Museum

907-1125 该作品的收藏者： 作品介绍 标题: Seal with handle in the form of a hunting eagle 位置: China 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with clear glaze Historical Period: Liao dynasty Credit Line: The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler…

probably 18th century 该作品的收藏者： 作品介绍 标题: Seal paste container and stand 位置: China, Jiangxi province, Jingdezhen 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Porcelain with cobalt pigment under clear glaze; wooden stand Style: Jingdezhen ware Historical Period: Qing dynasty Credit Line: Gift of Charles Lang Freer Collection: Freer Gallery of Art 该作品收藏于： Freer and Sackler Galleries

UnknownQing dynasty, Kangxi mark and period, 1662-1722 该作品的收藏者： 作品介绍 标题: Seal Paste Box (Yinnihe) 创作者: Unknown 位置: China, Jiangxi Province, Jingdezhen 实际尺寸: Overall: 1 5/8 x 2 7/8 in. (4.13 x 7.3 cm); .a) Cover: 1 x 2 7/8 in. (2.54 x 7.3 cm); .b) Box: 3/4 x 1 7/8 in. (1.91 x 4.76 cm) 材质: Wheel-thrown porcelain with peach-bloom glaze Object Classification: Furnishings Full Title: Seal Paste Box (Yinnihe) Curatorial Area: Chinese Art Credit Line: Gift of Mrs. James E. Bentley in memory of Jack G. Kuhrts Chronology: 1701-1750,…

Unknownca. 19th century 该作品的收藏者： 作品介绍 标题: Seal Netsuke: Okame Holding a Scroll 创作者: Unknown 创作日期: ca. 19th century 位置: Japan 实际尺寸: w1.25 x h2 x d1.5 in 类型: Sculpture 权利: Metropolitan Museum and Art Center Collection, Anonymous gift 材质: Ceramic glaze 该作品收藏于： The Patricia & Phillip Frost Art Museum

-1/1 该作品的收藏者： 作品介绍 标题: Seal 位置: China 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Ceramic Credit Line: The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler Collection: Arthur M. Sackler Gallery 该作品收藏于： Freer and Sackler Galleries

Max Esserc 1925 该作品的收藏者： King Augustus II of Poland maintained that his artists model pieces directly from actual animals. The specificity gained from this life drawing mandate lends special vibrancy to such Meissen sets as the Sea Life Chess Set and Board (c 1925), in which each minutely detailed species of creature can be identified. 作品介绍 标题: Sea Life Chess Set and Board 创作者: Max Esser 创作日期: c 1925 实际尺寸: Board: 18 ? x 18 ? x 2 in.、 King Size: 3 ? in. 出处: Collection of Dr. George and…

Shigekazu Nagae2011/2011 该作品的收藏者： Sculpture, 'Forms in Succession #5,' slip-cast and glazed porcelain designed and made by Shigekazu Nagae, Seto, Japan, 2011 作品介绍 标题: Sculpture 创作者: Shigekazu Nagae Fashion House: Shigekazu Nagae Manufacturer: Shigekazu Nagae 创作日期: 2011/2011 创作地点: Japan 实际尺寸: 270mm (h) x 420mm (w) x 335mm (d) 类型: Sculpture Photographer: Geoff Friend 材质: Porcelain 该作品收藏于： Museum of Applied Arts and Sciences

Nasca style100 AD – 300 AD 该作品的收藏者： The link between life and death, and the place of ancestors as the main intermediaries between the two worlds is undoubtedly one of the most recurrent themes in Nasca iconography. The modeled head of a human being appears in this fragment of a ceremonial drum, possibly an ancestor judging by the accessories he is wearing: a mouth mask with feline whiskers and a headband with the painted figure of a feline on his head. Characters similar to this one are represented in ceramics…

Inca style1300 AD – 1532 AD 该作品的收藏者： This is a ceramic ritual object (paccha) meant to offer the ceremonial drink of the Andes, the corn bear or chichi, to the Earth. The liquid enters through the small urpu or jar at the top, and goes out through the lower end of the elongated object. The object has a shape of a vertical pole with a curved element in the middle; it represents the Andean foot plow or chaquitaqlla, tillage tool used by Andean farmers to remove the soil. This tool…

Cupisnique style1250 BC – 1 AD 该作品的收藏者： This sculptural ceramic bottle represents two owl heads. Both heads are connected by the arc-shaped handle. Furthermore, the face of the owls are incised and painted with stepped motifs and scrolls, a symbol that represents the connection between the underworld and the upper world. Owls are also dual animals that express the complementarity of opposites, because while flying through the air- the world above – they are night birds, and night is homologous to the inner world in the Andean cosmovision. In that…

Moche style1 AD – 800 AD 该作品的收藏者： A mythological episode of the heroic saga of Ai Apaec is represented in this sculptural ceramic bottle. Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language) is the Moche mythological personage characterized by a belt and ear ornaments with snake heads, fangs in his face, and a headdress that varies according to the context in which he is located as part of his quest. Ai Apaec copulates with a woman, and holds her lower jaw with his hand in…

Moche style1 AD – 800 AD 该作品的收藏者： This is a sculptural ceramic jar depicting the Moche Owl God. The personage is standing up, with an owl face. He has wings instead of arms, but is represented with human-like legs. His dress has a design of interlocking waves. He stands under an arch, which is pained with colored rectangles. This arch is a two-head snake with feline heads. The same interlocking wave motif that is painted on the shirt of the Owl God is painted at the top of the jar….

Moche style1 AD – 800 AD 该作品的收藏者： In this bottle ceramic sculpture represents the head of the mythological hero Ai Apaec Mochica (named after Rafael Larco, Muchik language term meaning "the maker") characterized by wearing earmuffs belt and snake fangs into his face, and a headdress that varies according to the context in which it is located as part of his quest, as he travels through different worlds performing their heroic deeds. In this case, it has touched because he has lost in combat with other mythological creature, and has…

Moche style1 AD – 800 AD 该作品的收藏者： En esta botella escultórica de cerámica se representa la cabeza del héroe mitológico Mochica Ai Apaec (así llamado por Rafael Larco, término que en lengua Muchik significa “el hacedor”) caracterizado por llevar cinturón y orejeras de serpientThe head of the Moche hero Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language) is modeled in this sculptural ceramic bottle. Ai Apaec is a Moche personage characterized by a belt and ear ornaments with snake heads, fangs in his face, and…

Moche style1 AD – 800 AD 该作品的收藏者： This is a bottle ceramic sculpture depicting the head of a priest, with a headdress adorned with hand-shaped or five mountain peaks. It also has a circular pendant earrings. This bottle is in turn a rattle, as it has a hollow pedestal on which no accounts or seeds. The pedestal has holes to facilitate resonance. (UH) Esta es una botella escultórica de cerámica que representa la cabeza de un sacerdote, con un tocado de cabeza con adornos en forma de manos o monta?a…

Moche style1 AD – 800 AD 该作品的收藏者： This is a sculptural ceramic jar that represents the head of a captive personage. This human head is adorned by circular pendant earrings, one on top of the earlobe and the other at the bottom. The jar is red, while the ear ornaments and the sclera of the eye are cream. The character has a fringe of hair on the forehead. This way of representing the hair is similar to that of the warriors who have been defeated in ritual combat and will…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic vase represents the fruit of ulluchu (Guarea sp.). This fruit has been recently identified botanically as a species of Guarea. The chemical composition of this species supports the hypothesis of consumption of this fruit in ceremonial contexts to facilitate removal of the sacrificial victims′ blood since its components can increase blood pressure, cause arrhythmia, spasm and expansion of blood vessels. The fruits of ulluchu are usually depicted on the Moche scenes of sacrifice or scenes where priests seem to be…

Cupisnique style1250 BC – 1 AD 该作品的收藏者： This sculptural ceramic bottle represents snakes, displayed on both fronts of the art piece, connected by the arch-shaped spout of the vessel. These snakes have feline fangs. Their body is decorated with concentric circles that resemble their body spots, and which are also symbols of water. Snakes in the Andes are animals that express the animating force of the inner world or underworld. (UH) Esta es una botella escultórica de cerámica que representa serpientes, dispuestas en ambos lados de la pieza que son…

Cupisnique style1250 BC – 1 AD 该作品的收藏者： This sculptural ceramic bottle represents snakes, displayed on both fronts of the art piece. These snakes have feline fangs, and appendixes flow out of their mouths. Their body is decorated with concentric circles that resemble their body spots, and which are also symbols of water. Snakes in the Andes are animals that express the animating force of the inner world or underworld. (UH) Esta es una botella escultórica de cerámica que representa serpientes, dispuestas en ambos frentes de la pieza. Estas serpientes tienen…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle depicts a man and a woman copulating under a blanket that partially covers them, exposing their heads and genitals. The mantle is composed of symmetrical squares with crosses, universal symbol of meeting and connection. (UH) Esta botella escultórica de cerámica representa a un hombre y una mujer copulando bajo un manto que los cubre parcialmente, dejando al descubierto sus cabezas y sus genitales. El manto está compuesto por recuadros simétricos con cruces, símbolo universal de encuentro y conexión. (UH)…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle represents the cassava or manioc (Manihot esculenta). Cassava is a shrub whose root is edible and has a high nutritional value. From the fermented root, masato or manioc beer is produced. (UH) En esta botella escultórica de cerámica se representa la yuca o mandioca (Manihot esculenta). La yuca es un arbusto cuya raíz es comestible y tiene un alto valor alimentario. De la raíz fermentada se hace el masato o chicha de yuca. (UH) 作品介绍 标题: Sculptural ceramic ceremonial…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle represents male genitals. Unlike most sculptural vessels that represent the penis as issuer, this piece emphasizes the testicles as containers and the penis is shown in a flaccid state. (UH) Esta botella escultórica de cerámica representa órganos genitales masculinos. A diferencia de la mayoría de vasos escultóricos que representan el pene como emisor, en esta pieza se enfatizan los testículos como contenedores y el pene se muestra en estado flácido. (UH) 作品介绍 标题: Sculptural ceramic ceremonial vessel that represents…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle depicts female genitalia in great detail. The black color of the piece has to do with the symbolic relationship of nocturnal space with the inner world and the female body. (UH) Esta botella escultórica de cerámica representa los órganos genitales femeninos con gran detalle. El color negro de la pieza tiene que ver con la relación simbólica del espacio nocturno, con el mundo interior y con el cuerpo femenino. (UH) 作品介绍 标题: Sculptural ceramic ceremonial vessel that represents female…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle portrays two copulating mice. As the gods copulate, in the earthly world humans and animals also copulate to procreate, inserting themselves into the cycle of life. (UH) En esta botella escultórica de cerámica se ve a dos roedores copulando. Así como se unen los dioses, en el mundo terrenal los seres humanos y los animales se unen para procrear, insertándose en el ciclo de la vida. (UH) 作品介绍 标题: Sculptural ceramic ceremonial vessel that represents coupling of mice ML004391…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle portrays two copulating llamas. As the gods copulate, in the earthly world humans and animals also copulate to procreate, inserting themselves into the cycle of life. (UH) En esta botella escultórica de cerámica se ve a dos llamas copulando. Así como se unen los dioses, en el mundo terrenal los seres humanos y los animales se unen para procrear, insertándose en el ciclo de la vida. (UH) 作品介绍 标题: Sculptural ceramic ceremonial vessel that represents coupling of llamas ML004388…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle represents ears of corn (Zea mays). Corn is the grain used to make the ceremonial drink of the Andes, the chicha. (UH) Esta botella escultórica de cerámica representa mazorcas de maíz (Zea mays). El maíz es el grano usado para hacer la bebida ceremonial de los Andes, la chicha. (UH) 作品介绍 标题: Sculptural ceramic ceremonial vessel that represents corn ML006514 创作者: Moche style 创作日期: 1 AD – 800 AD 创作地点: Trujillo, La Libertad, Peru, Peru 实际尺寸: w125 x h211…

Moche style1 AD – 800 AD 该作品的收藏者： This bottle ceramic sculpture depicts a cadaverous male character wearing a very ornate robe, large ear ornaments, and a pectoral. His decorations and clothing account for his high social status, so he could probably be a community ancestor, who is accompanied by a woman who embraces him. The ancestor, who inhabits the inner world, plays the antara which is an instrument that facilitates contact between the worlds The antara or Andean pan-flute, is an instrument that is played in pairs, both antaras complementing…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle depicts a male inhabitant of the underworld, whom we would call a dead man. However, in the Andean world, he is still active in the inner world. His vitality is manifested in the possibility of further fertilizing, since even cadaverous, this man is capable of emitting semen through masturbatory action. (UH) Esta botella escultórica representa a un habitante masculino del “mundo de abajo”, a quienes nosotros llamaríamos “muerto”. Sin embargo, en la cosmovisión andina, éste sigue activo en el…

Moche style1 AD – 800 AD 该作品的收藏者： A mythological episode of the heroic cycle of Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language) is modeled in this sculptural ceramic bottle. Ai Apaec is a Moche personage characterized by wearing a belt and ear ornaments with snake heads, fangs in his face, and a headdress that varies according to the context in which he is located as part of his quest. After his defeat by the dark world beheader, Ai Apaec, already weakened, enters the world…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle represents an eagle. Birds of prey are present in pre-Columbian art from early times, and are associated with the upper and solar world. (UH) Esta es una botella escultórica de cerámica que representa un águila. Las aves de rapi?a están presentes en el arte precolombino desde tiempos tempranos, y están asociados al mundo superior, diurno y solar. (UH) 作品介绍 标题: Sculptural ceramic ceremonial vessel that represents an eagle ML008488 创作者: Moche style 创作日期: 1 AD – 800 AD 创作地点:…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle represents a captive deer with a rope around his neck, and with clasped hands in an attitude of prayer. This representation is related to the deer hunt, one of the rituals depicted in Moche ceramics. Hunters are the Moche noblemen, wearing dresses very similar to the warriors′ clothing used in the ritual combats. In the same way that the purpose of fighting was not territorial conquest but capturing the opponent for sacrifice, deer hunting would not have been aimed…

Moche style1 AD – 800 AD 该作品的收藏者： A mythological episode of the heroic saga of Ai Apaec is represented in this sculptural ceramic bottle. Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language) is the Moche mythological personage characterized by a belt and ear ornaments with snake heads, fangs in his face, and a headdress that varies according to the context in which he is located as part of his quest. Ai Apaec enters the marine world to confront the beings that inhabit it, to obtain…

Moche style1 AD – 800 AD 该作品的收藏者： The Moche hero Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language) is modeled in this sculptural ceramic bottle. Ai Apaec is a Moche personage characterized by wearing a belt and ear ornaments with snake heads, fangs in his face, and a headdress that varies according to the context in which he is located as part of his quest, since he travels through different worlds performing his heroic deeds. In this case, he wears a headdress comprised by two…

Moche style1 AD – 800 AD 该作品的收藏者： A mythological episode of the heroic saga of Ai Apaec is represented in this sculptural ceramic bottle. Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language) is the Moche mythological personage characterized by wearing a belt and ear ornaments with snake heads, fangs in his face, and a headdress that varies according to the context in which he is located as part of his quest. Ai Apaec enters the marine world to confront the beings that inhabit it, to…

Moche style1 AD – 800 AD 该作品的收藏者： A mythological episode of the heroic saga of Ai Apaec is represented in this sculptural ceramic bottle. Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language) is the Moche mythological personage characterized by a belt and ear ornaments with snake heads, fangs in his face, and a headdress that varies according to the context in which he is located as part of his quest. Ai Apaec returns from his trip to the underworld, manifesting in the form of plants…

Moche style1 AD – 800 AD 该作品的收藏者： A mythological episode of the heroic saga of Ai Apaec is represented in this sculptural ceramic bottle. Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language) is the Moche mythological personage characterized by a belt and ear ornaments with snake heads, fangs in his face, and a headdress that varies according to the context in which he is located as part of his quest. In this case, Ai Apaec, with wrinkles on his face, wears a headdress that displays…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle represents a white-tailed deer. The modeled specimen is a young male who presented his first antlers. In Moche art the deer hunting by the noblemen of this society is frequently represented. (UH) Esta botella escultórica de cerámica representa un venado de cola blanca. El especimen que está modelado es un macho joven que presenta su primera cornamenta. En el arte Mochica es frecuente la representación de la cacería del venado por parte de los se?ores nobles de esta sociedad….

Moche style1 AD – 800 AD 该作品的收藏者： In this sculptural ceramic bowl, the body of a woman has been shaped so that the vulva is the port of entry and exit of fluids. The position of the female body is similar to that adopted by women in labor, but also in the sexual act. Symbolically, this ritual sculptural bowl becomes the vehicle for liquids to flow into the body as when the female body is fertilized, and also for them to flow to the outside as in childbirth. (UH) En…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle depicts a cadaverous man, inhabitant of the world below, being masturbated by a woman. This would be a scene of propitiation of world of the dead, in which the goal of the sexual activity is not fertilization, but the emission of semen, real or symbolic. The relationship between this type of sexual activity and the world of the dead is evidenced by the presence of objects related to the funerary activity. These objects are funerary jars and bottles, rattles…

Salinar style1250 BC – 1 AD 该作品的收藏者： This sculptural ceramic bottle depicts a woman masturbating a man. It could be the symbolic representation of mother earth that expects the offering of semen from the male character, who could be an ancestor of the Salinar society of the north coast of Peru. (UH) En esta botella escultórica de cerámica se representa a una mujer masturbando a un hombre. Podría tratarse de la representación simbólica de la madre tierra que espera recibir la ofrenda de semen del personaje masculino, quien podría ser…

Moche style1 AD – 800 AD 该作品的收藏者： This is a sculptural ceramic bottle depicting a warrior lord. The luxurious dresses of the warriors emphasize the ceremonial character of the war. In Moche art the warlords wear conical helmets and carry clubs or maces. (UH) Esta es una botella escultórica de cerámica que representa a un se?or-guerrero. Los lujosos vestidos de los guerreros enfatizan el carácter ceremonial de la guerra. En el arte Mochica, los jefes guerreros llevan cascos en forma cónica y cargan porras. (UH) 作品介绍 标题: Sculptural ceramic ceremonial…

Moche style1 AD – 800 AD 该作品的收藏者： Warrior prepared for ritual combat. His high social position is expressed by his ceremonial attire, which includes a headdress decorated with paws and a mushroom in the rear, and pendant ear ornaments, both characteristic of the ceremonial attire of neighboring highlander populations to the coastal Moche. The warrior also wears a necklace with owl-head beads, a shirt with a net-like design, and holds a shield and a striated war club. Because of his adornments and the color of the piece (black), this warrior…

Moche style1 AD – 800 AD 该作品的收藏者： Warrior prepared for ritual combat. His high social position is expressed by his ceremonial attire, which includes a headdress decorated with three crescent-shaped ornaments, big ear plugs, breastplate, necklace, bracelets, and backflap. He carries a shield and a war club. Because of the shape of his headdress′ adornments and the color of the piece, this warrior would be symbolically associated with the daily and solar world. (UH) Guerrero preparado para el combate ritual. Su alta posición social se expresa en su vestimenta formada…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle represents a war club used by the warriors in the ritual battles. Some Moche altars or ceremonial precincts also display alignments of these clubs over their roofs. (UH) Esta botella escultórica de cerámica representa una maza o porra utilizada en los combates ceremoniales. Algunos altares o recintos ceremoniales Mochica también lucen sobre sus techos estas formas de mazas o porras dispuestas en hileras. (UH) 作品介绍 标题: Sculptural ceramic ceremonial vessel that represents a war club ML001853 创作者: Moche style…

Moche style1 AD – 800 AD 该作品的收藏者： This sculptural ceramic bottle depicts a two-headed snake coiled on itself. Its spiral body shows water-related symbols (circles) and motifs that resemble the spots of the jaguar skin. The two-headed snake is a mythological being very significant in the Andean world. It is linked to shamanic visions, and is considered a connector between different worlds. In the Andes, the Milky Way or the rainbow sometimes is portrayed as an arched two-headed snake. (UH) En esta botella escultórica de cerámica se representa una serpiente…