Museum

Norton and Fenton1845 – 1847 该作品的收藏者： 作品介绍 标题: Book Flask 创作者: Norton and Fenton 创作日期: 1845 – 1847 实际尺寸: w5.2 x h14.3 x d10.6 cm (overall) Credit Line: The Museum of Fine Arts, Houston, The Bayou Bend Collection, gift of Miss Ima Hogg 类型: Ceramics 材质: Flint enamel-glazed earthenware 该作品收藏于： The Museum of Fine Arts, Houston

Christian Gottfried Juchtzerc.1850 – c.1850 该作品的收藏者： 作品介绍 标题: Bonds of Hymenaios (Spiritual Love) 日期: c.1850 – c.1850 创作地点: Germany 实际尺寸: h38 cm (maximum height) modeller: Christian Gottfried Juchtzer manufactury: Meissen Model: 1786 出处: Collection of the Latvian National Museum of Art 类型: Porcelain 权利: Latvian National Museum of Art 材质: Porcelain, on-glaze painting 该作品收藏于： The Art Museum RIGA BOURSE

麦森瓷器c. 1730 该作品的收藏者： 作品介绍 标题: Boeketdrager van zilver en beschilderd Meissen porselein 创作者: Meissener Porzellan Manufaktur 创作日期: c. 1730 实际尺寸: l 14.5cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

late 16th century-1670 该作品的收藏者： 作品介绍 标题: Body sherd 位置: Japan, Saga prefecture, Arita, Yambeta kiln site 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with cobalt pigment under clear glaze Style: Arita ware Historical Period: Edo period Credit Line: Gift of John A. Pope Collection: Freer Study Collection 该作品收藏于： Freer and Sackler Galleries

late 16th century-1670 该作品的收藏者： 作品介绍 标题: Body fragment 位置: Japan, Saga prefecture, Arita, Yambeta kiln site 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with cobalt pigment under clear glaze Style: Arita ware Historical Period: Edo period Credit Line: Gift of John A. Pope Collection: Freer Study Collection 该作品收藏于： Freer and Sackler Galleries

Chinese18th-19th century 该作品的收藏者： 作品介绍 标题: Bodhisattva 创作者: Chinese 创作日期: 18th-19th century 实际尺寸: w7.9 x h13.5 x d5.2 cm (overall) Credit Line: The Museum of Fine Arts, Houston, gift of Eleanor Freed 类型: Ceramics; Sculpture 材质: Blanc-de-chine porcelain 该作品收藏于： The Museum of Fine Arts, Houston

17th-18th century 该作品的收藏者： 作品介绍 标题: Bodhisattva 位置: China, Jiangxi province, Jingdezhen 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with clear glaze Historical Period: Qing dynasty Credit Line: The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler Collection: Arthur M. Sackler Gallery…

1801/1850 该作品的收藏者： Besides inlay, many other techniques are also applied in the making of Yatsushiro Ware. These include brush marking on white clay, underglaze iron decoration, thermal shrinking where the clay is biscuit fired without any glaze, firing of clay covered in generous amounts of iron glaze with rich content of iron, and flowing glaze using two types of glaze. 作品介绍 标题: Boat-shaped plates with brush design, Yatsushiro Ware 创作日期: 1801/1850 实际尺寸: H 5.5 主题关键字: Yatsushiro Ware、 Koda Ware、 Kumamoto Prefecture 类型: Ceramic、 Stoneware、 Clay 原始来源: Yatsushiro Municipal Museum 权利:…

Unknown, Pre-Columbiandate unknown 该作品的收藏者： 作品介绍 标题: Boar Form Whistle 创作者: Unknown, Pre-Columbian 创作日期: date unknown 类型: Ceramics 材质: ceramic 该作品收藏于： The Patricia & Phillip Frost Art Museum

late 3rd century B.C.E.-early 3rd century C.E. 该作品的收藏者： 作品介绍 标题: Boar 位置: China 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Ceramic Historical Period: Han dynasty Credit Line: The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler Collection: Arthur M. Sackler Gallery 该作品收藏于：…

Atano Katsuzō (1888-1968)1907/1968 该作品的收藏者： Besides inlay, many other techniques are also applied in the making of Yatsushiro Ware. Sometsuke (white porcelain with cobalt-blue decoration) and white porcelain wares have been produced since the latter half of the Edo period (19th century). 作品介绍 标题: Blue-and-white sencha tea cups with three-leaf arrowhead design, Yatsushiro Ware 创作者: Atano Katsuzō (1888-1968) 创作日期: 1907/1968 实际尺寸: H 5.7, 4.6, 4.7、D 5.3, 9.9 × 7.4, 6.7 主题关键字: Yatsushiro Ware、 Koda Ware、 Kumamoto Prefecture 类型: Porcelain 原始来源: Yatsushiro Municipal Museum 权利: ? Yatsushiro Municipal Museum 该作品收藏于： Kyoto Women's…

Netherlands1785 – 1790 该作品的收藏者： 作品介绍 标题: Blue Fluted Full Lace Plate 创作日期: 1785 – 1790 实际尺寸: w247.65 x h41.275 in (complete) designer: Netherlands Manufacturer Nationality: Dutch Manufacturer Active Dates: 1775- Manufacturer: Royal Copenhagen 类型: containers (receptacles) 权利: Gift of Frances Charsky、 http://denverartmuseum.org/footer/terms_and_policies 材质: glazed ceramic with blue pigment 该作品收藏于： Denver Art Museum

Unknown18th-19th century 该作品的收藏者： 作品介绍 标题: Blue and White Saucer 创作者: Unknown 位置: China 实际尺寸: Diameter: 5 1/8 in. (13 cm) 材质: Porcelain Object Classification: Furnishings Full Title: Blue and White Saucer Curatorial Area: Decorative Arts and Design Credit Line: Gift of Phyllis and Larry Margolies Chronology: 1851-1900, 17th century Artwork Accession Number: AC1997.181.1 该作品收藏于： Los Angeles County Museum of Art

Unknownearly to mid-19th century 该作品的收藏者： 作品介绍 标题: Blue and White Reticulated Censer (kōrō) or Lantern 创作者: Unknown 位置: Japan 实际尺寸: a) Lid: 5 1/4 x 4 3/4 in. (13.34 x 12.07 cm); b) Base: 3 x 4 3/4 in. (7.62 x 12.07 cm); Overall: 7 1/2 x 4 3/4 in. (19.05 x 12.07 cm) 材质: Hirado ware; porcelain with underglaze blue Object Classification: Tools and Equipment Full Title: Blue and White Reticulated Censer (kōrō) or Lantern Curatorial Area: Japanese Art Credit Line: Gift of Allan and Maxine Kurtzman Chronology: 1801-1850,…

UnknownJoseon Period 该作品的收藏者： Blue dye is made from several chemicals such as iron and manganese. Blue porcelain is firstly decorated with these blue dyes and then transparent glaze afterwards. It is baked at over 1250-1400 degrees without air. A unique feature of this pitcher is that it contains a bat pattern decoration which means richness. (Dm 7.0cm, Db 7.5cm) 作品介绍 标题: Blue and White Porcelain Pitcher with Peony Design 创作者: Unknown 日期: Joseon Period 实际尺寸: h17.5 cm 出处: Seokdang Museum of Dong-A University 类型: Porcelain 该作品收藏于： Seokdang Museum of Dong-A…

UnknownJoseon Dynasty, 19th century 该作品的收藏者： This jar has a wide mouth and swelling shoulders. A large phoenix in pale blue and copper red appears around the shoulder. The mythical quality of the phoenix is emphasized by the superbly drawn feathers and wings. This jar is a notable example of the diverse technique, form, and design during the late Joseon Dynasty. 作品介绍 标题: Blue and White Porcelain Jar with Phoenix Design 创作者: Unknown 日期: Joseon Dynasty, 19th century 实际尺寸: h 21cm, d(mouth) 10.5cm, d(bottom) 10.2cm 出处: National Museum of Korea 类型:…

Unknown18th Century, Joseon Period 该作品的收藏者： The dragon design represents the dignity of dynasty and using the design is strongly controlled by the Royal Authority. It is named ‘Yongchung’ but usually is also called ‘Yongjun’. Dragon pattern is designed on the body of the jar. The purpose is for keeping liquor and the jar works for the national ceremony. A typical 18th century jar contains a detailed dragon. (Dm 14.5cm) 作品介绍 标题: Blue and White Porcelain Jar with Cloud and Dragon Design 创作者: Unknown 日期: 18th Century, Joseon Period 实际尺寸: h36…

Unknown19th Century, Joseon Period 该作品的收藏者： Overall, the rim is shaped like six corners and the neck is slim and long. It has quite a big volume for a small sized and simple bottle. A thunder pattern runs around the neck. In the body, bamboo and pine tree pictures were all covered with clouds patterns. Creating corners in the porcelains began in the 18th century and it became more developed in the 19th century. (Dm 4.0cm, Db 10.5cm) 作品介绍 标题: Blue and White Porcelain Hexagon Bottle 创作者: Unknown 日期: 19th Century,…

UnknownJoseon Period 该作品的收藏者： Shaped like bamboo, this is a liquor bottle. The leaf part has been decorated with blue dyes. It is quite interesting to see that it shaped like bamboo and decorated with bamboo pictures. Bamboo represents fidelity and integrity and it also carries honourable meanings particularly for true gentlemen. (Dm 4.5cm, Db 11.5cm) 作品介绍 标题: Blue and White Porcelain Bamboo-shaped Bottle with Bamboo Design 创作者: Unknown 日期: Joseon Period 实际尺寸: h25 cm 出处: Seokdang Museum of Dong-A University 类型: Porcelain 该作品收藏于： Seokdang Museum of Dong-A University

江戸後期 该作品的收藏者： Ceramic works produced during the Edo period (1615-1868) are called “antique Tobe” (“Ko-Tobe”). Pieces of Tobe ware during this period developed predominately as “blue-and-white” (“sometsuke”) porcelain with dramatically painted designs of cobalt blue underglaze applied with elaborate brushwork. 作品介绍 标题: Blue and white bottle with peoney design, Tobe ware 创作日期: 江戸後期 主题关键字: Ehime Prefecture 类型: Ceramic、 Porcelain、 Blue-and-white 原始来源: Tobe Ware Traditional Industry Hall 该作品收藏于： Kyoto Women's University, Lifestyle Design Laboratory

Anonymous1700/1799 该作品的收藏者： 作品介绍 标题: Bloempot, polychroom beschilderd met Imari decor. 创作者: Anonymous 创作日期: 1700/1799 实际尺寸: h 25cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Manufactuur Oud-Loosdrecht1774/1784 该作品的收藏者： 作品介绍 标题: Bloempot en onderschotel van porselein 创作者: Manufactuur Oud-Loosdrecht 创作日期: 1774/1784 实际尺寸: h 8.7cm – d 10.2cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Anonymous1700/1900 该作品的收藏者： 作品介绍 标题: Bloembak 创作者: Anonymous 创作日期: 1700/1900 实际尺寸: h 21.5cm – w 18.0cm – d 15.0cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Anonymous1700/1725 该作品的收藏者： 作品介绍 标题: Bleu poudré-vaas met velden in onderglazuur blauw 创作者: Anonymous 创作日期: 1700/1725 实际尺寸: h 32.7cm – d 14cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

N.V. Haagsche Plateelfabriek Rozenburg1900/1900 该作品的收藏者： 作品介绍 标题: Blaker beschilderd met papegaai 创作者: N.V. Haagsche Plateelfabriek Rozenburg 创作日期: 1900/1900 实际尺寸: h 8.7cm – w 19.8cm – d 13.6cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Unknown850-1500 该作品的收藏者： 作品介绍 标题: Blackware Jar with Three Snails 创作者: Unknown 位置: Colombia, Nari?o 实际尺寸: Height: 4 in. (10.16 x cm); Length: 5 1/2 in. (13.97 cm); Depth: 5 7/8 in. (14.92 cm); 材质: Ceramic, Capuli style Object Classification: Furnishings Full Title: Blackware Jar with Three Snails Curatorial Area: Art of the Ancient Americas Credit Line: The Mu?oz Kramer Collection, gift of Camilla Chandler Frost and Stephen and Claudia Mu?oz-Kramer Chronology: 13th – 15th centuries, 1st – 9th centuries Artwork Accession Number: M.2007.146.74 该作品收藏于： Los Angeles County Museum of Art

Unknown4500 BC – 3650 BC (Predynastic period, Naqada I) 该作品的收藏者： In the latter half of the Predynastic period, the era before the unification of Upper and Lower Egypt, Egyptian potters utilized the rich alluvial silt of the Nile to produce a distinctive handmade pottery known as black-topped ware. This pottery was marked by a red-washed exterior with a blackened upper surface. The darkened area below the rim was the deliberate product of a technique that allowed soot to accumulate on the pot’s upper surface during the firing process. The Art…

Antimenes Painterc. 520 BC 该作品的收藏者： 作品介绍 标题: Black-Figure Amphora Depicting Theseus and the Minotaur 创作者: Attributed to the Antimenes Painter, Greek 创作日期: c. 520 BC 实际尺寸: w27.9 x h43.2 x d27.9 cm (overall) Period: Late Archaic Credit Line: The Museum of Fine Arts, Houston, museum purchase funded by Meredith J. Long in honor of his wife, Cornelia, Chairman of the Board of Trustees, The Museum of Fine Arts, Houston, at "One Great Night in November" 类型: Ceramics; Painting 材质: Ceramic 该作品收藏于： The Museum of Fine Arts, Houston

19世紀後半 该作品的收藏者： Distribution of chaka made at Naeshirogawa flourished during the latter Edo period, expanding to regions outside the Satsuma domain such as Edo (Tokyo) and Osaka and becoming an important source of profit for the domain. 作品介绍 标题: Black tea pot (kurojoka), Black Satsuma Ware 创作日期: 19世紀後半 主题关键字: Black Satsuma Ware、 Kagoshima、 Black chaka 类型: Ceramic、 Stoneware 原始来源: Kagoshima prefectural historical museum, REIMEIKAN 权利: ? Kagoshima prefectural historical museum, REIMEIKAN 该作品收藏于： Kyoto Women's University, Lifestyle Design Laboratory

18世紀後半～19世紀 该作品的收藏者： Satsuma ware includes white Satsuma porcelain and black Satsuma which is produced using coloured clay and iron glazes that turn black or brown after firing. In contrast to white Satsuma being mainly used as official ware, black Satsuma was used for daily use by people, earning the nickname kuromon (‘black thing’). 作品介绍 标题: Black Satsuma jar with flying dragon design 创作日期: 18世紀後半～19世紀 实际尺寸: H 37.7 cm, W 39.3 cm 主题关键字: Black Satsuma Ware、 Kagoshima、 Naeshirogawa 类型: Ceramic、 Stoneware 原始来源: SATSUMA DENSHOKAN 权利: ? SATSUMA DENSHOKAN 该作品收藏于： Kyoto Women's…

Raku Kichizaemon2002 该作品的收藏者： The source of the name “SASAFUNE” refers to the phrase from a classical Chinese poem. The piece is made by using a hand-forming technique, which is the traditional style of Raku ware. This is a thin, shoe-shaped tea bowl with the larger part of the rim being pushed inward. From the notched lip to the foot, a light green glaze gently flows in a vertical line. It looks as if a vernal bamboo. Inside the small, trimmed foot of the piece, the ‘RAKU’ mark of Kichizaemon XV…

Raku Kichizaemon2002 该作品的收藏者： The name “UTEKI NI HIKARI O ATUMETEⅡ“ refers to the phase from a poem of the Uteki ni Hikari o Atumete by Kichizaemon XV. The small piece is made by using a hand-forming technique and sculptural process of trimming, which is the traditional style of Raku ware. The notched lip is sharply trimmed with a fine spatula. The whole body is coated with an ash glaze and the area from the notched lip to the low hip is covered with a cobalt glaze in a geometric pattern,…

Raku Kichizaemon2002 该作品的收藏者： The name “UTEKI NI HIKARI O ATUMETE Ⅳ” refers to the phase from a poem of the Uteki ni Hikari o Atumete by Kichizaemon XV. The piece is made by using a hand-forming technique and sculptural process of trimming, which is the traditional style of Raku ware. The part of notched lip is sharply trimmed with a fine spatula. The whole body is coated with an ash glaze and the area from the notched lip to the low hip is covered with a cobalt glaze in a…

Raku Kichizaemon2002 该作品的收藏者： The name “UTEKI NI HIKARI O ATUMETE Ⅲ” refers to the phase from a poem of the Uteki ni Hikari o Atumete by Kichizaemon XV. The small piece is made by using a hand-forming technique and sculptural process of trimming, which is the traditional style of Raku ware. An ash glaze coating the body is quite gentle and the central part of the body is covered with a cobalt glaze in a belt shape, upon which a sharp line scratched with a period tool effectively enhances a…

Raku Kichizaemon2005 该作品的收藏者： The source of the name “TOMOKU SHOKAN O MIRU” refers to the phase from a classical Chinese poem. For the decoration, a spatula is effectively used so that the fluting applied to the body and the lip trimmed dauntlessly give the form a rich move. It is entirely covered with a transparent glaze including a copper, a cobalt, a black glaze to create a tasteful scenery. The work is one of the “Ha no HA” series. 作品介绍 标题: Black Raku Tea Bowl, yakinuki type, called TOMOKU SHOKAN…

Raku Kichizaemon2003 该作品的收藏者： The source of the name “SUIKOKU JUNEN” refers to the phase from a classical Chinese poem. The piece is made by using a hand-forming technique and sculptural process of trimming, which is the traditional style of Raku ware. The notched lip is rightly warped like mountain roads and partially trimmed with a spatula. It is entirely covered with an ash glaze and partially painted with a yellowish green, called a ‘moegi’. A black glaze gently flows in several lines from the notched lip to the foot. From…

Raku Kichizaemon2002 该作品的收藏者： The source of the name “SHUCHU YORU OKU Ⅰ” refers to the phase from a classic Chinese poem. The piece is made by using a hand-forming technique, which is the traditional style of Raku ware. This is a thin, shoe-shaped tea bowl. The undulating peristome is quite gentle with the rim partially being pushed inward. The whole body is unevenly covered with an ocher engobe. The area from the mouth to the notched hip is covered with an ash glaze. From the rim to the body, there…

Raku Kichizaemon2003 该作品的收藏者： The name “SHINUN NI UKANDE Ⅱ” refers to the phase from a poem of the Shinun ni Ukande by Kichizaemon XV. The piece is made by using a hard-forming technique and sculptural process of trimming, which is the traditional style of Raku ware. The body is unevenly glazed in an ash, a black glaze coated the part of notched lip, which looks like dark clouds are in a cloud sky. The flowing lines of a chromium, a copper glaze on the body create the multicoloured, impressive appearance….

Raku Kichizaemon2003 该作品的收藏者： The source of the name “KOJO FUU NI HABAMARU” refers to the phase from a classical Chinese poem. The piece is made by using a hand-forming technique and sculptural process of trimming, which is the traditional style of Raku ware. This is a thin, shoe-shaped tea bowl. The area of a belt-shaped line is spotty coated with a cobalt glaze make out to be a river. The area from the mouth to the trimmed foot flashing on a light cobalt and a black glaze looks like raining…

Raku Kichizaemon2004 该作品的收藏者： The name “KOJIN” refers to the phase from a classic Chinese poem. The piece is made by using a hand-forming technique, which is the traditional style of Raku ware. This is a thin, shoe-shaped tea bowl. The notched lip is rightly undulated. The whole body is unevenly covered with an ocher engobe and the centre part of the body is covered with a copper glaze in a thin, belt shape the same way as the area of the notched lip. From the notched lip to the trimmed…

Raku Kichizaemon2003 该作品的收藏者： The source of the name “KOHAN IPPEN” refers to the phase from a classical Chinese poem. The piece is made by using a hand-forming technique and sculptural process of trimming, which is the traditional style of Raku ware. This is a thin, shoe-shaped tea bowl. The notched lip is rightly warped like mountain roads and partially trimmed with a spatula. From the mouth to the low hip, a cobalt glaze is poured in a belt shape contrasting with the underlying tone of an ash glaze. It looks…

Raku Kichizaemon2003 该作品的收藏者： The name “KEISHU” refers to the phase from a classic Chinese poem. The piece is made by using a hand-forming technique, which is the traditional style of Raku ware. This is a thin, shoe-shaped tea bowl with a part of the rim being boldly pushed inward. The whole body is unevenly covered with an ocher engobe. From the notched lip to the low hip, a light green, a black glaze gently flows in several lines. Inside the small, trimmed foot of the piece, the ‘RAKU’ mark of…

Raku Kichizaemon2003 该作品的收藏者： The source of the name “KAZE TADASHIKU IPPAN KAKARU” refers to the phase from a classic Chinese poem. The piece is made by using a hand-forming technique, which is the traditional style of Raku ware. This is a thin, shoe-shaped tea bowl with a part of the rim being pushed inward. The piece is coated with many different glazes, such as a vivid cobalt, an ash, a chromium and a black glaze. Short lines flowing in a belt shape look as if sail-fringes are fluttering in the…

Raku Kichizaemon2003 该作品的收藏者： The source of the name “KAISHI” refers to the phase from a classical Chinese poem. The piece is made by using a hand-forming technique, which is the traditional style of Raku ware. This is a thin, shoe-shaped tea bowl. The area of a belt-shaped line is coated with the thoroughly fused a vivid cobalt, a black glaze. It looks as if the water’s edge. From the mouth to the notched hip, a thickly coated green glaze gently flows in a straight line looks like a mirage of…

Raku Kichizaemon2004 该作品的收藏者： The name “JOYABUNE” refers to the phase from a classic Chinese poem. The piece is made by using a hand-forming technique, which is the traditional style of Raku ware. This is a thin, shoe-shaped tea bowl and the notched lip is rightly undulated. The whole body is unevenly covered with an ocher engobe. From the mouth to the notched hip, a light green glaze obliquely flows. The area from the low hip to the trimmed foot is covered with a lustrous black glaze. This portrays the poet’s…