Museum

Unknown200 B.C. – A.D. 500 该作品的收藏者： 作品介绍 标题: Joined Frogs 创作者: Unknown 位置: Mexico, Colima 实际尺寸: 6 x 3 3/4 x 5 1/2 in. (15.24 x 9.53 x 13.97 cm) 材质: Slip-painted ceramic with incised decoration Object Classification: Furnishings Full Title: Joined Frogs Curatorial Area: Art of the Ancient Americas Credit Line: The Proctor Stafford Collection, purchased with funds provided by Mr. and Mrs. Allan C. Balch Chronology: 1st – 9th centuries, 499 BC – AD 1 Artwork Accession Number: M.86.296.166 该作品收藏于： Los Angeles County Museum of Art

Unknown200 B.C. – A.D. 500 该作品的收藏者： 作品介绍 标题: Joined Couple 创作者: Unknown 位置: Mexico, Colima 实际尺寸: 4 x 3 1/4 x 1 in. (10.16 x 8.26 x 2.54 cm) 材质: Unslipped buff ceramic with black slip paint Object Classification: Sculpture Full Title: Joined Couple Curatorial Area: Art of the Ancient Americas Culture: Colima Credit Line: The Proctor Stafford Collection, purchased with funds provided by Mr. and Mrs. Allan C. Balch Chronology: 1st – 9th centuries, 499 BC – AD 1 Artwork Accession Number: M.86.296.145 该作品收藏于： Los Angeles County Museum of…

Aert Schoumanc. 1782 – c. 1784 该作品的收藏者： 作品介绍 标题: Johan van Oldenbarnevelt (1547-1619) 创作者: Manufactuur Oud-Loosdrecht, Jacob Houbraken, Aert Schouman 创作日期: c. 1782 – c. 1784 实际尺寸: h 22.5cm – w 9.0cm – d 8.7cm – d 8.7cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Aert Schoumanc. 1782 – c. 1784 该作品的收藏者： 作品介绍 标题: Johan de Witt (1625-1672) 创作者: Manufactuur Oud-Loosdrecht, Jacob Houbraken, Aert Schouman 创作日期: c. 1782 – c. 1784 实际尺寸: h 22.6cm – w 8.7cm – d 8.4cm – d 8.4cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

UnknownJoseon period (1392-1910), 17th-18th century 该作品的收藏者： 作品介绍 标题: Jingle with Fretwork 创作者: Unknown 位置: Korea 实际尺寸: Length: 4 1/2 in. (11.4 cm) 材质: Wheel-thrown porcelain with incised decoration and pale blue glaze Object Classification: Tools and Equipment Full Title: Jingle with Fretwork Curatorial Area: Korean Art Credit Line: Gift of Dr. Raymond and Mrs. Pearl Kim Chronology: 1751-1800, 17th century Artwork Accession Number: M.2004.263.1 该作品收藏于： Los Angeles County Museum of Art

unknown1736 – 1795 AD 该作品的收藏者： 作品介绍 标题: Jingdezhen ware mei ping vase 创作者: unknown 日期: 1736 – 1795 AD 位置: Jingdezhen Shi, Jiangxi province, China 实际尺寸: h34.8 cm 出处: No Credit Line 类型: Vase 权利: Royal Ontario Museum 材质: Wheel-thrown porcelain with cobalt-blue and copper-red paints and glaze Time period: Qing Dynasty, Qianlong Period Accession Number: 911.4.52 该作品收藏于： Royal Ontario Museum

unknownearly 15th century AD 该作品的收藏者： 作品介绍 标题: Jingdezhen ware jar and cover 创作者: unknown 日期: early 15th century AD 位置: Jingdezhen Shi, Jiangxi province, China 实际尺寸: h25.8 cm 出处: The George Crofts Collection 类型: Jar 权利: Royal Ontario Museum 材质: Wheel-thrown glazed porcelain with cobalt-blue paint and glaze Time period: Ming Dynasty Accession Number: 925.25.15.A-B 该作品收藏于： Royal Ontario Museum

unknown1723 – 1735 AD 该作品的收藏者： 作品介绍 标题: Jingdezhen ware dish 创作者: unknown 日期: 1723 – 1735 AD 位置: Jingdezhen Shi, Jiangxi province, China 实际尺寸: h5.8 cm 出处: The George Crofts Collection 类型: Dish 权利: Royal Ontario Museum 材质: Wheel-thrown porcelain with glaze and enamel paints Time period: Qing Dynasty, Yongzheng Period Accession Number: 921.21.260 该作品收藏于： Royal Ontario Museum

1723-1735 该作品的收藏者： 作品介绍 标题: Jingdezhen ware dish 位置: China, Jiangxi province, Jingdezhen, Imperial kiln 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with celadon glaze and cobalt pigment under clear glaze Style: Jingdezhen ware Historical Period: Qing dynasty Credit Line: Anonymous gift Collection: Freer Gallery of Art 该作品收藏于： Freer and Sackler Galleries

Martin Carlin1774 该作品的收藏者： 作品介绍 标题: Jewel Coffer 创作者: Martin Carlin 日期: 1774 位置: Detroit, MI, U.S.A. 实际尺寸: w20.63 x h37.38 x d13.63 in Provenance: Friederike Sophie Dorothea, Duchess of W√orttemberg (1736-1798); Maria Feodorovna, Empress of Russia (1759-1828), Palace of Pavlovsk (near St. Petersburg), by 1795; Grand Duke Mikhail Pavlovich (1798-1849); Grand Duke Constantin Nikolaievich (1827-1892); Grand Duchess Alexandra Iossifovna (1830-1911); Grand Duke Constantin Constantinovich (1858-1915); Soviet government; Duveen Brothers , New York; acquired by Anna Thomson Dodge, through Duveen, 1932; Anna Thomson Dodge, Grosse Pointe, MI 出处: Bequest of Mrs….

塞佛國立瓷器廠designed 1824, produced 1825–26 该作品的收藏者： Upright cabinet made of porcelain plaques in a gilt-bronze armature, of two sections; the upper section with two large doors and a peacock crest, the lower section projecting forward with a glass top, supported on two ceramic columns, and containing two drawers. The porcelain plaques painted with allegorical and naturalistic ornament, featuring two large rondels on the doors with cameo-like images of Psyche (left) and Venus (right). Bronzework and porcelain ornamented throughout with neoclassical motifs including swags, volute scrolls, grotesques, and palmettes. 作品介绍 标题: Jewel…

Cristóbal Mas y Clement Aicart1700/1799 该作品的收藏者： A box in the shape of a hound lying on the ground. With lid. White background with manganese spots. Polychrome in yellow, ochre, green and manganese. Oval base. This piece belongs to the series "Fauna de Alcora", which was produced from the middle of the second period ((1742-1798) and, especially, during the third period of manufacturing in the Royal Factory of Alcora (1798-1858). The series consists of soup bowls, sauce boats, terrines, dessert dishes and paper weights, depicting countless animals such as lions, dogs,…

Anonymous1700/1730 该作品的收藏者： 作品介绍 标题: Jeneverkruik in de vorm van een Japanse vrouw op een rolstoel 创作者: Anonymous 创作日期: 1700/1730 实际尺寸: h 37.5cm – w 12cm – d 13.8cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

DesconocidoHispano-musulmán. Siglo X. – Hispano-musulmán. Siglo X. 该作品的收藏者： Altura: 19,9 cm. Diámetro máximo: 15 cm. Diámetro boca: 5,4 cm. Diámetro base: 9,2 cm.Recipiente de cuerpo oval y cuello esbelto, decorado con cuatro círculos en los que alternan flores -lirios- y pájaros estilizados en pintura marrón rojiza. En el cuello presenta dos líneas horizontales paralelas y goterones. El borde exvasado y plano muestra trazos radiales. Las dos parejas de círculos, coincidiendo con la zona de arranque de las asas, están separadas entre sí por peque?os óvalos con trazos en el interior….

Desconocidoépoca visigoda. Siglos VI-VII d. C. – época visigoda. Siglos VI-VII d. C. 该作品的收藏者： Altura: 20,8 cm. Diámetro boca: 3,4 cm. Diámetro máximo: 9,1 cm. Jarro piriforme, con un solo asa, de pie alto y hueco. El cuello, el gollete y el pie se marcan por sendos baquetones de gran resalte. El elegante perfil de este jarro parece estar imitando modelos en metal de carácter litúrgico. Es posible que pertenezca a un contexto funerario, ya que del mismo lugar de su hallazgo proceden dos sarcófagos, uno paleocristiano de principios del…

DesconocidoHispano-musulmán. Siglo XI. – Hispano-musulmán. Siglo XI. 该作品的收藏者： Altura: 20,5 cm. Diámetro boca: 5 cm. Diámetro base: 9 cm. Botella o jarro con pico vertedor y decoración pintada formando motivos geométricos y vegetales estilizados. Constituye un buen ejemplo de las cerámicas que se producían en Jerez en el siglo XI para el mercado local. Fue hallada en el interior de uno de los hornos que se localizaron en las excavaciones realizadas en la plaza del Arenal. Los alfares en las ciudades islámicas se encontraban normalmente extramuros o en zonas poco…

UnknownS. I. – S. II 该作品的收藏者： Jarra de paredes finas realizada en arcilla de color rojo de peque?as dimensiones. Morfológicamente, está formada por una boca circular con el labio redondeado, exvasado. El cuello es troncocónico, invertido, de perfil cóncavo y el cuerpo ovoide y de gran tama?o con respecto al total de la pieza, que acaba con una base de pie anular y plano. Los asideros están en la parte del hombro de la pieza, de tipo vertical. Está decorada con imbricaciones de barbotina simulando escamas y en la parte…

DesconocidoHispano-musulmán. Primera mitad del siglo XI. – Hispano-musulmán. Primera mitad del siglo XI. 该作品的收藏者： Altura: 17,2 cm. Diámetro boca: 21 cm. Diámetro máximo del cuerpo: 15,2 cm. Diámetro base: 11 cm.Este recipiente provisto de asa lateral, muestra un filtro de gran tama?o con motivos geométricos calados. La decoración pintada, consistente en gruesas líneas de ondas y círculos enmarcados entre dos bandas rellenas de puntos, se centra sobre el cuerpo y el asa. El pitorro vertedor que no se ha conservado parece que fue también de gran tama?o, si se atiende…

Unknown19th century 该作品的收藏者： 作品介绍 标题: Jarlet in Form of Hotei with Bag and Tassels 创作者: Unknown 位置: Japan 实际尺寸: Height: 1 3/4 in. (4.45 cm); Diameter: 2 5/8 in. (6.67 cm) 材质: Porcelain with underglaze blue Object Classification: Furnishings Full Title: Jarlet in Form of Hotei with Bag and Tassels Curatorial Area: Japanese Art Credit Line: Gift of Allan and Maxine Kurtzman Chronology: 1851-1900, 1801-1850 Artwork Accession Number: M.2003.154.19 该作品收藏于： Los Angeles County Museum of Art

UnknownMing Dynasty, 17th century 该作品的收藏者： 作品介绍 标题: Jarlet 创作者: Unknown 位置: China 实际尺寸: Height: 1 3/4 in. (4.45 cm); Diameter: 2 3/8 in. (6.03 cm) 材质: Porcelain with white glaze Object Classification: Furnishings Full Title: Jarlet Curatorial Area: South and Southeast Asian Art Credit Line: Gift of Ambassador and Mrs. Edward E. Masters Chronology: 17th century, 16th century Artwork Accession Number: M.84.213.275 该作品收藏于： Los Angeles County Museum of Art

14th century 该作品的收藏者： 作品介绍 标题: Jarlet 位置: China, Jiangxi province, Jingdezhen 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with cobalt decoration under clear, bluish (qingbai) glaze Historical Period: Yuan dynasty Credit Line: Gift of Mrs. John Alexander Pope Collection: Freer Study Collection 该作品收藏于： Freer and Sackler Galleries

MINTON, Stoke-on-Trent1882 该作品的收藏者： 作品介绍 标题: Jardiniere 创作者: MINTON, Stoke-on-Trent 创作日期: 1882 位置: Stoke-on-Trent, Staffordshire 实际尺寸: w88 x h77.5 x d70 cm Second artist's role: modeller Second artist's nationality: France Second artist's name: Albert CARRIER de BELLEUSE Second artist's death date: 1887 Second artist's birthdate: 1824 类型: Ceramic 权利: Morgan Thomas Bequest Fund 1904、 ? Art Gallery of South Australia 外部链接: Art Gallery of South Australia 材质: earthenware, majolica 该作品收藏于： Art Gallery of South Australia

Massier, Clément1870/1883 该作品的收藏者： Below the base, there are three inscriptions "C.M/ VALLAURIS/A.M". C.M, refers Clément Massier 作品介绍 标题: Jardiniere 创作者: Massier, Clément 创作日期: 1870/1883 位置: France 实际尺寸: 26x 34 cm 材质: Glazed clay 该作品收藏于： Fundació Municipal Joan Abelló

Christopher Dresserc. 1870 该作品的收藏者： 作品介绍 标题: Jardinière 创作者: Christopher Dresser 日期: c. 1870 位置: Stoke-upon-Trent, England 类型: Furnishing 材质: Porcelain with overglaze enamel and gold decoration Dimensions: 11 3/16 x 9 3/4 in. diam. (28.4 x 24.8 cm.) Credit Line: Purchase with bequest funds from Sadie B. Feldman Additional Artist Details: Manufacturer: Minton & Co., 1858-Present 该作品收藏于： The Baltimore Museum of Art

American1850 – 1860 该作品的收藏者： 作品介绍 标题: Jardinière 日期: 1850 – 1860 实际尺寸: w21.3 x h27.3 cm (overall) Maker: American Credit Line: The Museum of Fine Arts, Houston, The Bayou Bend Collection, gift of Miss Ima Hogg 类型: Ceramics 材质: Rockingham-glazed earthenware 该作品收藏于： The Museum of Fine Arts, Houston

1662-1722 该作品的收藏者： 作品介绍 标题: Jardiniere 位置: China, Jiangxi province, Jingdezhen 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with cobalt pigment under clear glaze Historical Period: Qing dynasty Credit Line: Gift of Helen D. Lally Collection: Freer Gallery of Art 该作品收藏于： Freer and Sackler Galleries

Worchester Porcelain Manufactoryc. 1758 – 1760 该作品的收藏者： 作品介绍 标题: Jardinère and Stand 日期: c. 1758 – 1760 实际尺寸: w31.5 x h28.6 x d31.5 cm (overall) Manufacturer: Worchester Porcelain Manufactory Credit Line: The Museum of Fine Arts, Houston, The Rienzi Collection, museum purchase funded by Mr. and Mrs. Harris Masterson III 类型: Ceramics 材质: Soft-paste porcelain 该作品收藏于： The Museum of Fine Arts, Houston

Unknown1571/1800 该作品的收藏者： 作品介绍 标题: jar; drug jar 创作者: Unknown 创作日期: 1571/1800 类型: Post-Medieval 权利: digital image copyright Museum of London、 http://www.museumoflondon.org.uk/Corporate/Legal/Legalnotices 外部链接: Museum of London 材质: ceramic; earthenware 该作品收藏于： Museum of London

Unknownc.1300 该作品的收藏者： 作品介绍 标题: Jar, with boy on lotus and sage with deer, Cizhou ware 创作者: Unknown 创作日期: c.1300 位置: Cizhou, Hebei Province 实际尺寸: h27.5 cm (height) 类型: Ceramic 权利: South Australian Government Grant 1985、 ? Art Gallery of South Australia 外部链接: Art Gallery of South Australia 材质: stoneware, underglaze iron brushed decoration 该作品收藏于： Art Gallery of South Australia

UnknownJoseon, Late 15th century~Early 16th century 该作品的收藏者： The sumptuous, even ostentatious aesthetics of Chinese ceramics were reflected in the early blue and white porcelain ware of Korea, but over time, such showy designs became more modest, and thus more evocative of the atmosphere, culture, and taste of Joseon. The fine design on this jar exemplifies such case. While the central image of the birds resting amidst the plum blossoms is executed in strong, rich cobalt-blue underglaze, the designs on the lid, around the mouth, and near the foot are intentionally…

UnknownJoseon, 16th century 该作品的收藏者： Along with buncheong ware, the other type of ceramic ware that represents the Joseon Dynasty is white porcelain. But while the golden era of buncheong ware was rather brief, white porcelain was produced and loved throughout the Joseon era. Members of the ruling class of Joseon, including royals and literati elites, were charmed by the simple, refined forms of white porcelain, combined with the pure white surface; they felt it was a perfect symbol for the clean, austere life of Neo-Confucianism that they revered. They were…

unknownMuromachi period, 15th century – Muromachi period, 16th century 该作品的收藏者： The jar was formed by coiling, the trace of which can be clearly observed on the surface of the body. The unique thick, angular mouth rim is one of the characteristics of the jars produced during this period. Feldspar granules protruding from the coarse clay body are visible on various parts, producing a distinct texture on the surface. Several large pale-green patches of natural glaze, made as a result of ashes spontaneously spattering on the surface, produce a superb aesthetic…

unknownJoseon dynasty, second half of the 17th century – Joseon dynasty, second half of the 17th century 该作品的收藏者： 作品介绍 标题: JAR, Porcelain with underglaze iron-painted tiger and herons design 创作者: unknown 日期: Joseon dynasty, second half of the 17th century – Joseon dynasty, second half of the 17th century 实际尺寸: w30.2 x h30.1 cm (complete) 出处: The Museum of Oriental Ceramics, Osaka ; Gift of SUMITOMO Group (The ATAKA Collection) 类型: ceramic 权利: KAZUYOSHI MIYOSHI 外部链接: The Museum of Oriental Ceramics, Osaka Object Title(japanese): 鉄砂 虎鷺文 壺(てっしゃ とらさぎもん つぼ) 　…

unknownJoseon dynasty, second half of the 17th century – Joseon dynasty, second half of the 17th century 该作品的收藏者： 作品介绍 标题: JAR, Porcelain with underglaze iron-painted bamboo design 创作者: unknown 日期: Joseon dynasty, second half of the 17th century – Joseon dynasty, second half of the 17th century 实际尺寸: w35.5 x h28.1 cm (complete) 出处: The Museum of Oriental Ceramics, Osaka ; Gift of SUMITOMO Group (The ATAKA Collection) 类型: ceramic 权利: KAZUYOSHI MIYOSHI 外部链接: The Museum of Oriental Ceramics, Osaka Object Title(japanese): 鉄砂 竹文 壺(てっしゃ たけもん つぼ)　 Object Rights(japanese): 大阪市立東洋陶磁美術館?住友グループ寄贈（安宅コレクション）…

unknownJoseon dynasty, 18th century – Joseon dynasty, 18th century 该作品的收藏者： 作品介绍 标题: JAR, Porcelain with underglaze copper-red-painted crane and pine branch design 创作者: unknown 日期: Joseon dynasty, 18th century – Joseon dynasty, 18th century 实际尺寸: w27.8 x h24.8 cm (complete) 出处: The Museum of Oriental Ceramics, Osaka ; Gift of SUMITOMO Group (The ATAKA Collection) 类型: ceramic 权利: KAZUYOSHI MIYOSHI 外部链接: The Museum of Oriental Ceramics, Osaka Object Title(japanese): 辰砂 松鶴文 壺(しんしゃ まつつるもん つぼ)　 Object Rights(japanese): 大阪市立東洋陶磁美術館?住友グループ寄贈（安宅コレクション） Object Notes(japanese): 辰砂とは、白磁の素地に銅の顔料で文様を描き、透明釉をかけ焼き上げて赤く発色させるものです。笠形の独特な口の形をなし、肩には二条の突起線帯がもうけられています。この器形は、辰砂を代表する形のひとつです。胴の中央部には、片脚で立つ横向きの鶴と、垂れ枝の松が施され、裏面には木の垂れ枝を筆太に没骨（もっこつ）風に描いています。発色はきわめて良く、辰砂の素朴な魅力にあふれる作例です。片脚で立つ鶴が描かれた鉄砂の陶片が、近年京畿道広州市松亭洞窯址で発見されています。 Object Date(japanese): 朝鮮時代?18世紀 该作品收藏于： The Museum of Oriental Ceramics, Osaka

unknownJoseon dynasty, second half of the 18th century – Joseon dynasty, second half of the 18th century 该作品的收藏者： 作品介绍 标题: JAR, Porcelain with underglaze cobalt-blue and copper-red-painted lotus design 创作者: unknown 日期: Joseon dynasty, second half of the 18th century – Joseon dynasty, second half of the 18th century 实际尺寸: w34.2 x h44.6 cm (complete) 出处: The Museum of Oriental Ceramics, Osaka ; Gift of Mr. ATAKA Eiichi 类型: ceramic 权利: KAZUYOSHI MIYOSHI 外部链接: The Museum of Oriental Ceramics, Osaka Object Title(japanese): 青花辰砂 蓮花文 壺(せいかしんしゃ れんかもん つぼ)　 Object Rights(japanese): 大阪市立東洋陶磁美術館?安宅英一氏寄贈…

unknownJoseon dynasty, 18th century – Joseon dynasty, 18th century 该作品的收藏者： 作品介绍 标题: JAR, Porcelain 创作者: unknown 日期: Joseon dynasty, 18th century – Joseon dynasty, 18th century 实际尺寸: w43.4 x h45.0 cm (complete) 出处: The Museum of Oriental Ceramics, Osaka ; Gift of Mr. SHINDO Shinkai 类型: ceramic 权利: KAZUYOSHI MIYOSHI 外部链接: The Museum of Oriental Ceramics, Osaka Object Title(japanese): 白磁 壺(はくじ つぼ) 　 Object Rights(japanese): 大阪市立東洋陶磁美術館?新藤晋海氏寄贈 Object Notes(japanese): 白磁の大壺には、朝鮮時代中期の作風をよく伝えるものがあります。すなわち、整った形に仕上がらず、胴の曲線にみえるゆがみやひずみが、かえって壺の表情を豊かにしています。釉が厚くかかり、落着いた乳白色の、美しい釉色です。こうした大壺は数少なく、韓国では「満月壺（タルハンアリ）」とも呼ばれ、朝鮮白磁の粋として珍重されています。本作は作家の志賀直哉から東大寺元管長?上司海雲師に贈られ、長らく東大寺塔頭の観音院に飾られていました。朝鮮時代白磁大壺の中でも傑出した作例として知られています。 Object Date(japanese): 朝鮮時代?18世紀 该作品收藏于： The Museum of Oriental Ceramics, Osaka

1660-1680 该作品的收藏者： 作品介绍 标题: Jar, one of a pair with F1970.20 位置: Japan, Saga prefecture, Arita 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with enamels over colorless glaze Style: Arita ware, early enamel type Historical Period: Edo period Credit Line: Purchase Collection: Freer Gallery of Art 该作品收藏于： Freer and Sackler Galleries

Unknown1550/1650 该作品的收藏者： Blue and white porcelain jar, decorated with peonies and lotus spray amid foliage. 作品介绍 标题: Jar, Guan type 创作者: Unknown 日期: 1550/1650 创作地点: China 实际尺寸: w18 x h33 cm (complete) Provenance: China Culture: China 类型: Ceramic 材质: Blue-and-white 该作品收藏于： The James H.W. Thompson Foundation

UnknownEarly Ming Dynasty, 15th century 该作品的收藏者： The Chinese invention of porcelain fueled not only domestic but also global demands, boosting China’s export trade to the West. During the Yuan dynasty (1279–1368), a significant development in the decoration of porcelain occurred at Jingdezhen in Jiangxi province, site of the later Ming imperial porcelain factories: Chinese potters, encouraged by Near Eastern traders, applied decoration utilizing cobalt oxide to achieve a rich underglaze blue, highly favored in the West. The Art Museum’s jar belongs to a large group of Chinese blue-and-white porcelains manufactured…

1620-1680 该作品的收藏者： 作品介绍 标题: Jar, fragment 位置: Japan, Saga prefecture, Arita, Tengudani kiln site 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with cobalt pigment under clear glaze Style: Arita ware Historical Period: Edo period Credit Line: Gift of John A. Pope Collection: Freer Study Collection 该作品收藏于： Freer and Sackler Galleries

unknownNara period, 8th century – Nara period, 8th century 该作品的收藏者： Sancai (three-color) ware produced during the Nara period (710-794) under the influence of Tang sancai ware is called "Nara sancai ware", one of the best known wares being "Shoso-in sancai", named after the treasure house holding mostly 8th-century royal objects. This almost neck-less jar is known in Japan as yakko (literally meaning 'medicine jar'), some examples of which were used for containing cremated bones. White and yellow (or brown) glazes are dotted onto the green-glazed background, though parts of the…

unknownTang dynasty, 7th century – Tang dynasty, 8th century 该作品的收藏者： 作品介绍 标题: JAR, Earthenware with applied medallions of baoxianghua under three-color glaze/Important Art Object of Japan 创作者: unknown 日期: Tang dynasty, 7th century – Tang dynasty, 8th century 实际尺寸: w24.3 x h30.9 cm (complete) 出处: The Museum of Oriental Ceramics, Osaka ; Gift of SUMITOMO Group (The ATAKA Collection) 类型: ceramic 权利: KAZUYOSHI MIYOSHI 外部链接: The Museum of Oriental Ceramics, Osaka Object Title(japanese): 三彩貼花 宝相華文 壺(さんさいちょうか ほうそうげもん つぼ)/重要美術品 Object Rights(japanese): 大阪市立東洋陶磁美術館?住友グループ寄贈（安宅コレクション） Object Notes(japanese): 唐三彩は7世紀から8世紀頃にかけて、主として副葬用明器として河南省の鞏義窯を中心とした華北各地でつくられました。多色釉の装飾効果による華やかな作風の唐三彩は当時一世を風靡しました。本作はそうした唐三彩の中の代表作の一つで、胴部3箇所には型抜きされた円盤状の宝相華文が貼り付けられています。洛陽の唐墓から類品が出土していることから、鞏義窯の製品と考えられます。　　　　 Object Date(japanese): 唐時代?7-8世紀 该作品收藏于： The Museum…

unknownGoryeo dynasty, 12th century – Goryeo dynasty, 12th century 该作品的收藏者： 作品介绍 标题: JAR, Celadon with iron-painted baoxianghua scroll design 创作者: unknown 日期: Goryeo dynasty, 12th century – Goryeo dynasty, 12th century 实际尺寸: w27.4 x h22.7 cm (complete) 出处: The Museum of Oriental Ceramics, Osaka ; Gift of SUMITOMO Group (The ATAKA Collection) 类型: ceramic 权利: KAZUYOSHI MIYOSHI 外部链接: The Museum of Oriental Ceramics, Osaka Object Title(japanese): 青磁鉄絵 宝相華唐草文 壺(せいじてつえ ほうそうげからくさもん つぼ) Object Rights(japanese): 大阪市立東洋陶磁美術館?住友グループ寄贈（安宅コレクション） Object Notes(japanese): 高麗青磁の器形には、本作の様な壺形の例はさほど多くありません。低く広い口と、胴が張ってゆったりした形に、大胆な宝相華（ほうそうげ）唐草がみごとな調和をなしており、鉄絵青磁のおおらかな味わいをよく伝えています。こうした鉄絵青磁は全羅南道海南郡の珍山里窯を中心に焼かれましたが、同道康津郡沙堂里窯址や扶安郡柳川里等でも出土しているため、本作の窯は確定していません。 Object Date(japanese): 高麗時代?12世紀 该作品收藏于： The Museum of Oriental Ceramics, Osaka

UnknownJoseon, 15th century 该作品的收藏者： This jar features two different peony designs: one up at the shoulder, and another that covers most of the body. But while the peony design on the shoulder was made with thin line engravings, the design of peonies and scrolling vines on the body was made with the sgraffito technique, wherein the surface layer of one material is scraped away to reveal a darker underlayer. First, a brush was used to apply white clay to the surface of the jar. Then the white clay was carved…