Museum

Moche style1 AD – 800 AD 该作品的收藏者： This Moche ceramic bottle represents warrior lima beans. The lima bean (Phaseolus lunatus) is a legume domesticated in the Andes around 2000 BC and is one of the staples in the Peruvian coast. The lima bean is a seed that allows easily observing the germination process and reproduction, and as such, symbolically expresses the ability to grow and reproduce. This may be one reason why lima beans identify with warriors from an agricultural society as the Moche, who also participate in a series…

Nasca style1 AD – 800 AD 该作品的收藏者： This is a ceramic vessel depicting a mythological character with a nose ornament that resembles the feline′s whiskers. (UH) Este es un vaso de cerámica que representa un personaje mitológico con una nariguera que asemeja los bigotes del felino. (UH) 作品介绍 标题: Ceramic ceremonial vessel that represents a mythological being using a nose ornament (left) ML040357 创作者: Nasca style 创作日期: 1 AD – 800 AD 创作地点: Ica, Peru, Peru 实际尺寸: w84 x h80 x d85 mm (Complete object) Título de la obra en…

Moche style1 AD – 800 AD 该作品的收藏者： The woman presented in this bowl is portrayed in a receiving position. The hole through which fluid can enter the body of the woman corresponds to the vagina, through which semen enters also the female body in the fertilizing act. When liquid is poured into this bowl, symbolically enters into the body of the woman, who might be representing mother earth. (UH) La mujer se presenta en este cuenco en posición de receptora. El orificio por el cual el líquido puede entrar al…

Moche style1 AD – 800 AD 该作品的收藏者： This is a ceramic bottle representing duality, a concept that is at the center of the Andean world. In the Quechua language, the concept of duality is called complementary tinkuy, and is expressed in this bottle in the way the color is distributed over space container and arched handle connector. (UH) Esta es una botella de cerámica que representa la dualidad, concepto que está en el centro de la cosmovisión andina. En el idioma quechua, el concepto de la dualidad complementaria se conoce…

Humaya style800 AD – 1300 AD 该作品的收藏者： This is a ceramic jar representing a deified ancestor. The personage is represented in frontal position with a headdress shaped as a crescent moon that resembles the tumi or ceremonial knife, and also wears ear ornaments as a symbol of status. On the sides of the abdomen a pair of wing-like feathers extend, these elements linking this character to the birds and the world above. The jar, which has two side handles, also portrays some heads with feline traits, concentric circles and a…

Humaya style800 AD – 1300 AD 该作品的收藏者： This is a ceramic vase that represents a personage in frontal position with his arms extended upward. His face is covered by a funerary mask and wears a headdress shaped as a crescent moon, which resembles the tumi or ceremonial knife. This type of ornament characterizes the personages related to the superior world. The character probably represents a deity or deified ancestor. It is surrounded by small circles, which can be both water and star symbols. In the lateral vertical bands geometric, interlocking…

Moche style1 AD – 800 AD 该作品的收藏者： This is a ceramic bottle depicting deer hunting scene. One of the rituals depicted in Moche ceramics is deer hunting. Nobles Hunters are Mochica, wearing fine clothes, magnificent headgear with metal ornaments, large earrings and pectorals. The weapons they carry are batons, spears, darts, and estolicas. The way these guys are adorned indicates that this hunt was actually a ceremony. The dress of the nobles Hunters is very similar to the dress of the warriors faced in ritual combat. In the same way…

Moche style1 AD – 800 AD 该作品的收藏者： This painted ceramic bottle represents a scene of ceremonial combat and ulterior procession of the defeated warriors. Moche warriors faced each other with clubs and shields. Combat was hand-to-hand and seems to have taken place in open areas like those found on the desert coast. When a warrior removed another’s helmet or grabbed his hair the combat was over. The defeated warrior was stripped and his weapons and clothes were wrapped in a bundle. The victors led the defeated warriors by ropes tied…

Inca style1300 AD – 1532 AD 该作品的收藏者： This is a big jar or Urpu to contain the chicha or corn beer, ceremonial drink obtained from the fermented corn, shared in Andean festivities. It has a long neck and flat side handles. Presents a small stylized puma's head, applied in the place where the neck meets the chamber of the large container. This application is practically an imperial seal. The surfaces of these large jars are decorated with different motifs. Necks are decorated with horizontal bands, rhombuses or triangles, and the…

Inca style1300 AD – 1532 AD 该作品的收藏者： This is a big jar or Urpu to contain the chicha or corn beer, ceremonial drink obtained from the fermented corn, shared in Andean festivities. It has a long neck and flat side handles. Presents a small stylized puma's head, applied in the place where the neck meets the chamber of the large container. This application is practically an imperial seal. The surfaces of these large jars are decorated with different motifs. Necks are decorated with horizontal bands, rhombuses or triangles, and the…

Chancay style1300 AD – 1532 AD 该作品的收藏者： This is a figurine depicting a naked woman While it is very likely cover textiles was when he was part of the funerary equipment. This character has body decoration. (UH) Esta es una figurina que representa a una mujer Si bien está desnuda, muy probablemente estuvo cubierta de prendas textiles cuando formó parte del ajuar funerario. Este personaje tiene decoración corporal. (UH) 作品介绍 标题: Ceramic ceremonial figurine that represents a woman (left) ML010422 创作者: Chancay style 创作日期: 1300 AD – 1532 AD 创作地点:…

Chancay style1300 AD – 1532 AD 该作品的收藏者： This is a figurine depicting a man. Even though it is naked, it was most likely covered by woven cloths when deposited as part of the funerary equipment. This personage has body decoration such as lists, crosses or intersecting elements, and wears a headdress. (UH)Esta es una figurina que representa a un hombre. Si bien está desnudo, muy probablemente estuvo cubierto de prendas textiles cuando fue depositado como parte del ajuar funerario. Este personaje tiene como decoración corporal dise?os de listas, cruces o…

Unknown929 – 1000 该作品的收藏者： Cuenco de arcilla que presenta base plana circular, paredes exvasadas y cuerpo con forma cilíndrica, terminando en un borde recto. Conserva dos asas de tipo vertical, de sección ovalada, más otras dos que no son originales, rematadas en la parte superior por unos apéndices. El interior está vidriado en color melado, mientras que el exterior presenta decoración en negro y verde sobre engalba blanca vidriada, opacificada por dióxido de esta?o. La decoración está enmarcada en rectángulos y se trata de palmetas digitadas contrapuestas, unidas por tallos…

UnknownI Milenio a.n.e. – I Milenio a.n.e. 该作品的收藏者： Cuenco realizado en arcilla depurada de color gris oscuro, debido a la cocción reductora. La pieza está compuesta por una base plana y circular de la que nacen las paredes exvasadas, las cuales se inflexionan en una carena alta y continúan con un borde recto. Las paredes exteriores son decoradas con técnicas que dibujan diversos motivos (espigas, líneas o zig-zag) distribuidos en bandas y/o cenefas perpendiculares a la base y en torno al diámetro de la boca. Estos motivos son de carácter…

Hohokam1100/1450 该作品的收藏者： This bowl was recovered from the floor of a house at the site of Pueblo Grande. Pueblo Grande was a large village located at the headgates of a major canal system. Occupied as early as AD 500, the site reached its greatest extent during the Classic Period. Museum Accession: 1992.18 作品介绍 标题: Ceramic Bowl 创作者: Hohokam 日期: 1100/1450 位置: Pueblo Grande Archaeological Site, Phoenix, Arizona, United States 类型: ceramic 该作品收藏于： Pueblo Grande Museum

Unknown26 – 100 该作品的收藏者： Vaso realizado en molde con arcilla y posteriormente engobado en tonos rojizos. La pieza se presenta con una base anular y plana que se desarrolla en un peque?o pie recto. Sobre éste se levanta el cuerpo globular en el que se distribuyen seis gallones a modo de decoración, que ocupan practicamente toda su altura. El cuerpo se estrecha notablemente cuando llega al cuello, que se exvasa ligeramente hasta llegar a la boca circular, rematada con un labio redondeado. Este tipo de cerámicas recibe el nombre de…

Unknown20th century 该作品的收藏者： Masculine cephaloform ceramic vessel. It has four openings: one at the top, two at the sides and another at the back. All of these are perforated in order to be able to pour liquids. The area of the hair, flattened against the rounded skull, is marked by a series of incisions, which reack as far as the neck. The oval of the face, softly rounded, is framed by scarifications that also appear on the eyebrows, the centre of both cheeks and under the lower lip. As is…

Unknown19th century 该作品的收藏者： Ritual terracotta vessel in spherical form, completed with a masculine head. The body presents decoration of points and lines, which are incised all around the piece. The facial features are very slightly marked. One of its most striking characteristics is the carefully produced hairstyle, composed of various rows of plaits. On the other hand the piece presents small traces of red polychromy. Taking into account that the recipients of this colour were used by the diviners, it may be that this was the use of the object….

Union Porcelain Workscirca 1876 该作品的收藏者： 作品介绍 标题: Century Vase 创作者: Union Porcelain Works 位置: United States 实际尺寸: Height: 12 13/16 in. (32.4 cm); Diameter: 11 1/2 in. (29.2 cm) 材质: Porcelain, paint, and gilt Object Classification: Furnishings Full Title: Century Vase Curatorial Area: Decorative Arts and Design Credit Line: Decorative Arts Acquisition Fund and Museum Acquisition Fund Chronology: 1851-1900 Artwork Accession Number: M.87.3 该作品收藏于： Los Angeles County Museum of Art

Jacques-Fran?ois Deparis1781 该作品的收藏者： 作品介绍 标题: Central Vase (Minerva Protects Telemachus and preserves him from Cupid's darts) 创作日期: 1781 创作地点: Sèvres, France 实际尺寸: w27.6 x h47 x d19.4 cm 类型: Vase 权利: http://www.getty.edu/legal/copyright.html 材质: "Soft-paste porcelain, beau bleu ground color, polychrome enamel decoration, enamel imitating jewels, gilding, and gold foil" artist: Shape designed by Jacques-Fran?ois Deparis (French, active 1746 – 1797) Terms of Use: http://www.getty.edu/legal/copyright.html 该作品收藏于： The J. Paul Getty Museum

1768 and earlier 该作品的收藏者： The centerpiece was ordered on the occasion of the golden jubilee of the ordination of Abbot Rayner I. Kollmann of Zwettl Monastery. The ”whole dessert in three crates” was transported to Zwettl by carriage in May 1768 and presented to the Abbot at his jubilee celebration. For this occasion Joseph Haydn composed his “Applausus”, which may be related to the table centerpiece, as the female allegories of the virtues that appear on it also feature in Haydn’s composition as female voices. 作品介绍 标题: Centerpiece from Zwettl…

early 17th century 该作品的收藏者： 作品介绍 标题: Center base of bowl 位置: Korea, Gyeonggi-do, Kwangju-gun, Chungji-nu site 2: lower meadow 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain Historical Period: Joseon period Credit Line: Gift of Louise Allison Cort Collection: Freer Study Collection 该作品收藏于： Freer and Sackler Galleries

Precolumbianc. A.D. 690-720 该作品的收藏者： Monumental ceramic censer stands are some of the finest and largest freestanding sculptures created by Maya artists. The sophistication and craftsmanship demonstrated in this stand are indicative of Palenque, an important Maya city-state located in current-day Chiapas, Mexico, that flourished in the seventh century. Ceramic censers (incensarios) were an important component of ritual paraphernalia and ceremonial life at Palenque. They were used to represent and venerate divine beings, primarily the deities of the Palenque triad (called GI, GII, and GIII). Censers were composed of a stand…

Precolumbianc. A.D. 690-720 该作品的收藏者： Monumental ceramic censer stands are some of the finest and largest freestanding sculptures created by Maya artists. The sophistication and craftsmanship demonstrated in this stand are indicative of Palenque, an important Maya city-state located in current-day Chiapas, Mexico, that flourished in the seventh century. Ceramic censers (incensarios) were an important component of ritual paraphernalia and ceremonial life at Palenque. They were used to represent and venerate divine beings, primarily the deities of the Palenque triad (called GI, GII, and GIII). Censers were composed of a stand…

Unknown250-450 该作品的收藏者： 作品介绍 标题: Censer Stand Depicting Principal Bird Deity 创作者: Unknown 位置: Guatemala 实际尺寸: 6 1/4 x 7 1/4 x 8 3/4 in. (15.88 x 18.42 x 22.23 cm) 材质: Ceramic Object Classification: Tools and Equipment Full Title: Censer Stand Depicting Principal Bird Deity Curatorial Area: Art of the Ancient Americas Culture: Maya Credit Line: Purchased with funds provided by Mr. and Mrs. Thomas H. Crawford, Jr. Chronology: 1st – 9th centuries Artwork Accession Number: M.2005.41 该作品收藏于： Los Angeles County Museum of Art

Unknown19th century 该作品的收藏者： 作品介绍 标题: Censer in the Form of a Chinese Lion with Scroll and Sword Finial 创作者: Unknown 位置: Japan 实际尺寸: Overall: 4 1/2 x 4 15/16 x 3 5/8 in. (11.4 x 12.54 x 9.2 cm) 材质: Hirado Mikawachi ware; porcelain with blue underglaze Object Classification: Tools and Equipment Full Title: Censer in the Form of a Chinese Lion with Scroll and Sword Finial Curatorial Area: Japanese Art Credit Line: Gift of Allan and Maxine Kurtzman Chronology: 1851-1900, 1751-1800 Artwork Accession Number: AC1998.115.4.1-.2 该作品收藏于： Los Angeles County…

Unknownlate 19th century 该作品的收藏者： 作品介绍 标题: Censer (kōrō) with Landscape and Basketry Cartouche Design 创作者: Unknown 位置: Japan 实际尺寸: Overall: 5 1/16 x 4 13/16 x 3 13/16 in. (12.86 x 12.22 x 9.68 cm) 材质: Hirado ware; porcelain with underglaze blue Object Classification: Tools and Equipment Full Title: Censer (kōrō) with Landscape and Basketry Cartouche Design Curatorial Area: Japanese Art Credit Line: Gift of Allan and Maxine Kurtzman Chronology: 1851-1900 Artwork Accession Number: M.2006.132.8a-b 该作品收藏于： Los Angeles County Museum of Art

Unknownlate 19th century 该作品的收藏者： 作品介绍 标题: Censer (kōrō) Supported by Four Chinese Boys 创作者: Unknown 位置: Japan 实际尺寸: Overall: 5 1/16 x 3 5/8 x 3 7/16 in. (12.86 x 9.21 x 8.73 cm) 材质: Hirado ware; porcelain with blue glaze Object Classification: Tools and Equipment Full Title: Censer (kōrō) Supported by Four Chinese Boys Curatorial Area: Japanese Art Credit Line: Gift of Allan and Maxine Kurtzman Chronology: 1851-1900 Artwork Accession Number: M.2006.132.1a-b 该作品收藏于： Los Angeles County Museum of Art

Unknownmid-late 19th century 该作品的收藏者： 作品介绍 标题: Censer (kōrō) on Chrysanthemum-form Base 创作者: Unknown 位置: Japan 实际尺寸: 4 15/16 x 4 1/8 x 3 3/8 in. (12.54 x 10.48 x 8.57 cm) 材质: a) Lid; b) Base; Hirado ware; porcelain with underglaze blue Object Classification: Tools and Equipment Full Title: Censer (kōrō) on Chrysanthemum-form Base Curatorial Area: Japanese Art Credit Line: Gift of Allan and Maxine Kurtzman Chronology: 1851-1900, 1801-1850 Artwork Accession Number: M.2006.132.7a-b 该作品收藏于： Los Angeles County Museum of Art

Unknownlate 18th-early 19th century 该作品的收藏者： 作品介绍 标题: Censer (kōrō) in the Form of Hotei with His Bag 创作者: Unknown 位置: Japan 实际尺寸: 6 5/8 x 9 1/2 x 6 3/4 in. (16.8 x 24 x 17 cm) 材质: Hirado Mikawachi ware; porcelain with biscuit reserve and light green-tinged glaze Object Classification: Tools and Equipment Full Title: Censer (kōrō) in the Form of Hotei with His Bag Curatorial Area: Japanese Art Credit Line: Gift of Allan and Maxine Kurtzman Chronology: 1801-1850, 1751-1800 Artwork Accession Number: AC1997.273.24 该作品收藏于： Los Angeles County Museum…

Unknownmid to late 19th century 该作品的收藏者： 作品介绍 标题: Censer (kōrō) in the Form of a Rat on a Treasure Bag 创作者: Unknown 位置: Japan 实际尺寸: 3 1/2 x 5 1/2 x 4 in. (8.9 x 14 x 10.2 cm) 材质: Hirado Mikawachi ware; porcelain with transparent glaze Object Classification: Tools and Equipment Full Title: Censer (kōrō) in the Form of a Rat on a Treasure Bag Curatorial Area: Japanese Art Credit Line: Gift of Allan and Maxine Kurtzman Chronology: 1851-1900, 1801-1850 Artwork Accession Number: AC1998.115.31.1-.2 该作品收藏于： Los Angeles County Museum…

Unknownlate 19th century 该作品的收藏者： 作品介绍 标题: Censer (kōrō) in the Form of a Nobleman's Hat on a Stand 创作者: Unknown 位置: Japan 实际尺寸: 4 7/8 x 3 7/8 x 2 1/2 in. (12.4 x 9.8 x 6.4 cm) 材质: Hirado Mikawachi ware; porcelain with underglaze blue and brown Object Classification: Tools and Equipment Full Title: Censer (kōrō) in the Form of a Nobleman's Hat on a Stand Curatorial Area: Japanese Art Credit Line: Gift of Allan and Maxine Kurtzman Chronology: 1851-1900 Artwork Accession Number: AC1998.115.28.1-.2 该作品收藏于： Los Angeles County Museum…

Unknown700-900 该作品的收藏者： 作品介绍 标题: Censer 创作者: Unknown 位置: Guatemala Highlands 实际尺寸: 22 1/2 x 20 1/2 x 16 in. (57.15 x 52.07 x 40.64 cm) 材质: Ceramic Object Classification: Tools and Equipment Full Title: Censer Curatorial Area: Art of the Ancient Americas Culture: Maya (Quiché) Credit Line: Gift of Dr. Milton Birnbaum Chronology: 1st – 9th centuries Artwork Accession Number: M.84.199 该作品收藏于： Los Angeles County Museum of Art

1630-1640 该作品的收藏者： 作品介绍 标题: Celadon; Bowl waster (collapsed inside part of a saggar with kiln debris adhering) 位置: Japan, Saga Prefecture, Takeo, Kotoge kiln, Uchida 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with celadon glaze Style: Arita ware Historical Period: Edo period Credit Line: Gift of John A. Pope Collection: Freer Study Collection 该作品收藏于： Freer and Sackler Galleries

UnknownGoryeo Dynasty, 14th century 该作品的收藏者： There are many extant celadon wares with the inscription “Deokcheon,” but celadon vases such as this one, with its dignified, elegant shape and exceptionally well-preserved inlaid designs and glaze, are extremely rare. The decorative patterns on the vase, such as the lotus flower and willow designs and the variations in the yeoui patterns (patterns derived from the head of a priest’s staff), are characteristic of inlaid celadon of the Goryeo Dynasty, setting it apart from Buncheong ceramic wares of the 15th century. In this respect,…

UnknownGoryeo Dynasty, 12th century 该作品的收藏者： This is a long-necked celadon bottle whose body and neck are octagonal in form. The entire surface is covered in a high-quality grayish blue glaze with a slight tint of light green. The glaze is slightly opaque with a subtle luster that exhibits a serene beauty. Numerous air bubbles are trapped beneath the glaze surface. The eight surfaces of the body are embellished with incised lotus flowers in full bloom, while the area around the foot is decorated with a band of lotus petals in…

UnknownJoseon Dynasty, 15th century 该作品的收藏者： This celadon lidded jar from the Joseon Period has height of 23.4 cm, mouth diameter of 10.8 cm, and base diameter of 12.3 cm. The lip of this jar is rolled up round, and the shoulder area is rapidly expanded before narrowing slowly. The jar has a good volume because its body is relatively wider compared to its height. The lid is layered low; it has a knob shaped like a flower bud, and its lip is rather full. Although its entire surface is coated…

UnknownGoryeo Dynasty, 13th century 该作品的收藏者： 作品介绍 标题: Celadon Jar 创作者: Unknown 日期: Goryeo Dynasty, 13th century 实际尺寸: h48.8 cm 出处: Horim Museum 类型: Porcelain 该作品收藏于： Horim Museum

UnknownGoryeo Dynasty, 12th century 该作品的收藏者： This 12th-century celadon ewer was molded in the shape of a gourd. It has a melon-like, eight-lobed body, a spout resembling a rolled-up gourd leaf, and a handle reminiscent of a twisted vine. The lid also resembles a small inverted gourd leaf. The ewer characteristically has no base, as if to accentuate the elegant silhouette. Overall the vessel exudes a refined sense of balance and stability. The ewer is representative of plain celadon of the 12th century, when the celadon art of the Goryeo Dynasty…

UnknownGoryeo Dynasty, 11th century 该作品的收藏者： This celadon ewer is modeled on the bronze pots of the Goryeo Dynasty, and exhibits the typical characteristics of celadon wares of the early Goryeo Dynasty, such as the glaze, the clay body, and the method of supporting the foot during firing. It is the finest example among ewers of its kind, its overall shape and form displaying the dexterous skill of the potter. 作品介绍 标题: Celadon Ewer 创作者: Unknown 日期: Goryeo Dynasty, 11th century 实际尺寸: h21.3 cm 出处: Horim Museum 类型: Porcelain 该作品收藏于： Horim…

UnknownGoryeo Dynasty, 12th century 该作品的收藏者： The heads of a drum on both sides are in slightly different sizes, but the shapes are similar on the whole. The front is painted, using iron oxide paints, while the designs were engraved. Then the margin was peeled off, and white soil was used to inlay the side in order for the design to stand out. In the body of the drum, a lotus and arabesque design is splendidly depicted, and the details are expressed in a depressed engraving. In the connection between the…

UnknownGoryeo Dynasty, 12th century 该作品的收藏者： This celadon bottle-shaped ewer is an exceptional piece of work that is highly representative of the inlaid bottle-shaped celadon ewers produced during the Goryeo Dynasty. The beauty of its shape, the elaborate inlaid designs and fine glaze all exhibit considerable artistry. The inlaid designs are a harmonious arrangement of alternating cloud, crane and chrysanthemum patterns, which are rendered with dexterous skill. The properties of the clay body and black and white slip go well together, making the inlaid areas smooth and even, and the colors…

UnknownGoryeo Dynasty, 13th century 该作品的收藏者： This celadon bottle, dating back to the Goryeo Dynasty, has a long neck that is erected upright and a slightly open mouth. It is a rather big bottle, which widens gradually from the shoulder, and then expands fully at the bottom part of the bottle and narrows again. It has height of 38.3 cm, mouth diameter of 6.9 cm, and base diameter of 12 cm. It continues with a curved line thatlooks close to a straight line until it reaches the waist, where it has…

Koreanlate 11th-early 12th century 该作品的收藏者： This vessel epitomizes the elegant simplicity of plain celadon that appeared frequently at the end of the 11th century and into the early 12th century. The surface of the bottle is undecorated, highlighting the piece’s clean-cut form. Goryeo dynasty (918–1392) Korean potters first learned about the properties of the ceramic glaze celadon from their Chinese Song dynasty (960-1279) contemporaries. By the mid-12th century, however, Goryeo potters began to pursue a more distinctly Korean aesthetic, fostering many developments in celadon production. Techniques such as inlaying were…

-425/-400 该作品的收藏者： Studies on Greek ceramics include a drinking vessel, a flat cup with two horizontal handles, known as "Castulo cup" because here found numerous examples. These cups were manufactured in the Athens region in the second half of the V century B.C., and have a characteristic shape and black varnish. Greeks called 'kylix" to this cup, root from which comes our word "chalice ". Ceramic is smooth to the touch and that appears especially in the tombs. 作品介绍 标题: Castulo cup – Kylix 创作日期: -425/-400 位置: Archaeological Museum of…