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Museum | Page 26 | china porcelain

Museum

  • Sugar bowl – Porseleinfabriek Den Haag

    Porseleinfabriek Den Haagc. 1777 – c. 1790 该作品的收藏者: 作品介绍 标题: Sugar bowl 创作者: Porseleinfabriek Den Haag 创作日期: c. 1777 – c. 1790 实际尺寸: h 8.7cm – d 9.4cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于: Rijksmuseum

  • Sugar bowl – Meissener Porzellan Manufaktur

    麦森瓷器c. 1725 – c. 1730 该作品的收藏者: 作品介绍 标题: Sugar bowl 创作者: Meissener Porzellan Manufaktur 创作日期: c. 1725 – c. 1730 实际尺寸: h 6.2cm – w 12.2cm – d 9.7cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于: Rijksmuseum

  • Sugar Bowl – Lyman, Fenton & Co.

    Lyman, Fenton & Co.1849 – 1858 该作品的收藏者: 作品介绍 标题: Sugar Bowl 创作者: Lyman, Fenton & Co. 创作日期: 1849 – 1858 实际尺寸: w15.9 x h21.6 x d14.3 cm (overall) Credit Line: The Museum of Fine Arts, Houston, The Bayou Bend Collection, gift of Miss Ima Hogg 类型: Ceramics 材质: Flint enamel-glazed earthenware 该作品收藏于: The Museum of Fine Arts, Houston

  • Sugar bowl – Koninklijke Porseleinfabriek Dommer & Co.

    Koninklijke Porseleinfabriek Dommer & Co.c. 1809 – c. 1814 该作品的收藏者: 作品介绍 标题: Sugar bowl 创作者: Koninklijke Porseleinfabriek Dommer & Co. 创作日期: c. 1809 – c. 1814 实际尺寸: h 16.5cm – w 12.2cm – d 11.6cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于: Rijksmuseum

  • sugar bowl – Bernard Howell Leach

    Bernard Howell Leach1946 该作品的收藏者: 作品介绍 标题: sugar bowl 日期: 1946 位置: St Ives 出处: The Estate of Bernard Leach/York Museums Trust 类型: ceramic 权利: York Museums Trust 外部链接: York Museums Trust 材质: stoneware school/style: Studio pottery potter: Bernard Howell Leach Collection Source: York Museums Trust Collection: W. A. Ismay Collection 该作品收藏于: York Museums Trust

  • Sugal bowl – St. Johns Stone Chinaware Company

    St. Johns Stone Chinaware Company1879/1893 该作品的收藏者: In 19th-century Quebec, the shores of the Richelieu River were the cradle of pottery making, producing everyday stoneware for the local market. Higher quality ceramics were imported from Great Britain. Prior to 1879, no one had ever tried to make white ceramic in Canada, with the exception of George Whitefield Farrar. In 1873, he founded the St. Johns Stone Chinaware Company, the only Canadian company to produce china as fine as European imports. 作品介绍 标题: Sugal bowl 日期: 1879/1893 Type: Bol Titre: Bol à…

  • Such Dinner Time – Ham Kyungah

    Ham Kyungah2008 该作品的收藏者: 作品介绍 标题: Such Dinner Time 创作者: Ham Kyungah 日期: 2008 创作地点: 268 Dongsan-Ro, Danwon-Gu, Ansan-City, Gyeonggi-Do, South Korea 实际尺寸: w167 x h106 x d110 cm location:lon: 126.812326 location:lat: 37.319395 出处: Gyeonggi museum of Modern Art 类型: ceramic, mixed media 该作品收藏于: Gyeonggi Museum of Modern Art

  • Suacer-dish with birds, insects and a tree near a fence – Anonymous

    Anonymousc. 1725 – c. 1749 该作品的收藏者: 作品介绍 标题: Suacer-dish with birds, insects and a tree near a fence 创作者: Anonymous 创作日期: c. 1725 – c. 1749 实际尺寸: h 3.9cm – d 21cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于: Rijksmuseum

  • Suacer-dish with a water landscape and Europeans – Anonymous

    Anonymousc. 1750 – c. 1774 该作品的收藏者: 作品介绍 标题: Suacer-dish with a water landscape and Europeans 创作者: Anonymous 创作日期: c. 1750 – c. 1774 实际尺寸: h 3.6cm – d 20.3cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于: Rijksmuseum

  • Strange fruit – Robyne Latham

    Robyne Latham1996 该作品的收藏者: 'The term "strange fruit" was termed in the 1950s when the Ku Klux Klan would hang African American people in the trees of the streets; hence the term "strange fruit". My work, suffice to say, is autobiographical. The work is thrown and hand built, saggar fired, fumed stoneware. My work is underpinned by the joy I feel in seeing a concretisation of the elements (earth, fire, water, air and metal) and the mix of their potentialities in that firing, as each firing is unique.'—Robyne Latham ? Museum…

  • Straight-sided cup and saucer with an image of the Judgement op Paris – Anonymous

    Anonymousc. 1725 – c. 1749 该作品的收藏者: 作品介绍 标题: Straight-sided cup and saucer with an image of the Judgement op Paris 创作者: Anonymous 创作日期: c. 1725 – c. 1749 实际尺寸: h 4.9cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于: Rijksmuseum

  • Straight-sided bowl with a coat of arms and flower scrolls – Anonymous

    Anonymousc. 1725 – c. 1749 该作品的收藏者: 作品介绍 标题: Straight-sided bowl with a coat of arms and flower scrolls 创作者: Anonymous 创作日期: c. 1725 – c. 1749 实际尺寸: h 6.5cm – d 13.9cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于: Rijksmuseum

  • Straight-sided bottle or charcoal container (hi-ire), fragment of base

    1700-1750 该作品的收藏者: 作品介绍 标题: Straight-sided bottle or charcoal container (hi-ire), fragment of base 位置: Japan, Saga prefecture, Arita, Mukurodani kiln site 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with cobalt pigment under clear glaze Style: Arita ware Historical Period: Edo period Credit Line: Gift of John A. Pope Collection: Freer Study Collection 该作品收藏于: Freer and Sackler Galleries

  • Straigh-sided bowl with playing boys in shaped panels on a red ground with floral scrolls – Anonymous

    Anonymousc. 1800 – c. 1817 该作品的收藏者: 作品介绍 标题: Straigh-sided bowl with playing boys in shaped panels on a red ground with floral scrolls 创作者: Anonymous 创作日期: c. 1800 – c. 1817 实际尺寸: h 17.8cm – d 40.6cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于: Rijksmuseum

  • Stove – Artist Unknown

    Artist Unknown18th Century 该作品的收藏者: 作品介绍 标题: Stove 创作者: Artist Unknown 日期: 18th Century 实际尺寸: w88.9 x h266.7 x d88.9 cm Culture: Swiss or German 类型: Furnishing 外部链接: http://museum.doaks.org/OBJ298.htm 材质: ceramic and iron 该作品收藏于: Dumbarton Oaks Museum

  • Stove

    3rd-early 4th century 该作品的收藏者: 作品介绍 标题: Stove 位置: China 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Ceramic Historical Period: Period of Division Credit Line: The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler Collection: Arthur M. Sackler Gallery 该作品收藏于: Freer and Sackler…

  • Stoup – Factory of Pickman – The Cartuja of Seville

    Factory of Pickman – The Cartuja of Seville1899/1930 该作品的收藏者: A bowl of holy water featuring a relief of Christ on the Cross and the sign INRI above his head. It is in the form of a cross and the ends are finished with rounded shapes. Two angel heads appear on each side of the crosspiece. The bowl is shell-shaped with undulating rims and has a decorative feature on the base. The piece is hand-painted with cream and brown colours and the figure of Christ appears with his wounds. In the…

  • Storm God vessel

    0150/0250 该作品的收藏者: 作品介绍 标题: Storm God vessel 创作日期: 0150/0250 实际尺寸: 11 1/4 x 8 1/4 in. (28.5 x 21 cm) 权利: Zona de Monumentos Arqueológicos de Teotihuacán / INAH. Photograph by Jorge Pérez de Lara Elías, ?INAH 材质: Ceramic 该作品收藏于: de Young Museum

  • Storage vessel

    3200 – 2250 BCE 该作品的收藏者: Los Millares Society The necropolis of Los Millares is comprised of a hundred collective burials of the lineages from Los Millares. They seem to be grouped in a way that reflects their kinship, social and symbolic relationships.Up to 4 different social classes have been distinguished, according to the level of prestige of the goods found in the tombs, such as metal artefacts, objects made in exotic raw materials (ivory or ostrich egg shell), flint knives and arrowheads, symbolic and Bell Beaker pottery, stone glasses and…

  • storage jar; albarello – Unknown

    Unknown1501/1600 该作品的收藏者: 作品介绍 标题: storage jar; albarello 创作者: Unknown 创作日期: 1501/1600 类型: Post-Medieval 权利: digital image copyright Museum of London、 http://www.museumoflondon.org.uk/Corporate/Legal/Legalnotices 外部链接: Museum of London 材质: ceramic; earthenware 该作品收藏于: Museum of London

  • Storage Jar with Stylized Plants – Santo Domingo

    Santo Domingo1880 – 1890 该作品的收藏者: 作品介绍 标题: Storage Jar with Stylized Plants 创作者: Santo Domingo 日期: 1880 – 1890 实际尺寸: w38.1 x h38.1 x d45.6 cm (overall) Credit Line: The Museum of Fine Arts, Houston, gift of Miss Ima Hogg 类型: Ceramics 材质: Earthenware with slip 该作品收藏于: The Museum of Fine Arts, Houston

  • Storage jar (tsubo), Bizen ware – Unknown

    Unknownlate 16th century 该作品的收藏者: 作品介绍 标题: Storage jar (tsubo), Bizen ware 创作者: Unknown 创作日期: late 16th century 位置: Bizen, Okayama 实际尺寸: h52 cm 类型: Ceramic 权利: Gift of Sue Tweddell 2007、 ? Art Gallery of South Australia 外部链接: Art Gallery of South Australia 材质: stoneware, natural ash glaze 该作品收藏于: Art Gallery of South Australia

  • Storage Jar (olla) with Birds in Frames – Cóchiti

    Cóchitic. 1885 该作品的收藏者: 作品介绍 标题: Storage Jar (olla) with Birds in Frames 创作者: Cóchiti 日期: c. 1885 实际尺寸: w23.3 x h29.2 x d23.3 cm (overall) Credit Line: The Museum of Fine Arts, Houston, gift of Miss Ima Hogg 类型: Ceramics 材质: Ceramic with polychrome slip painting 该作品收藏于: The Museum of Fine Arts, Houston

  • Storage Jar – Moon Jar Type – unknown

    unknown1600/1700 该作品的收藏者: Choson or Yi Dynasty 作品介绍 标题: Storage Jar – Moon Jar Type 创作者: unknown 日期: 1600/1700 位置: Korea 实际尺寸: w30,8 x h30 cm Copyrights: ? Museum Folkwang Collection: Archaeology, Global Art, Applied Arts 出处: Acquired in 1929 类型: vessel/bin 材质: Porcelain, glazed white 该作品收藏于: Museum Folkwang

  • Storage Jar – Unknown

    Unknown15th century 该作品的收藏者: 作品介绍 标题: Storage Jar 创作者: Unknown 日期: 15th century 位置: Vietnam 实际尺寸: w14 x h13.125 inches Credit Line: Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection, 1979.98 类型: Ceramic 材质: Stoneware painted with underglaze cobalt blue 该作品收藏于: Asia Society

  • Storage Jar – Thomas M. Chandler

    托马斯·M·钱德勒1840 – 1850 该作品的收藏者: 作品介绍 标题: Storage Jar 日期: 1840 – 1850 实际尺寸: w43.2 x h49.2 x d43.2 cm (overall) Maker: Thomas M. Chandler Credit Line: The Museum of Fine Arts, Houston, The Bayou Bend Collection, gift of Miss Ima Hogg 类型: Ceramics 材质: Alkaline-glazed stoneware 该作品收藏于: The Museum of Fine Arts, Houston

  • Storage Jar – Made by David Drake (Dave the Potter), American, 1800 – c. 1870

    戴维·德雷克1859 该作品的收藏者: 作品介绍 标题: Storage Jar 创作者: Made by David Drake (Dave the Potter), American, 1800 – c. 1870 创作日期: 1859 创作地点: Edgefield, South Carolina, United States, North and Central America 实际尺寸: 26 1/2 × 23 1/2 inches (67.3 × 59.7 cm) Other artist: Made at the Lewis J. Miles Pottery (Miles Mill), Edgefield district, South Carolina, c. 1830 – 1879 出处: 125th Anniversary Acquisition. Purchased with funds contributed by Keith and Lauren Morgan and with the gifts (by exchange) of John T. Morris, Mrs. John D. Wintersteen, and the…

  • Storage Jar – Korean

    Korean3rd-4th century 该作品的收藏者: This stoneware vessel dates to a time often referred to as the Three Kingdoms period (57 BC–AD 668), when the Korean peninsula was controlled by the kingdoms of Silla, Koguryo, and Paekche. Kaya, a small southern kingdom, was also a contender for power, but to a far lesser extent. Even though the Kaya fell to the Silla in the 6th century, the Kaya contributed a great deal to Korean ceramic pottery. The solid round shape of this jar is found in ceramics that have been attributed to…

  • Storage Jar – H. Wilson & Co.

    H. Wilson & Co.c. 1870 – 1884 该作品的收藏者: After the Civil War, many black Americans continued to work as craftsmen. Artisans were important leaders in Northern and Southern black communities. They employed fellow African Americans and welcomed them as customers, unlike many white business people. H. Wilson & Co. supported the African American community in Guadalupe County, Texas, following the abolition of slavery. The freed slaves of John M. Wilson Jr. (see John M. Wilson Pottery in this collection) founded the company in 1869. Led by the master potters Hyrum,…

  • Storage jar

    ca. 1900 该作品的收藏者: 作品介绍 标题: Storage jar 位置: Korea, Hwanghaenam-do province, Haeju 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with cobalt and iron pigments under transparent glaze Style: Haeju ware Historical Period: Joseon period Credit Line: Purchase Collection: Freer Gallery of Art 该作品收藏于: Freer and Sackler Galleries

  • Stools with Linked-ring Design in Openwork – Unknown

    UnknownGoryeo, 13th century C.E. – Goryeo, 14Century 该作品的收藏者: <treasure no. 416> These stools, excavated from Gaesung, have an openwork design resembling wisteria vines. They are good examples of the advanced firing techniques of Goryeo. Lotus flowers are incised on the top. Shards of similar work were found at kiln sites in Yucheon-ri, Buan-gun, Jeolabuk-do and in Jindo, Jeolanam-do. 作品介绍 标题: Stools with Linked-ring Design in Openwork 创作者: Unknown 日期: Goryeo, 13th century C.E. – Goryeo, 14Century 出处: Ewha Womans University Museum 类型: Ceramic 外部链接: Ewha Womans University Museum 该作品收藏于: Ewha…

  • Stool – Factory of Pickman – The Cartuja of Seville

    Factory of Pickman – The Cartuja of Seville1880/1930 该作品的收藏者: A hexagonal garden seat with a circular base and seat decorated with hand-painted motifs in relief. Six rectangular features forming the feet of the stool and marked in dark brown, protrude from the base, which is painted in white and gold. The body is decorated with motifs of cherry branches and blossoms. Each of the six sides is separated by a relief of blue and gold cordwork on the upper section. The part at the top of the seat is a…

  • Stoneware Butter Churn – Paul Cushman (1767-1833) Albany, NY

    Paul Cushman (1767-1833) Albany, NY1809 该作品的收藏者: 作品介绍 标题: Stoneware Butter Churn 日期: 1809 位置: United States 实际尺寸: h14.25 in (Complete) 类型: Ceramics 权利: Gift of John P. Remensnyder 外部链接: http://www.albanyinstitute.org/home.html 材质: Stoneware with incised and cobalt blue decoration Potter: Paul Cushman (1767-1833) Albany, NY Marks: Impressed on shoulder between upper bands, with cobalt wash: PAUL?CUSHMAN's:STONE?WARE?FACTORY?1809 / HALF?A?MILE?WEST OF ALBANY?GOAL? Additional Comments: This highly decorated butter churn is a masterpiece of folk design and a visual expression of regional folklore. Why the potter and decorator put so much effort into this…

  • Stokknop in de vorm van een hondenkop – Meissener Porzellan Manufaktur

    麦森瓷器c. 1735 该作品的收藏者: 作品介绍 标题: Stokknop in de vorm van een hondenkop 创作者: Meissener Porzellan Manufaktur 创作日期: c. 1735 实际尺寸: h 4.0cm – l 12.0cm – d 2.8cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于: Rijksmuseum

  • Stokknop in de vorm van een gemzenhond – Meissener Porzellan Manufaktur

    麦森瓷器c. 1735 该作品的收藏者: 作品介绍 标题: Stokknop in de vorm van een gemzenhond 创作者: Meissener Porzellan Manufaktur 创作日期: c. 1735 实际尺寸: h 6.7cm – w 6.6cm – d 1.9cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于: Rijksmuseum

  • Stirrup-spout vessel with sculptural representation of an owl – Mochica style

    Mochica style100 AD – 300 AD 该作品的收藏者: The bird, the serpent and the feline were considered the main deities of the religious pantheon of Andean societies, and from the Cupisnique period on, symbolized the divine powers of the air, earth and the underworld. In their various manifestations, birds, whether as bird of prey, an owl or a duck, usually embodied the night, war and darkness, and acquired anthropomorphic or supernatural features according to the activity they performed. In the Early Mochica style, owls were usually depicted with pointy ears and…

  • Stirrup-spout vessel representing a man in a contorted position – Cupisnique style

    Cupisnique style1500 BC – 500 BC 该作品的收藏者: Over three thousand years old, this bottle depicts a man in a contorted position. The face and body are tattooed with stylized images of human faces. While the identity of the person is unknown, it is possible that he suffered from Marfan’s Syndrome, a genetic disorder that causes loose and very flexible joints in certain individuals. Although it is difficult to know how a person like this was regarded, his representation in pottery suggests that he played an important role in the society…

  • Stirrup-Spout Vessel – Unknown, Pre-Columbian

    Unknown, Pre-Columbianca. 1000 – 1500 该作品的收藏者: 作品介绍 标题: Stirrup-Spout Vessel 创作者: Unknown, Pre-Columbian 创作日期: ca. 1000 – 1500 位置: Peru 类型: Ceramics 权利: Gift of Mr. and Mrs. Joseph Cavaliere 材质: ceramic 该作品收藏于: The Patricia & Phillip Frost Art Museum

  • Stirrup-spout bottle with incised designs – Cupisnique style

    Cupisnique style1500 BC – 500 BC 该作品的收藏者: The type of decoration and finish indicate that this stirrup-handle bottle probably comes from Tecapa and Santone in the Jequetepeque Valley, and represents a Cupisnique sub-style. In the body of this exquisitely made vessel there are delicate incisions outlining plant designs and black stylized feline heads on a red background, color tones obtained by firing the vessel in an oxidizing atmosphere. Under the effects of hallucinogens the high priests went into a trance to communicate with the gods, and while under the effects…

  • Stirrup Spouted Vessel with Monkeys – Unknown

    Unknown1000-500 B.C. 该作品的收藏者: 作品介绍 标题: Stirrup Spouted Vessel with Monkeys 创作者: Unknown 位置: Mexico, Central Mexico, Tlatilco 实际尺寸: 11 1/2 x 10 in. (29.21 x 25.4 cm) 材质: Ceramic Object Classification: Furnishings Full Title: Stirrup Spouted Vessel with Monkeys Curatorial Area: Art of the Ancient Americas Culture: Zacatenco Credit Line: Gift of John C. Best Chronology: 10,000-500 BC Artwork Accession Number: M.78.17 该作品收藏于: Los Angeles County Museum of Art

  • Stirrup Spout Vessel – Unknown

    Unknown100 B.C. – A.D. 700 该作品的收藏者: 作品介绍 标题: Stirrup Spout Vessel 创作者: Unknown 位置: Peru, North Coast 实际尺寸: 11 1/2 x 5 1/2 in. (29.21 x 13.97 cm) 材质: Cream and red-slipped ceramic Object Classification: Furnishings Full Title: Stirrup Spout Vessel Curatorial Area: Art of the Ancient Americas Culture: Moche Credit Line: Gift of Nasli M. Heeramaneck Chronology: 1st – 9th centuries, 499 BC – AD 1 Artwork Accession Number: M.73.48.35 该作品收藏于: Los Angeles County Museum of Art

  • Stirrup Spout Feline Vessel – Moché

    Moché100 – 800 该作品的收藏者: 作品介绍 标题: Stirrup Spout Feline Vessel 创作者: Moché 日期: 100 – 800 实际尺寸: w14 x h17.8 x d14 cm (overall) Credit Line: The Museum of Fine Arts, Houston, museum purchase funded by Alfred C. Glassell, Jr. 类型: Ceramics 材质: Ceramic 该作品收藏于: The Museum of Fine Arts, Houston

  • Stirrup Spout Bottle Representing a Deity – Unknown

    Unknown0-650 CE 该作品的收藏者: 作品介绍 标题: Stirrup Spout Bottle Representing a Deity 创作者: Unknown 日期: 0-650 CE 位置: Andes 实际尺寸: w13.5 x h28.7 x d16 cm Culture: Moche 类型: Vessel 外部链接: http://museum.doaks.org/OBJ22564.htm 材质: Ceramic 该作品收藏于: Dumbarton Oaks Museum

  • Stemmed cup

    -1/1 该作品的收藏者: 作品介绍 标题: Stemmed cup 位置: China 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Ceramic Credit Line: The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler Collection: Arthur M. Sackler Gallery 该作品收藏于: Freer and Sackler Galleries

  • Stemcup, fragment

    1610-1660 该作品的收藏者: 作品介绍 标题: Stemcup, fragment 位置: Japan, Saga prefecture, Uchiyama, Hyakken kiln site 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with brown glaze Style: Arita ware Historical Period: Edo period Credit Line: Gift of John A. Pope Collection: Freer Study Collection 该作品收藏于: Freer and Sackler Galleries

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