim was decorated with blue-and-white entangled peony branch, the lining of plate was painted with blue-and-white entangled flower, the core of plate was painted with blue-and-white entangled peony branch, its blue-and-white glaze was imported “Smaltum” which has higher iron content, so it appears bright-colored with iron mottling. It is an boutique in Official Kiln…

Made in Southern Song Dynasty, 10cm high, the diameter of mouth is 9cm, and now it’s collected by China Ceramic Museum. Features: The texture of body is smooth and fine, the pattern is dignified, the whole body enameled with bluish white glaze, and the blue floats in white, deep belly, round bottom, the rim of mouth is symmetrical with inlaying two ears which are pierced, the bottom inlaid with three animal-pattern legs. The whole ware is well-preserved and it is a rare boutique in the same products at that time.

Made in Qianlong Years of Qing Dynasty, 45cm high, and its abdominal diameter is 35.2cm, it is allocated from Nanjing Museum, and now it’s collected by China Ceramic Museum. Features:  Straight mouth, bulging belly, round foot. The whole body was enameled with white glaze, and painted the mountain, rock and jungles, as well as the deer are with different forms, they are running, jumping, laying or drinking. Its shoulders was decorated with a pair of dragon ears and enameled with ochre color, as well as its double ears were used gold…

  Made in Qianlong Years of Qing Dynasty, 25.8cm high, and its abdominal diameter is 15.7cm, it is allocated from Shanghai Museum, and now it’s collected by China Ceramic Museum Features: Little mouth, the upper part seems like lamp cover, the lower part is dropped shoulder, bulging belly, its foot turn outward. The whole body is green, and base on the green glaze there printed famille rose lotus and eight kinds of lucky treasures, the bottom was painted famille rose metabolic banana leaf pattern. And its decoration is gorgeous, the shape…

Made in Qianlong Years of Qing Dynasty, 22cm high, and the lower abdominal diameter is 13.7cm, it is allocated from Nanjing Museum, and now it’s collected by China Ceramic Museum. Features: Lip mouth, constricted waist, horizontal foot, the whole body appears gourd shape. Its waist was painted a circle of blue-color fret. The whole body was enameled golden color. The top part was painted famille rose flowers pattern, among them there painted bats, 卍(the heart of Buddha) and peach pattern. Near the bottom, there printed a circle of metabolic upturned lotus…

  Yuan dynasty ,height 42.1cm, diameter of belly 24.2cm, first class culture relics.It was purchased from Fengcheng culture Gallery of Jiangxi Province,and it is collected by Jingdezhen China Ceramics Museum.     Features:Small mouth, slipped shoulder,bulging belly, the part below belly tapers gradually , unglazed foot. The whole body was painted with five-layer decoration from top to bottom. Its shoulder was covered with lotus with eight treasures pattern inside. The belly was decorated with peony scroll, and the lower part of belly was decorated with upward lotus petals. With many layers…

Made in Qianlong Years of Qing Dynasty, 74cm high, and the abdominal diameter is 40cm, now it’s collected by China Ceramic Museum. Features: Horn mouth, constricted neck, the neck was decorated with double dragon ears, dropped shoulder, bulging belly, round foot. The rim of mouth was decorated with yellow-colored lotus pattern, and the neck was decorated with double red famille rose fish, dragons and flowers pattern, the shoulder was decorated with yellow famille rose metabolic lotus pattern, the belly was decorated with the theme of aliens present the treasure scene, near…

Made in Tang Dynasty, 54.5cm high, 38cm long, now collected by China Ceramic Museum. Features: It lifts up its neck and opens the mouth, and it bends hind limbs slightly, and its front limbs are upright whichseem like it just stands up and neighs to the sky, and ready to set foot on the journey to the west. The workcontains variety of foreign and eastern legendary.

lots of informationThe TheThe authorTheTheCreationTheTheSpecialAuction timeAuction companyThe – size 21 cm work classification ceramic famille rose porcelain in the the qing dynasty s the qing xianfeng value RMB 18000-18000 price auction special antique curios 2017-01-08 Beijing HanHai auction co., LTD. auction HanHai (93) of the four seasons sale the source:https://auction.artron.net/paimai-art0063742151/

拍品信息 作者 — 尺寸 口径21cm 作品分类 陶瓷>明代青花瓷器 创作年代 明代 估价 HKD 　2,350,000-2,350,000 成交价 未提供 专场 瓷器 拍卖时间 2019-01-24 拍卖公司 爱艺拍国际拍卖有限公司 拍卖会 2019迎春拍卖会 明万历 说明 数量：1件 source:https://auction.artron.net/paimai-art5144462163/

拍品信息 作者 — 尺寸 口径5.2cm；高32cm；底径9.7cm；重2285g 作品分类 陶瓷>清代青花瓷器 创作年代 清代 估价 SGD 　200,000-200,000 成交价 未提供 专场 瓷器 拍卖时间 2019-01-24 拍卖公司 新加坡圣淘沙国际拍卖公司 拍卖会 古色清香·群珍荟萃收藏艺术品拍卖会 source:https://auction.artron.net/paimai-art5143703125/

unknownEdo period, second half of the 17th century – Edo period, second half of the 17th century 该作品的收藏者： Ko-Kiyomizu (old Kiyomizu ware) is a generic name for Kyo-yaki type stoneware with overglaze enamel produced in the Edo period (1615-1868). It was named in contrast with the succeeding Kiyomizu ware which is a Kyo-yaki type porcelain. This piece bears a floral plant design spontaneously covering the body. Blue, red and gilt charming flowers, predominantly chrysanthemums, blooming among the bushy green leaves and grass. The delicate and graceful style of the motif…

Bord, plat model, behorend bij een servies met geslingerd lintmotief met bladertakken, bloemboeketten en gestrooide bloemtakkenDihl et Guerhard1780/1820 该作品的收藏者：unknown 作品介绍 标题: Bord, plat model, behorend bij een servies met geslingerd lintmotief met bladertakken, bloemboeketten en gestrooide bloemtakken 创作者: Dihl et Guerhard 创作日期: 1780/1820 实际尺寸: d 25.4cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

麦森瓷器1731/1731 该作品的收藏者： German scientists discovered the ingredients of Chinese porcelain in the 18th century. Elector August the Strong was such a fan of this hard, translucent white material that he filled his Japanese Palace in Dresden with porcelain objects. In the 1730s, he had a series of large birds and animals made, forming a veritable zoo, among them this blue macaw perching on a tree. 作品介绍 标题: Blue Macaw 创作者: Meissener Porzellan Manufaktur 创作日期: 1731/1731 实际尺寸: h 82.0cm 外部链接: See more details about this work on the Rijksmuseum Website 材质:…

Raku Kichizaemon2005 该作品的收藏者： The source of the name “TOTSUGOTSU SHITE KONOYAMA O MINABA” refers to the phase from a classical Chinese poem. For the decoration, a spatula is effectively used so that the fluting applied to the body and the lip trimmed dauntlessly give the form a rich move. It is entirely covered with a transparent glaze. Both the higher part and the lower part of the piece, a cobalt and a copper glaze are painted with a belt shape, respectively. The intricate scenery looks like an abstract expressionism. The…