Museum

Unknown, Pre-Columbianca. 1000 – 1470 该作品的收藏者： 作品介绍 标题: Chancay Vessel 创作者: Unknown, Pre-Columbian 创作日期: ca. 1000 – 1470 位置: Peru 实际尺寸: w6 x h8.125 x d6 in 类型: Ceramics 权利: Gift from The Howard R. Greenberg Collection 材质: terracota 该作品收藏于： The Patricia & Phillip Frost Art Museum

乌斯特瓷器c. 1770 – 1772 该作品的收藏者： 作品介绍 标题: Chamber Stick 日期: c. 1770 – 1772 实际尺寸: w16.2 x h6.4 x d15.2 cm (overall) Manufacturer: Worcester Porcelain Manufactory Credit Line: The Museum of Fine Arts, Houston, The Rienzi Collection, museum purchase funded by the Reckling Family in honor of Harris Masterson III 类型: Ceramics 材质: Soft-paste porcelain 该作品收藏于： The Museum of Fine Arts, Houston

Chantilly Porcelain Manufactoryabout 1740 该作品的收藏者： Oval chamber pots such as this one have been known since the 1700s as bourdaloues. Legend has it that these objects were named after the Jesuit priest Père Louis Bourdaloue, who preached at the court of Louis XIV. Bourdaloue's sermons were apparently so long that the ladies at court asked their maids to supply them with chamber pots so that they would not be forced to leave and miss any of his wisdom. Others guess that Bourdoloue himself needed the vessel during his own sermons…

Chantilly Porcelain Manufactory (French, active about 1725 – about 1792)about 1740 该作品的收藏者： Oval chamber pots such as this one have been known since the 1700s as bourdaloues. Legend has it that these objects were named after the Jesuit priest Père Louis Bourdaloue, who preached at the court of Louis XIV. Bourdaloue's sermons were apparently so long that the ladies at court asked their maids to supply them with chamber pots so that they would not be forced to leave and miss any of his wisdom. Others guess that Bourdoloue himself…

12th century 该作品的收藏者： Recipiente de base plana, cuerpo alto y cilíndrico, de paredes gruesas y borde desarrollado al exterior, de perfil cuadrangular. Se encuentra vidriada en melado, en el interior, en el borde y en la parte exterior de la base. En el exterior la decoración es en cuerda seca total, con temática vegetal y organizada en tres bandas horizontales de cuadrados vidriados en verde. Su uso está relacionado con fines higiénicos y comienzan a producirse en al-Andalus a partir del siglo XII. 作品介绍 标题: Chamber pot 创作日期: 12th century…

Manufactuur Oud-Loosdrechtc. 1774 – c. 1778 该作品的收藏者： 作品介绍 标题: Chamber candlestick 创作者: Manufactuur Oud-Loosdrecht 创作日期: c. 1774 – c. 1778 实际尺寸: h 6.6cm – w 18.3cm – d 12.5cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Anonymous1800/1900 该作品的收藏者： 作品介绍 标题: Chaire met vogels en bomen 创作者: Anonymous 创作日期: 1800/1900 实际尺寸: h 5.3cm 外部链接: See more details about this work on the Rijksmuseum Website 材质: porcelain (material) 该作品收藏于： Rijksmuseum

Gerd Kn?pper2000 该作品的收藏者： Chaire (tea caddy, with wooden lid) Ceramic / poured glaze, ash glaze 作品介绍 标题: Chaire 创作者: Gerd Kn?pper 日期: 2000 位置: Japan 材質: Clay 实际尺寸: w7.5 x h10 cm (Complate) Ceramic: Gerd Kn?pper 出处: Gerd Kn?pper Gallery 类型: Ceramic 外部链接: http://www.gerdknaepper.com/ 材质: Clay 该作品收藏于： Gerd Kn?pper Gallery

Aztec15th-16th century 该作品的收藏者： 作品介绍 标题: Ceremonial Pitcher Depicting Xochipilli 创作者: Aztec 日期: 15th-16th century 实际尺寸: w15.2 x h21 cm (overall) Credit Line: The Museum of Fine Arts, Houston, museum purchase funded by Mrs. Harry C. Hanszen, by exchange 类型: Ceramics 材质: Ceramic 该作品收藏于： The Museum of Fine Arts, Houston

Foto: AMHEarly Middle Ages 该作品的收藏者： The pot from Ketzendorf gives an idea of its original appearance. 作品介绍 标题: Ceramics 创作者: Foto: AMH 日期: Early Middle Ages 位置: Ketzendorf, Kr. Stade, Niedersachsen 出处: Arch?ologisches Museum Hamburg Stadtmuseum Harburg|Helms-Museum 类型: Ceramic 材质: Clay 该作品收藏于： Hamburg Archaeological Museum

Hohokam1100/1300 该作品的收藏者： Small to medium sized modeled spindle whorl. Generally spherical shaped and slightly flattened at the poles. Shallow groove around the circumference has a series of short incised lines that run perpendicular to and across it. The whorl has been embellished with punctate decorations around each end of the perforation. One side has them arranged in four lobes radiating from the perforation, like a flower. The other side is more abstract, with a generally ovate design. This spindle whorl was recovered from a pit associated with a deep adobe…

Unknown250 a.n.e. – 200 a.n.e. 该作品的收藏者： Urna cineraria ibérica realizada a torno en cerámica de color rojo amarillento debido a la cocción oxidante a la que ha sido sometido. Morfológicamente, está compuesta por una base circular plana que se desarrolla en un peque?o pie recto. El cuerpo es globular alcanzando el diámetro máximo en la parte inferior del mismo. Tiene un cuello estrangulado y de escasa longitud que desemboca en una boca circular que termina en un labio exvasado con un replegado simple. La superficie exterior ha sido preparada mediante…

Bernhard Erndt2nd half of 19th century 该作品的收藏者： From the second half of the 19th century the heating stoves at Sch?nbrunn Palace were successively replaced in Rococo Revival style. The work was carried out by the master stove-fitter and potter Bernhard Erndt, purveyor to the imperial court. 作品介绍 标题: Ceramic stove 日期: 2nd half of 19th century Process/technique: Glazed, gilded Potter/stove-fitter: Bernhard Erndt Epoch: Rococo Revival Ceramic stove: Sch?nbrunn Palace, Sch?nbrunn Palace 出处: Schlo? Sch?nbrunn Kultur- und Betriebsges.mb.H. 类型: Ceramic stove 外部链接: http://www.schoenbrunn.at/en/things-to-know/palace/tour-of-the-palace/guard-room.html 材质: Earthenware 该作品收藏于： Sch?nbrunn Palace

Carrie Reichardt2007/2009 该作品的收藏者： Beginning in 2006 the British artist created a variety of unique ceramic spray cans. Ten of these spraycans are now part of The Widewalls Collection. They are ceramic slips with silver luster and on-glaze,layered, printed transfers. Carrie Reichardt chose the spray can because it is a contemporary, iconicsymbol of resistance that resonates with a growing audience for urban and street art. She wanted toexpose them to certain ideas, to a particular kind of political content. Graffiti, writing on walls is a potent,expressive form. Carrie experimented with different…

Julia Isidrez2013 该作品的收藏者： series of 5 Ceramics 作品介绍 标题: Ceramic Sculptures 创作者: Julia Isidrez 创作日期: 2013 实际尺寸: variable dimensions 出处: Acquisition 2013 权利: ? Julia Isidrez. Courtesy Fredi Casco et Fernando Allen 材质: Enameled ceramic 该作品收藏于： Fondation Cartier pour l'art contemporain

Hohokam900/1100 该作品的收藏者： Solidly modeled mammalian quadruped with elongated body and upright ears and tail. Mouth is open, upper part of muzzle is missing, so this specimen lacks nostrils. Punctuate eyes are deep and oval in shape. Anus is more triangular. Design is relatively well preserved, only partially obliterated by erosion, soot and soil. Vertical stripes are painted up forelegs to a band around neck. Horizontal stripes extend along the body and up the tail. There are also vertical lines on the hindquarters. Surface is porous with micaceous schist and sand…

UnknownGoryeo Dynasty – Joseon Dynasty 该作品的收藏者： 作品介绍 标题: Ceramic Masterpieces in Horim Museum 创作者: Unknown 日期: Goryeo Dynasty – Joseon Dynasty 出处: Horim Museum 类型: Porcelain 该作品收藏于： Horim Museum

Roman1st century AD 该作品的收藏者： 作品介绍 标题: Ceramic Lamp 创作者: Roman 创作日期: 1st century AD 实际尺寸: w25.4 x h33 x d7 cm (overall) Period: Roman Empire Credit Line: The Museum of Fine Arts, Houston, museum purchase funded by an anonymous donor in honor and appreciation of Beth Schneider 类型: Ceramics 材质: Glazed ceramic 该作品收藏于： The Museum of Fine Arts, Houston

Factory of Pickman – The Cartuja of Seville1900/1950 该作品的收藏者： A spool-type ceramic insulator for electrical installations with the shape of a grooved cylinder. Electrical systems, whether transformers, power or control boards, and old posts needed the use of moulded support or spool insulators of different kinds and shapes. Today they are made in glass fibre or epoxy resin but in the first half of the 20th century they were made in porcelain because it is a highly stable material suited to prevent electrons flowing through them. These types of pieces…

-1/1 该作品的收藏者： 作品介绍 标题: Ceramic fragment: black and blue underglaze 位置: Iran, Afrasiyab 外部链接: For more information about this and thousands of other works of art in the Freer|Sackler collection, please visit http://www.asia.si.edu/. 材质: Ceramic Credit Line: Gift of Mary Slusser in memory of Dorothy Shepherd Payer Collection: Freer Study Collection 该作品收藏于： Freer and Sackler Galleries

Sampson Smith1849/1849 该作品的收藏者： Ceramic figures of James Blomfield Rush, Norfolk murderer and Emily Sandford, girlfriend of James Blomfield Rush. The James Rush figurine is in a blue frock coat, green waistcoat, pink trousers with his left hand resting on the witness box and his right hand holding papers; the Emily Sandford figurine is in a a pink skirt with black sprigs, a blue bodice, and pale blue hood; she is holding a kerchief and paper in possibly in the witness box. On the base of the James Rush figurine an…

Unknown300 a.n.e. – 200 a.n.e. 该作品的收藏者： Plato realizado a torno en cerámica de color beige, debido a la atmósfera oxidante a la que ha sido sometido en el proceso de cocción. La pieza está compuesta por una base circular ligeramente rehundida al interior, sobre la que se levantan las paredes divergentes que dibujan un perfil sinuoso. La boca alcanza el diámetro máximo de la pieza y está rematada por un borde exvasado y replegado simple. El plato ha sido recubierto por una capa de engobe de color beige, sobre la…

Unknown50 – 100 该作品的收藏者： Taza de cerámica de paredes finas realizada en arcilla de color rojo amarillento claro. El cuerpo está compuesto y se apoya en un pie recto de planta circular. Por la parte superior, la taza termina en una boca circular con labio recto engrosado y algo almendrado. Está decorada con imbricaciones de aplicaciones arenosas en filas de finos gránulos (puntillada). En el borde superior de la pieza esta decoración finaliza para dar paso al labio liso que solo presenta la moldura almendrada. Procede de Las Pozas, Monturque…

Unknown6c – 7c 该作品的收藏者： Excavated from Shibuyamaike site,Shimane Prefecture Japan,Kofun period,6th century 作品介绍 标题: ceramic coffin 创作者: Unknown 日期: 6c – 7c 类型: Ceramic 该作品收藏于： Shimane prefectural museum "Yakumotatsu Fudoki no oka"

Salinar style1250 BC – 1 AD 该作品的收藏者： This sculptural ceramic bottle portrays in its upper body incised and painted stepped motifs, and semicircular bands. The stepped motif is referred to the connection between the worlds (upper, earthy, inner) and the dynamic between them. The symbols in the shape of an arch usually refer to the celestial vault. (UH) Esta es una botella de cerámica con motivos escalonados entrelazados incisos y pintados en la el cuerpo del contenedor, y bandas semicirculares incisas y pintadas en la parte superior del mismo. El…

Moche style1 AD – 800 AD 该作品的收藏者： This is a ceramic bottle that portrays stepped symbols and volutes. For the societies of ancient Peru in common with all agricultural societies it was essential to understand the cycles of nature. They knew that nature existed in cycles, marked by the return of the seasons. Ancient Peruvians believed that in a similar way, we humans are born, live, die and pass into the subterranean world from which life is born again. The Andean cosmovision conceives three planes, or worlds: The upper world,…

Salinar style1250 BC – 1 AD 该作品的收藏者： This sculptural ceramic jar portrays in its upper body incised and painted stepped motifs and volutes. The stepped motif with volute is probably the most frequently represented motif in pre-Columbian art, in many styles and periods. It is a motif referred to the connection between the worlds (upper, earthy, inner) and the dynamic between them. It is also associated with the symbolism of the mountain and the water running down the coast from the highlands. Color has been applied post-fire in the area…

Nasca style1 AD – 800 AD 该作品的收藏者： This is a ceramic vase with designs of mythological faces and seeds. In the ceramics Nazca B or Prolific Nazca style the decorative themes multiply, reflecting a fear for emptiness (horror vacui). Complex representations of humans, animals and supernatural beings are frequent, and naturalistic representations are scarce. The feline god continues as a divinity, and is represented in a stylized way. A flying feline carries a large nose ring with rays that end in snake heads. We continue to see the combination of…

Paracas style1250 BC – 1 AD 该作品的收藏者： This sculptural ceramic jar portrays in its upper body concatenated fish heads displayed in a band. The color was applied post-fire in the area demarcated by the incisions. Water symbolism is present in this Paracas jar that is more than 2000 years old. (UH) Este es un cántaro de cerámica que presenta cabezas de peces concatenadas en una banda en la parte superior del cuerpo del cántaro. El color ha sido aplicado post-cocción en el área demarcada por las incisiones. Simbolismo relacionado al…

Nasca style1 AD – 800 AD 该作品的收藏者： This is a ceramic sculptural vase portraying mythological faces and head offerings. In the pottery of the Late Nazca style the designs multiply, reflecting a fear for emptiness (horror vacui). Complex representations of humans, animals and supernatural beings are frequent, and naturalistic representations are scarce. The feline god continues as a divinity, and is represented in a stylized way, as a flying feline wearing a nose ring with rays that sometimes end in snake heads. The traits of the feline, bird and snake…

Moche style1 AD – 800 AD 该作品的收藏者： This is a ceramic jar with birds and rays designs intertwined and stepped and scrolls designs. Birds are animals related to the upper world, and the rays are marine animals. Both animals when interlaced communicate the connection between the two worlds. (UH) Este es un cántaro de cerámica con dise?os de aves y rayas entrelazadas, y escalonados con volutas. Las aves son animales vinculados al mundo de arriba, y las rayas son animales marinos. Ambos animales entrelazados comunican la conexión entre ambos mundos….

Moche style1 AD – 800 AD 该作品的收藏者： This is a ceramic bowl depicting episodes of the heroic quest of Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language), the Moche mythological personage characterized by a belt and ear ornaments with snake heads, fangs in his face, and a headdress that varies according to the context in which he is located as part of his quest. In this piece we see some episodes of his mythological cycle concerning his entrance to the world below. Ai Apaec combats…

Moche style1 AD – 800 AD 该作品的收藏者： This is a ceramic bowl depicting episodes of confrontations of the hero Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language) who is the Moche mythological personage characterized by a belt and ear ornaments with snake heads, fangs in his face, and a headdress that varies according to the context in which he is located as part of his quest. In this piece we see some episodes of his mythological cycle concerning his entrance to the world of the…

Moche style1 AD – 800 AD 该作品的收藏者： This Moche ceramic bottle represents a tree with hanging ulluchu fruits. This fruit was so named by Rafael Larco, and has recently been identified botanically as a species of Guarea. The chemical composition of this species supports the hypothesis of consumption of this fruit in ceremonial contexts to facilitate removal of the sacrificial victims′ blood, since its components can increase blood pressure, cause arrhythmia, spasm and expansion of blood vessels. The fruits of ulluchu are usually depicted on the Moche art scenes of…

Moche style1 AD – 800 AD 该作品的收藏者： This is a ceramic bottle representing intertwined spirals. The ancient Peruvians had, like any agricultural society, a key concern to understand the cycles of nature. They knew that there are cycles in nature, such as those marked by the return of the seasons, and believed that in a similar way, we humans are born, live, die and pass into the subterranean world from which life is born again. In the Andean worldview these natural cycles are possible because the forces which give life…

Moche style1 AD – 800 AD 该作品的收藏者： In this Moche ceramic bottle many lima beans are depicted. The lima bean (Phaseolus lunatus) is a legume domesticated in the Andes around 2000 BC and is one of the staples in the Peruvian coast. The lima bean is a seed that allows easily observing the germination process and reproduction, and as such, symbolically expresses the ability to grow and reproduce. In Peru, lima beans with black spots of different shapes grow, which are known as "oracle lima beans" because they are part…

Humaya style800 AD – 1300 AD 该作品的收藏者： This is a ceramic jar representing an ancestor with a funerary mask sitting inside enclosure roof. The structure looks like a small house, with a roof and columns in which you can see a character with a face that actually corresponds to a funerary mask. This space would represent the ancestral house, or the tomb where the ancestor was buried, considered a sacred place. The piece is decorated with various geometric motifs, among which intertwined scrolls, stepped motifs and the Andean cross or…

Moche style1 AD – 800 AD 该作品的收藏者： Moche art presents a comprehensive set of representations of sexual activities, including copulation between humans and deities. The relief scene on this ceramic bottle portrays Ai Apaec copulating with a woman, who probably represents the earth. Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language) is the Moche mythological hero characterized by a belt and ear ornaments with snake heads, fangs in his face, and a headdress that varies according to the context in which he is located as…

Moche style1 AD – 800 AD 该作品的收藏者： This is a ceramic bottle depicting a scene of sacrifice ceremony of the captive warriors and presentation of the cup to the mayor Moche gods, from the northern coast of Peru. This bottle is about 1500 years old. The scene surrounds the body of the bottle, and there are some drawings in the spout and arched handle. A two-headed snake divides the globular body of the bottle into two hemispheres: an upper and a lower one. In the lower section the sacrifice is…

Moche style1 AD – 800 AD 该作品的收藏者： This ceramic bottle depicts two ceremonial scenes. In one of them, the mythological Mochica hero Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language) is shown with clasped hands in an attitude of prayer. He wears a shirt decorated with rectangular plates, probably of metal, and wears a headdress composed of two plumes in the ulluchu fruit shape. In the back of his outfit hangs an ornament in the shape of a feline skin, which also appears as part…

Moche style1 AD – 800 AD 该作品的收藏者： This is a ceramic bottle depicting a mythological scene of presentation of the cup between two of the most important gods Mochica. In one of the fronts of the piece, Radiant represents God, with his warrior helmet, crescent-shaped ornament or tumi, and rays coming out of his body. On the other front, it represents the God of Darkness and the inner world, night, and wet, wearing the crown, and wearing a headdress shaped front octopus and a snake that falls like a blanket…

Moche style1 AD – 800 AD 该作品的收藏者： This is a ceramic bottle depicting a scene of ritual dance known as the Dance of the Rope. It this dance the participants hold a rope. At the center of the rope, a larger character which sacred features stands. He wears a helmet of conical shape characteristic of the warriors and of the Radiant God, but on its sides are two snakes running down as the waters that descend from the hills. At the top, a tumi crescent element crowns the headdress, strengthening…

Moche style1 AD – 800 AD 该作品的收藏者： This is a ceramic bottle depicting a mythological scene of lima-beans deciphering. The scene is organized in three levels. At the top there are two mythological beings: one is an anthropomorphic personage with feline fangs and a headdress adorned with a semicircular element, the other is an anthropomorphic owl. Both are sitting on the side of a mound of sand, and are interacting with sticks and lima-beans with spots, in a kind of divination game. In the second level there are four zoomorphic…

Moche style1 AD – 800 AD 该作品的收藏者： This ceramic bottle represents the myth of the Revolt of the Objects. In the scene two main personages of the Moche mythology can be distinguished: the Owl God and Moon Goddess, standing in a central position on one of the frontal sides of the bottle. At the bottom, eleven warriors walk on the threads that are unwound from a couple of skeins that are shown as spirals with snake heads. These are manipulated by a priestess, who is surrounded by anthropomorphic weaving instruments….

Moche style1 AD – 800 AD 该作品的收藏者： On this ceramic bowl a mythological scene is painted. Ai Apaec (so named by Rafael Larco, meaning "the maker” in Muchik language), the Moche mythological personage characterized by a belt and ear ornaments with snake heads, fangs in his face, and a headdress that varies according to the context in which he is located as part of his quest, is represented. In this case he is wearing the headdress that has feathers and a feline head. He holds a knife in one hand,…