Museum

Precolumbianc. 900–1200 该作品的收藏者： Xipe Totec, the Aztec god of spring and regeneration, appears in many Mesoamerican cults. A fertility deity, Xipe Totec vividly conveys the concept of death and rebirth by wearing the flayed skin of a sacrificial victim. Meaning literally “our lord, the flayed one,” Xipe Totec is also associated with the arrival of spring, when the earth covers itself with a new coat of vegetation and exchanges its dead skin for a new one. During the corn-planting festival, Xipe Totec was worshipped by a priest who, dressed in…

9th century 该作品的收藏者： 作品介绍 标题: Xing or Xing-type ware slop jar 位置: China, Probably Hebei province 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with transparent colorless glaze Style: Xing or Xing-type ware Historical Period: Tang dynasty Credit Line: Gift of Charles Lang Freer Collection: Freer Gallery of Art 该作品收藏于： Freer and Sackler Galleries

Martin Carlincirca 1780 该作品的收藏者： Born in Germany, Martin Carlin moved to Paris to become an ébéniste—a furniture maker who works with marquetry and wood veneer. He became known for elegant tables, music stands, and cabinets decorated with Sèvres porcelain, sometimes with mechanical parts. This table, large for a piece by Carlin, is decorated with twenty-eight Sèvres plaques, painted with bouquets of flowers. With its tapered hexagonal legs, gilt bronze mounts, and exotic wood veneers, the table demonstrates the symmetry and elegant simplicity valued in the Louis XVI period. 作品介绍 标题:…

塞佛國立瓷器廠about 1778 该作品的收藏者： The marchand-mercier Dominique Daguerre purchased the porcelain plaques that decorate the sides of this table from the Sèvres Porcelain Manufactory specifically to be mounted on furniture. Once ordered from Sèvres, the porcelain plaques, including the unusually-shaped ones at either end of the table, would have been given by the dealer to the ébéniste Martin Carlin with orders to mount them onto a newly designed piece. This table was among the pieces of furniture that Daguerre sold in May 1782 to Grand Duchess Maria Feodorovna and Grand Duke…

Unknown1801 – 1900 该作品的收藏者： French-made object. It was part of the furniture of Nova Friburgo palace now the Republic Museum 作品介绍 标题: Writing desk 创作者: Unknown 日期: 1801 – 1900 实际尺寸: w135 x h147,5 x d65 cm (maior medida) 出处: Museu Imperial/Ibram/Minc 类型: arborvitae with gilded bronze appliques and porcelain panels of Limoges 外部链接: Museu Imperial 该作品收藏于： Museu Imperial

1735-1795 该作品的收藏者： 作品介绍 标题: Writer's box 位置: China, Jiangxi province, Jingdezhen 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with celadon glaze; wooden stand Style: Jingdezhen ware Historical Period: Qing dynasty Credit Line: Purchase Collection: Freer Gallery of Art 该作品收藏于： Freer and Sackler Galleries

Unknownlate 19th century 该作品的收藏者： 作品介绍 标题: Wrestling Chinese Lions 创作者: Unknown 位置: Japan 实际尺寸: 6 3/8 x 10 3/8 x 8 3/8 in. (16.2 x 26.5 x 21.3 cm) 材质: Hirado Mikawachi ware; porcelain with blue glaze Object Classification: Sculpture Full Title: Wrestling Chinese Lions Curatorial Area: Japanese Art Credit Line: Gift of Allan and Maxine Kurtzman Chronology: 1851-1900 Artwork Accession Number: AC1997.273.6 该作品收藏于： Los Angeles County Museum of Art

Asada Kawara Factory2016 该作品的收藏者： “Ceramic tiles can last 1,000 years. While I cannot be certain that the tiles I create will still exist 1,000 years from now, I will keep on making them with dedication to ensure they will last a long time to come.” – Such is the age-old spirit of ceramic tile craftsmen that still holds true today. 作品介绍 标题: Workshop, Kyoto ceramic tiles 创作者: Asada Kawara Factory 创作日期: 2016 位置: Asada kawara factory- Lat: 34.940255, Lon: 135.755005、 Japan,Kyoto,Fushimi 主题关键字: roof tile 类型: roof tile、 ceramic 权利: ?…

1900/1920 该作品的收藏者： 作品介绍 标题: Working on a potter's wheel, Kinkozan Factory 创作日期: 1900/1920 主题关键字: Kyoto Ware、 Awata Ware、 Kyoto、 Kyo Satsuma Ware 类型: Ceramic、 Photograph 原始来源: Kiyomizu Sannenzaka Museum 该作品收藏于： Art Research Center, Ritsumeikan University

J. Martí Sabé1947 该作品的收藏者： 作品介绍 标题: Woman with Jar 日期: 1947 实际尺寸: w17,5 x h42,5 x d9 cm (complete) Sculptor: J. Martí Sabé 出处: Fundació Rafael Masó 类型: Sculpture 权利: Digital image by Jordi Puig / Fundació Rafael Masó 材质: Ceramic 该作品收藏于： Rafael Masó Foundation

Unknowncirca 1000-800 B.C. 该作品的收藏者： 作品介绍 标题: Woman Standing 创作者: Unknown 位置: Western Iran 实际尺寸: Height: 11 3/4 in. (29.85 cm) 材质: Ceramic Object Classification: Sculpture Full Title: Woman Standing Curatorial Area: Art of the Ancient Near East Credit Line: Gift of Alice A. Heeramaneck Chronology: 10,000-500 BC Artwork Accession Number: M.75.62.30 该作品收藏于： Los Angeles County Museum of Art

Unknownmodern 该作品的收藏者： 作品介绍 标题: Woman Sitting on an Ox 创作者: Unknown 位置: Western Iran 实际尺寸: Height: 7 3/4 in. (19.69 cm) 材质: Ceramic Object Classification: Sculpture Full Title: Woman Sitting on an Ox Curatorial Area: Art of the Ancient Near East Credit Line: Gift of Alice A. Heeramaneck Artwork Accession Number: M.75.62.28 该作品收藏于： Los Angeles County Museum of Art

Unknown8th Century 该作品的收藏者： In Tang China, ceramic figurines were very often interred with the deceased in aristocratic tombs. This lady cradling a little dog, apparently a Pekinese, in her arms, is one such tomb figure. While many Tang-dynasty tomb figures were decorated with the characteristic green, brown and white ‘three-color’ glazes of the era, this piece only has an underglaze. The slightly reddish base clay was coated with a thick white slip which was then painted, but because the piece was not refired to fix the paints, they have largely…

Unknown1350-800 B.C. 该作品的收藏者： 作品介绍 标题: Woman 创作者: Unknown 位置: Western Iran 实际尺寸: Height: 14 3/4 in. (90.81 cm) 材质: Ceramic Object Classification: Sculpture Full Title: Woman Curatorial Area: Art of the Ancient Near East Credit Line: Gift of Alice A. Heeramaneck Chronology: 10,000-500 BC Artwork Accession Number: M.75.62.5 该作品收藏于： Los Angeles County Museum of Art

7th century 该作品的收藏者： 作品介绍 标题: Woman 位置: China 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Ceramic Historical Period: Tang dynasty Credit Line: The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler Collection: Arthur M. Sackler Gallery 该作品收藏于： Freer and Sackler Galleries

possibly Manufactuur Oud-Loosdrecht1782/1784 该作品的收藏者： 作品介绍 标题: Wolter Jan Gerrit baron Bentinck (1745-1781) 创作者: possibly Manufactuur Oud-Loosdrecht 创作日期: 1782/1784 实际尺寸: h 11.2cm – w 9.1cm – d 6.2cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: biscuit (porcelain, material) 该作品收藏于： Rijksmuseum

Hohokam1100/1450 该作品的收藏者： Wingfield Plain "pinch pot". Interior depression was probably created by sticking a finger into the clay to create a small hollow. This miniature vessel was recovered from a habitation area, a concentration of living spaces closest to the platform mound at Pueblo Grande. Pueblo Grande was a large village site located at the headgates of a major canal system occupied as early as AD 500, reaching its greatest size during the Classic Period. Museum Accession: 1996.17 作品介绍 标题: Wingfield Plain "pinch pot" 创作者: Hohokam 日期: 1100/1450 位置: Pueblo…

1279-1368 该作品的收藏者： 作品介绍 标题: Wine pot with lid 位置: China 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with translucent pale-blue (qingbai) glaze Style: Qingbai ware Historical Period: Yuan dynasty Credit Line: The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler Collection:…

Anonymous1723 – 1735 该作品的收藏者： In terms of their shape and decorative patterns, tea wares of outstanding quality were made during the reign of Kangxi, Yongzheng and Qianlong. During the period of Kangxi (1662-1722), the court devoted much effort to reform the porcelain industry. In the Yongzheng period (1723 – 1735), fencai enamel represented a new breakthrough in overglaze decoration. In addition to pink as the main palette, a series of colours in different tones was applied on the themes of figures, flowers and landscapes. This fine porcelain is an oviform…

13th century 该作品的收藏者： 作品介绍 标题: Wine pot 位置: China, Jiangxi Province, Jizhou kilns 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Glazed ceramic Style: Jizhou ware Historical Period: Southern Song dynasty Credit Line: The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler Collection:…

Long-quan WareMing dynasty 该作品的收藏者： 底のない胴部を作り、鉢形の底部を内側から落とし込み、釉薬をかけて焼成し底部を融着させる。この製作技法は、南宋時代から明時代にいたる龍泉窯の大型製品に用いられている。明時代前期の濃い青緑色の青磁は、日本で「天龍寺青磁」と呼ばれ、これを納める木箱の蓋表にも「天龍寺花瓶 壱」と墨書される。名称については、天龍寺造営資金調達のための貿易船が、この類の青磁を日本にもたらしたことに由来するなど、諸説ある。 作品介绍 标题: Wine Jar with Carved Design of Peony Scrolls, Celadon 创作者: Long-quan Ware 日期: Ming dynasty 实际尺寸: h33 cm 类型: ceramics 外部链接: http://www.fujibi.or.jp/en/our-collection/profile-of-works.html?work_id=1531 该作品收藏于： 财团法人　东京富士美术馆

Chinese1521-1566 该作品的收藏者： This extraordinary Chinese porcelain wine jar was made at the Jingdezhen kilns during the reign of the Jiajing emperor (1522-1566). Its body is white porcelain with blue underglaze decoration. To this, potters added an additional layer of colored enamels, resulting in this bright, festive design of golden carp and lotuses. This design and its associations with both fertility and good fortune suggest that this jar was made for a young, affluent couple to celebrate their marriage. Like many of the Asian objects acquired by Henry Walters, this jar…

Michael Ambrose Cardew1959 该作品的收藏者： Wine or oil jar with screw stopper, wide collar and handle. Red slip and transparent glaze. Incised fish around body. 作品介绍 标题: wine jar 日期: 1959 位置: Abuja (place) 实际尺寸: h370 mm (whole) 出处: The Estate of Michael Cardew/York Museums Trust 类型: ceramic 权利: York Museums Trust 外部链接: York Museums Trust 材质: earthenware, transparent glaze, slip glaze school/style: Studio pottery potter: Michael Ambrose Cardew Technique: thrown Diameter: 300 Collection Source: York Museums Trust Collection: W. A. Ismay Collection 该作品收藏于： York Museums Trust

Isaac Button, Soil Hill Pottery1960/1964 该作品的收藏者： Large wine jar with corked neck, two handles on shoulders and a hole at the base- smaller hole at shoulder. Glazed warm brown on the shoulders. 作品介绍 标题: wine jar 日期: 1960/1964 位置: Halifax 实际尺寸: h470 mm (whole) 出处: The Estate of Isaac Button/York Museums Trust 类型: ceramic 权利: York Museums Trust 外部链接: York Museums Trust 材质: earthenware school/style: Studio pottery potter: Isaac Button, Soil Hill Pottery Technique: thrown Diameter: 350 Collection Source: York Museums Trust Collection: W. A. Ismay Collection 该作品收藏于： York Museums…

乌斯特瓷器1753 – 1755 该作品的收藏者： 作品介绍 标题: Wine Funnel 日期: 1753 – 1755 实际尺寸: w9 x h10.8 x d9 cm (overall) Manufacturer: Worcester Porcelain Manufactory Credit Line: The Museum of Fine Arts, Houston, The Rienzi Collection, museum purchase funded by Mr. and Mrs. Harris Masterson III, by exchange, in honor of Mr. Isaac Arnold, Jr., Mr. and Mrs. Elliot Cage, Jr., Captain and Mrs. Clifton Iverson, and Mr. and Mrs. Lloyd Hilton Smith 类型: Ceramics 材质: Soft-paste porcelain 该作品收藏于： The Museum of Fine Arts, Houston

UnknownChenghua era, 1465-1487 该作品的收藏者： Jiangxi Province; Ming period, Chenghua era, 1465-1487 作品介绍 标题: Wine Cup 创作者: Unknown 日期: Chenghua era, 1465-1487 位置: China 实际尺寸: w2.875 x h1.875 inches Credit Line: Asia Society, New York: Mr. and Mrs. John D. Rockefeller 3rd Collection, 1979.175 类型: Ceramic 材质: Porcelain painted with underglaze cobalt blue and overglaze enamels (Jingdezhen ware) 该作品收藏于： Asia Society

Chinese1661 – 1722 该作品的收藏者： 作品介绍 标题: Wine Cup 创作者: Chinese 日期: 1661 – 1722 实际尺寸: w6.4 x h5.1 x d6.4 cm (overall) Period: Qing Dynasty Credit Line: The Museum of Fine Arts, Houston, bequest of Charlene Quitter Thompson 类型: Ceramics 材质: Porcelain painted in overglaze famille verte enamels (Jingdezhen ware) 该作品收藏于： The Museum of Fine Arts, Houston

Sèvres Porcelain Manufactorycirca 1768 该作品的收藏者： 作品介绍 标题: Wine Cooler (Seau a demi-bouteille) 创作者: Sèvres Porcelain Manufactory 位置: France 实际尺寸: Height: 6 in. (15.24 cm); Diameter: 8 in. (20.32 cm) 材质: Porcelain with enamel, gilding, and glaze Object Classification: Furnishings Full Title: Wine Cooler (Seau a demi-bouteille) Curatorial Area: Decorative Arts and Design Credit Line: William Randolph Hearst Collection Chronology: 1751-1800 Artwork Accession Number: 47.35.4 Alternative Titles: Seau a demi-bouteille 该作品收藏于： Los Angeles County Museum of Art

Artist Unknown, KoreaKorea, Joseon period (1392-1910) 该作品的收藏者： 作品介绍 标题: Wine bottle with sgraffito foliage design 创作者: Artist Unknown, Korea 创作日期: Korea, Joseon period (1392-1910) 位置: Korean Peninsula 实际尺寸: w16.5 x h32 x d16.5 mm (work) Label Copy: Buncheong ware features the manipulation of white slip (liquid clay) on a clay body with diverse techniques such as incising, stamping, brushing, or dipping the vessel to create different effects. On this pear-shaped bottle, the decorative scheme is divided into four horizontal sections by double incised lines. The uppermost band appears only in…

Charles-Eloi Asselin1790 该作品的收藏者： In 1783 Louis XVI commissioned an impressive new dinner service for the palace of Versailles, including this wine bottle cooler. By the time the king was executed in 1793, less than half of the proposed 442 pieces had been completed by the Sèvres Porcelain Manufactory. For example, of the twenty-four wine coolers ordered, only nine were ever finished. Wine coolers were placed on the table or sideboard and filled with ice or cold water to chill the wine. Both the dark, even background color and the detailed…

Model originally designed in 1753 by Jean-Claude Duplessis père (French, about 1695 – 1774, active Sèvres, France 1745/1748 – 1774)1791 该作品的收藏者： 作品介绍 标题: Wine Bottle Cooler 创作日期: 1791 创作地点: Sèvres, France 实际尺寸: w23.3 x h16.4 x d18.6 cm 类型: Wine cooler 权利: http://www.getty.edu/legal/copyright.html 材质: "Hard-paste porcelain, black enamel ground with platinum and gold decoration" designer: Model originally designed in 1753 by Jean-Claude Duplessis père (French, about 1695 – 1774, active Sèvres, France 1745/1748 – 1774) Terms of Use: http://www.getty.edu/legal/copyright.html 该作品收藏于： The J. Paul Getty Museum

Attributed to Josiah Spode1818 该作品的收藏者： Earthenware plate decorated with the iconic Willow Pattern as an undergalze blue transfer print with the inscription 'Thomasine Willey 1818' 作品介绍 标题: Willow Pattern Plate 创作者: Attributed to Josiah Spode 创作日期: 1818 位置: Stoke-upon-Trent, Staffordshire, England 材质: ceramic 该作品收藏于： The Potteries Museum & Art Gallery, Stoke-on-Trent

威廉·代·摩根1872/1907 该作品的收藏者： Framed tile panel consisteing of eight six-inch earthenware tiles. The tiles are decorated with a hand-painted lustred pattern of colourful fish and water plants 作品介绍 标题: William De Morgan Tiles 创作者: William De Morgan 创作日期: 1872/1907 位置: Fulham, London, Engalnd 材质: ceramic 该作品收藏于： The Potteries Museum & Art Gallery, Stoke-on-Trent

Johann Heinrich Scheppc. 1782 该作品的收藏者： 作品介绍 标题: Willem V van Oranje-nassau 创作者: Johann Heinrich Schepp 创作日期: c. 1782 实际尺寸: h 10cm – w 8cm – d 1.3cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Johann Heinrich Scheppc. 1782 该作品的收藏者： 作品介绍 标题: Wilhelmina van Pruisen 创作者: Johann Heinrich Schepp 创作日期: c. 1782 实际尺寸: h 10.1cm – w 8.1cm – d 1.2cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Anonymousbefore 1613 该作品的收藏者： 作品介绍 标题: Wijnkop uit V.O.C.-schip de 'Witte Leeuw' 创作者: Anonymous 创作日期: before 1613 实际尺寸: h 4.9cm – d 4cm – w 17.11gr 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Anonymousbefore 1613 该作品的收藏者： 作品介绍 标题: Wijnkom uit V.O.C.-schip de 'Witte Leeuw' 创作者: Anonymous 创作日期: before 1613 实际尺寸: d 5.1cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Anonymousbefore 1613 该作品的收藏者： 作品介绍 标题: Wijnbeker uit V.O.C.-schip de 'Witte Leeuw' 创作者: Anonymous 创作日期: before 1613 实际尺寸: h 5.2cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Anonymousc. 1800 – c. 1900 该作品的收藏者： 作品介绍 标题: Wierookbrander 创作者: Anonymous 创作日期: c. 1800 – c. 1900 实际尺寸: h 8cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

UnknownJoseon dynasty, 17th century – 19th century 该作品的收藏者： 作品介绍 标题: White Vase 创作者: Unknown 日期: Joseon dynasty, 17th century – 19th century 实际尺寸: d245 x h33 cm Object Title (Japanese): 白磁壺 类型: Ceramic 该作品收藏于： Sekido Museum of Art

Unknownno date 该作品的收藏者： 作品介绍 标题: White Pottery Figure of A Bull 创作者: Unknown 位置: Eastern Mediterranean 实际尺寸: 2 1/2 x 5 in. (6.35 x 12.70 cm) 材质: Ceramic Object Classification: Sculpture Full Title: White Pottery Figure of A Bull Curatorial Area: Art of the Ancient Near East Credit Line: Gift of Nasli M. Heeramaneck Artwork Accession Number: M.76.174.183 该作品收藏于： Los Angeles County Museum of Art

Unknown19th Century, Joseon Period 该作品的收藏者： The water dropper was one of the main tools for writing. It holds water inside when ink-stick was grinded. It is also possible to control water volume. The demand of dropper in Joseon period kept rising because Joseon had a favorable writing culture. This is a square-shaped dropper and the decoration patterns are pine tree and crane. Wishes for longevity were always the issue in ancient times and so ten divine animals and plants which carry meanings of longevity were used on the artefacts. Pine…

UnknownJoseon Dynasty, 18th century 该作品的收藏者： This white porcelain ritual vessel has the shape of a square shallow bowl with a wide rim.It is not a perfect square as the four sides have been pressed so as to make them slightly rounded.The mouth and the four sides of the body were carved with a large knife in much the same way that wooden wares are cut with an adze.The body is supported by four ?-shaped feet at the four corners; and sand spur marks are visible on the underside of the…

UnknownJoseon Dynasty, 17th century 该作品的收藏者： This white porcelain placenta jar from the Joseon Dynasty consists of an outer jar with total height of 30.9 cm, mouth diameter of 21.4 cm, and bottom diameter of 14.1 cm as well as the inner jar whose total height is 19.2 cm, mouth diameter is 10.6 cm, and bottom diameter is 8.3 cm. The stone tablet bearing birth information and which was buried along with the placenta jar measures 26.6 cm by 26.7 cm by 4.6 cm. A placenta jar was used for holding…

UnknownJoseon Dynasty, 15th century 该作品的收藏者： A placenta jar was used to contain the placenta and umbilical cord of a newborn prince or princess; a stone placenta tablet, which records the name and the birthday of the baby, was buried together with the jar. These two placenta jars date back to the Joseon Period. The outer jar has height of 42.5 cm, mouth diameter of 25 cm, and base diameter of 25.3 cm. On the other hand, the inner jar has height of 27.6 cm, mouth diameter of 10.6 cm, and…